Word and Image: Creating New Narratives

By Joe Gamble

In this simple exercise, learners will explore the relationship between word and image through collage, experimenting with how combining the two can change context, create new narratives, and form stories in the process. They will use sketchbooks, collage and typography as a part of this exploration.

This exercise can be completed in 1-2 hours or spread out across a few sessions, depending on the abilities of learners or the time available. This resource is suitable for learners ages 16 and up.

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“It’s great to see how a simple exercise such as colour collecting, which can be done in a classroom setting, is also used in a professional capacity. This gives the activity a clear context and purpose. It’s nice to see Rachel’s  decisions being made in real time, it demonstrates how artists are constantly reflecting on and self evaluating their own decisions. Rachel also shows us that she sometimes gets colour palettes from photos that she’s taken herself, this is really exciting because it demonstrates how the artists experience is central to their work. Students will be able to bring their own experience and personality to this activity by having complete control over what their colour moodboard becomes.” – Tobi, AccessArt

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Animation Set Design Challenge

Use this challenge to design and make a model “set” for an animation.

1. Explore the Rosie Hurley: Esio Trot resource to see how artist Rosie uses her sketchbook to help her design and make a set for an animation project.

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2. Decide upon your creative stimulus.

Your set will be inspired by a particular poem, story, short film or piece of music. Make sure you are familiar with the stimulus by watching / listening to it many times. Talk about it with your class so you can start to understand characters/mood/settings/narrative.

3. Use your Sketchbook

Use your sketchbook, just as Rosie does, to help you understand the stimulus. If the stimulus is visual, like a film, then pause the film and make drawings of scenes which you feel are important.

If the stimulus is aural, listen and use your imagination to make sketchbook drawings.

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4. Think about Structure

Start to think about what scene or set you will create. It can change as you work, but try to have a starting point. Think about:

  • Is it indoors or outdoors?

  • Is it on one level?

  • What would the audiences’ viewpoint be?

  • Does it have spaces within it?

  • Will it have movable walls/parts?

Try to think of it as a 3d composition.

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5. Think about Colour and Texture

Use your sketchbook to explore colour palettes. What colours would suit your set/the initial stimulus? Mix and test colours in your sketchbook, or cut colours from magazines and stick them in.

Think about how you use the colours too. Think about backgrounds, foregrounds, objects on the stage. Will there be colour everywhere? Will you have areas of no colour?

Think about the materials and textures you will use when you build your model set. Explore different materials – fabrics, wire, wood, paper, string, found objects… there is no limit to the materials you might use.

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6. Start Building your Model Set

Take a box, and cut away some sides so you are left with a 3, 4 or 5 sided structure in which to make your model set. Don’t forget to look back through your sketchbook to see your ideas about structure.

Start making! This is the fun bit and your ideas might change from your initial sketchbook work – and that is absolutely fine and as it should be!

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7. Think about Lighting

Finally it is time to light your set. Consider how you might use torches or natural light to light the set. Perhaps you will use coloured lenses too. Remember lighting is a key tool to create mood and it should be used with the mood of the original stimulus in mind.

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8. Photograph your Set!

Take photographs of your set, making sure you explore camera angles, near and far focus and lighting.

If you have time, use your set as basis for an animation!

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How would it feel to be in the spaces Krijn creates?

How do you think he chooses the colour for each wall? How do you think the shape and size of the wall affects the colour too?

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Sculptural Challenge! 

Use Krijn’s work as your inspiration, think about how you might make a series of colourful walls. You won’t be building a life-size sculptural installation (not today anyway!) but instead you can either make a model or create a piece of 2d artwork which shares your vision. Remember, because you are not creating the artwork then you can really be imaginative and dream!

Here are some clues, but you may have your own ideas too:

Use your sketchbook to “collect” colours that you like. Find them in magazines by cutting swatches out, find them by mixing paints, find them by mixing other materials. Record them, test them, label them, make notes (what colours did you mix?), name them (the names you give them might help you to describe the affect they have on you).

Next think about what the “walls” would be like. What shape? What size? Would they enclose? Would they have holes? Would there be a roof? How do they connect? How would the person get in to the space? How would you want the person to feel? Again, use your sketchbook to plot and plan. 

Think too about the location or context you would like your sculptural installation to be in. Would you like it to be in the Antarctic? The jungle? The high street? Again, use your sketchbook. 

Think about how you would apply your colours to the walls? Would each wall be one colour? Would you introduce pattern? Images? Again, use your sketchbook.

Finally, either make a model using card, paint, fabric etc to share your vision, or make a 2d artwork. 

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You won’t be building a life-size sculptural installation (not today anyway!) but instead you can either make a model or create a piece of 2d artwork which shares your vision. Remember, because you are not creating the artwork then you can really be imaginative and dream!

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Use your sketchbook to “collect” colours that you like. Find them in magazines by cutting swatches out, find them by mixing paints, find them by mixing other materials. Record them, test them, label them, make notes (what colours did you mix?), name them (the names you give them might help you to describe the affect they have on you).

Think about the kinds of forms (shapes) you would like the coloured light to fall on to. Would you like the coloured light to surround a person, or would you like the person to pass near the objects? How would the person enter the space? Would the space be very small or very large? How would you want the person to feel? Again, use your sketchbook to plot and plan. 

Think too about the space you would like the coloured light to be in. Would you like it to be a dark space so that the lights show up against the darkness, or would you prefer a light space, so that it feels floaty and ephemeral? 

Think about how you would apply your colours to the walls? Would each wall be one colour? Would you introduce pattern? Images? Again, use your sketchbook.

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