How I use my Sketchbook as an Illustrator, by Alice Bowsher

In the series ‘How Artists Use Their Sketchbooks’, we are celebrating the different ways in which artists use their sketchbooks, spanning across a range of disciplines, to open up minds as to what a sketchbook is and can be, from the perspective of practicing artists.

In this video, illustrator Alice Bowsher shares with us how she uses sketchbooks in a professional capacity, to take notes, write timelines, and generate ideas, as well as also for her own personal practice, as a space to experiment.

Log in below as a member to watch the full video.

 


Please log in here to access full content.

Username
Password


Remember me
Forgot Password

 

To access all content, I would like to join as…

An Individual

Creative practitioners, educators, teachers, parents, learners…


An Organisation…

Schools, Colleges, Arts Organisations: Single and Multi-Users



AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.




Adapting AccessArt: Sequence and Story Building

You May Also Like…

3-panel drawing challenge

Comic By Rozi Hathaway

Drawing Stories

CKJabberwock - Ellie Somerset


How I use my Sketchbook as an Illustrator by Tobi Meuwissen


Illustrating a Book: The Making of Rabbit, Cactus, Accident

What We Like About This Resource…

“I really like how Yu-Ching’s process combines hand-drawing and painting, before moving across to digital. Combining those processes ensures that the illustrations retain a very warm, tactile look to them, but the digital element refines the imagery. We really like what Yu-Ching says about the benefits of silent books being universally understood and feel that the benefits and challenges of not using words means that the imagery has to be really clear, which encourages lots of exciting creative problem-solving.” – Tobi, AccessArt

You May Also Like…

Creating a Storyboard and dummy book

Final pages of concertina dummy book - Emma Malfroy

Drawable: the 3 Panel Challenge

The Three Panel Challenge by Rozi Hathaway

Drawable: My Tiger Sketchbook

Inbal Leitner

Illustrating The Jabberwocky

CKJabberwock - Ellie Somerset


Sketch Your World: Drawing The Details


Sketch Your World: Perspective


Sketch Your World: Choosing Subject Matter


Sketch Your World: Materials


Sketch Your World: Sketchbooks & Composition


Sketch Your World: The Basics


Escaping Wars and Waves – Encounters with Syrian Refugees

What We Like About This Resource…

This resource really demonstrates how art can successfully bring awareness to important humanitarian issues, promote inclusivity and can give a platform to those who otherwise wouldn’t be heard. The links between text, photos and drawings are really strong and demonstrate the creative process used by Olivier from start to finish. I really like the inclusion of suggestions for students within the post, which encourage students to learn more about their community and to understand the experience of being displaced. This is turn will hopefully inspire the next generation to be part of an inclusive and empathetic society.‘ – Tobi, AccessArt


Exploring Macbeth Through Art: Light and Dark Posters


Which Artists: Merlin Evans

What We Love About This Resource…

So often, we hear talk of the distinction between science and art, and no more so when teenagers proceed through their education and they are encouraged to choose one route or another. In reality, creative thinking helps scientific understanding and a scientific approach can inform and inspire art.

It’s so refreshing to read and see Merlin’s experience and understand how she works between these two areas – in her words “mixing subjects, and seeing how they work and intersect is where inventions take place!

We also love the way her work embraces the felt world of being human, as well as the known world. We’re sure many young people will find Merlin’s work of interest and reassuring when they are pressured to choose “art or science“.

You May Also Like…

Drawing for Learning

Dr Fay Penrose, PhD, PGCert, SFHEA, BA(Hons) Senior Lecturer in Veterinary Anatomy and Head of First Year in Veterinary Science, University of Liverpool, explores why visual and tactile literacy and manual dexterity skills are important in the STEM subjects in higher education.

Dr Fay Penrose, PhD, PGCert, SFHEA, BA(Hons) Senior Lecturer in Veterinary Anatomy and Head of First Year in Veterinary Science, University of Liverpool, explores why visual and tactile literacy and manual dexterity skills are important in the STEM subjects in higher education.

Drawing as a Way of Understanding

Fay Penrose, Lecturer in Veterinary Biology at The Veterinary School at University of Liverpool, who shares her work in introducing drawing as a way of checking understanding of complex subjects. This methodology would be very transferable to a number of subject areas in schools.

Fay Penrose, Lecturer in Veterinary Biology at The Veterinary School at University of Liverpool, who shares her work in introducing drawing as a way of checking understanding of complex subjects. This methodology would be very transferable to a number of subject areas in schools.

Drawing as a Way of Understanding

Resource by Andrea Butler sharing her process of making drawings whilst walking. "I wanted to develop a way of drawing that captured my sensory and visual experiences as I moved through the landscape."

Resource by Andrea Butler sharing her process of making drawings whilst walking. “I wanted to develop a way of drawing that captured my sensory and visual experiences as I moved through the landscape.”


Which Artists: Claire Harrup

What We Like About This Resource….

“We really enjoyed reading about the process of creating art work according to a design brief and how the experience of this differs to when an artist begins with their own idea or concept. That’s not to say an artist can’t approach a brief with their own individual style and ideas, but what this post shows us is that there can be a balance between the two. This would be a great resource to show older KS pupils who may be beginning to consider their options beyond Primary School”. – Rachel, AccessArt

You Might Also Like….

Pathway: 2D Drawing to 3D Making

This is featured in the '2D Drawing to 3D Making' pathway

This is featured in the ‘2D Drawing to 3D Making’ pathway

Talking Points: Packaging Design

Orange Juice Redesign https://www.youtube.com/watch?v=TzzlNni_K4o&t=364s

What is Typography

What is typography

Which Artist: Rachel Parker

Fabrics for Dashwood Studio by Rachel Parker

Repeating Patterns

Wallpaper Mockup Rachel Parker

Block Printing Repeat Patterns

Andy McKenzie and Jan Ayton stamp printing


DrawAble: My Tiger Sketchbook by Inbal Leitner

What We Like About This Resource….

“This resource is a lovely example of how words and text can generate ideas, which can then be transferred to paper. Working in this way with children is a great way fo them to engage with literature – and to have an individual response. Try reading poems out loud to a class and ask them to list all the images that spring to mind before exploring those images through drawing”. – Rachel, AccessArt

You May Also Like…

Pathway: Telling Stories through drawing and making

This is featured in the 'Drawing Stories Through Drawing and Making' pathway

This is featured in the ‘Drawing Stories Through Drawing and Making’ pathway

Rosie Hurley: Esio Trot

Sketchbook Page of Room Compositions on Colour by Rosie Hurley

Poetry and Printmaking

The first poem I chose is called One Good Churn by Michael Tod

Found Poetry

Image0


Drawable: The Ingredients and Elements of the Poem by Inbal Leitner

You Might Also like…

Pathway: Telling Stories through drawing and making

This is featured in the 'Drawing Stories Through Drawing and Making' pathway

This is featured in the ‘Drawing Stories Through Drawing and Making’ pathway


DrawAble: Unfolding Stories by Inbal Leitner


Which Artists: Ava Jolliffe


Which Artists: 2B or Not 2B


Which Artists: Nathan Ward