Explorer’s Books: Collecting Colour

In this colour exploration aimed at EYFS and SEND groups, pupils have the opportunity to explore how various media responds on a textured surface. This activity encourages the development of skills such as colour recognition, colour mixing, mark-making and also aims to nurture curiosity and creative risk taking. The resultant fabric sketchbooks prompt discussion, and develop ownership and oracy skills.

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AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.



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T-Shirt Paintings

In this resource aimed at EYFS and SEND groups, learners will have the opportunity to design and wear their own T-shirt

In this resource aimed at EYFS and SEND groups, learners will have the opportunity to design and wear their own T-shirt

Autumn Floor Textiles

Use a variety of different materials on calico as well as use new techniques such as wax resist

Use a variety of different materials on calico as well as use new techniques such as wax resist

Marbled Hole Punch sketchbooks

Create simple and inexpensive sketchbook made up of old paper

Create simple and inexpensive sketchbook made up of old paper


Collaging with Wax Crayon Rubbings

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Transforming Objects

Painted Found objects by Paula Briggs

Autumn Floor Textiles

Final Autumn Floor Textiles Made Using Rubbing by Tobi Meuwissen

Imaginary landscapes

Drawing on Landscape Collage by Tobi Meuwissen


Repeat Pattern Printing Roller

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Printing with string

Explore 3 different methods of printing with string

Explore 3 different methods of printing with string

Modroc Plasterboard

Mold modroc over found materials to create textured plasterboards

Mold modroc over found materials to create textured plasterboards


Which Artists: Ava Jolliffe


Making Musical Instruments

What We Like About This Resource….

“It’s great to see music being explored in this way, and combining it with making creates a really interesting immersive project. This activity would work well as part of an extended project looking at musical instruments around the world and some of the natural materials they are made from.” – Rachel, AccessArt

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Pathway: Music and art

This is featured in the 'Music and Art' pathway

This is featured in the ‘Music and Art’ pathway

talking points: wassily Kandinsky

"File:Vasily Kandinsky, Improvisation No. 30 (Cannons), 1913, 1931.511, Art Institute of Chicago.jpg" by Wassily Kandinsky is marked with CC0 1.0.

drawing source material: orchestras

Orchestra

A Cheerful Orchestra

One of our favourite musicians!

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Linda Bell at Arts Fringe

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Jennifer Lauren Gallery Work By Nnena Kalu


Cupid and Psyche: How a Fifteenth-Century Renaissance Panel Became the Most Loved Painting in Cambridgeshire


To Construct…

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Explore artist Nnena Kalu

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To Colour….


Sensory Spaces: An Autism-Friendly Project

To Connect


At the beginning of the project it was important to take time getting used to each other, the learning space and the surrounding environment. Below is a list of considerations you may find helpful to use in your own learning spaces. Be aware of the daily sounds, smells and other textures of life in your learning space; a constant humming noise or flickering light may be stressful for a child with autism. Allow time for everyone to feel their way in the space; connections may be made through the use of different senses and body parts.

At the beginning of the project it was important to take time getting used to each other, the learning space and the surrounding environment. Below is a list of considerations you may find helpful to use in your own learning spaces. Be aware of the daily sounds, smells and other textures of life in your learning space; a constant humming noise or flickering light may be stressful for a child with autism. Allow time for everyone to feel their way in the space; connections may be made through the use of different senses and body parts.

To Conceal


During the six week project, the group explored different themes and actions, some of these were displayed through learning schemas. In week 2 we experimented with different ways to conceal ourselves and objects; schemas such as enveloping and enclosure were exhibited by the group.

During the six week project, the group explored different themes and actions, some of these were displayed through learning schemas. In week 2 we experimented with different ways to conceal ourselves and objects; schemas such as enveloping and enclosure were exhibited by the group.

To Colour

Two of the sessions explored the theme of colour. The first was rather abstract, I asked questions such as; What does colour smell like? What does colour feel like?
For a child on the autistic spectrum, a question like this may be confusing, some autistic people think and understand literally. So instead of directing these questions at the children, I answered and speculated on them myself. These abstract questions became vehicles for the workshops documented below.

Two of the sessions explored the theme of colour. The first was rather abstract, I asked questions such as; What does colour smell like? What does colour feel like?
For a child on the autistic spectrum, a question like this may be confusing, some autistic people think and understand literally. So instead of directing these questions at the children, I answered and speculated on them myself. These abstract questions became vehicles for the workshops documented below.

To Construct


In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project. Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it.

In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project. Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it.


To Conceal….

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Explore how Linda Bell creates sculptures


Explore how Linda Bell creates sculptures

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Explore artist Nnena Kalu


Explore artist Nnena Kalu


To Connect…

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Talking Points: Linda BEll


Explore how Linda Bell creates sculptures


Explore how Linda Bell creates sculptures

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Explore artist Nnena Kalu


Explore artist Nnena Kalu


Decorative Eggs


World in a Matchbox

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