Review: ScolaQuip Canvas Effect Frames


Every now and again we come across a product which we’ve not seen before but which makes perfect sense, and when we first saw these amazing foldable art canvases from Scolaquip we knew a lot of people would love them!

The market is flooded with canvases at accessible prices, which is great, and children and teenagers really enjoy using them. The problem especially for schools, is that they are bulky and take up precious storage space. So whoever thought of creating a canvas which is flat but which folds to a durable frame is a genius!

UK manufacturer Scolaquip is the only supplier of these nifty canvases. They come in two sizes: A4 and A5, and packs of 30.

AccessArt has trialled the canvases with different age groups and they have been a real hit with everyone who sees them. They have lots of great features, including:

Foldable Art Canvas

Great for drawing on

  • They are so solid. Even when unfolded, they can be used to draw or paint upon without the need for any kind of drawing board behind, even when drawing at an angle. When folded they feel substantial and strong.

Art canvas with textured surface

  • They have a lovely textured surface

Canvases which don't buckle

  • They don’t buckle even with wet paint.

Flat canvas before folding

  • Easy to store due to their flatness. Light weight.

Folding the Scola Canvas Effect Frame

  • Easy to fold – there’s even a video to help you along.

Painted on Scola canvas effect frame

Be creative with Scolaquip foldable canvases

Be creative with Scolaquip foldable canvases

  • They bring with them lots of creative potential. You can paint on them before or after you fold them. Use the “canvas” side, or reverse it and use the interior as a frame. Make 2-dimensional or 3-dimensional work.You can also of course paint the edges of the canvas.

Back of the Scola canvas effect frame

  • They have ready made holes for hanging.
  • 100% recyclable

 
scola_300


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Landscape Painting: A Collection of Resources by Hester Berry

 

The sea at Welcombe Mouth' by Hester Berry

Explore these resources created by artist Hester Berry, to develop your develop technique, observation, and good practice in painting and drawing when approaching the landscape as a subject.

The series begins with suggestions for how to keep a sketchbook followed by exercises in drawing and painting.

We hope that these exciting resources will inspire you to experiment with materials and techniques and  enable you to discover your own visual language for drawing and painting the landscape.

Explore Hester Berry’s resources to help build upon drawing and painting from life.

Explore the basics….

Develop your understanding of landscape painting

Introduction to Landscape by Hester Berry

An exercise in looking and discovering

An exercise in looking and discovering

Landscape Painting: Tone in the Landscape

Explore tone in the landscape 

Explore tone in the landscape 

Landscape Painting: Plein Air Painting

Explore what 'Plein Air' means

Explore what ‘Plein Air’ means

Landscape Painting: Colour in the Landscape

Simplify colour by breaking it down

Simplify colour by breaking it down

landscape Painting: Expressive mark Making

Practice and hone technical skills

Practice and hone technical skills


Arts and Minds: Asemic Writing and Invented Text


Arts and Minds: A ‘Heart-Work’ Conversation


Introduction to Landscape by Hester Berry


What is a Canvas? Exploration Activity


Year 3 & 4 Making Club: Animal Parade – Week Three


Painting the Light and the Dark…


Show Me The Shadows


Paint, Colour and Autobiographical Imagery


Exploration of Watercolour in the Studio

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Featured in the ‘Exploring Watercolour’ pathway

Pathway: Mixed Media Land and city scapes

This is featured in the 'Mixed Media Land and City Scapes' pathway

This is featured in the ‘Mixed Media Land and City Scapes’ pathway

PAINTING THE STORM AT BOURN PRIMARY SCHOOL

Graphite and watercolour cloud and rain

Collection of Landscape Resources by Hester Berry

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part 2: Exploration of Watercolour in the studio

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Talking Points: Paul Klee

The Firmament Above the Temple (1922) by Paul Klee. Original from The MET Museum


Introduction to Watercolour

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Pathway: Exploring Watercolour

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Pathway: Mixed Media Land and city scapes

This is featured in the 'Mixed Media Land and City Scapes' pathway

This is featured in the ‘Mixed Media Land and City Scapes’ pathway

PAINTING THE STORM AT BOURN PRIMARY SCHOOL

Graphite and watercolour cloud and rain

Collection of Landscape Resources by Hester Berry

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part 2: Exploration of Watercolour in the studio

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Talking Points: Paul Klee

The Firmament Above the Temple (1922) by Paul Klee. Original from The MET Museum


Exploring Watercolour at the Fitzwilliam Museum Cambridge with AccessArt

part 1: Introduction to Watercolour

The resource describes and demonstrates individual watercolour techniques, and then shows examples of these techniques in paintings from the Fitzwilliam Collection.

The resource describes and demonstrates individual watercolour techniques, and then shows examples of these techniques in paintings from the Fitzwilliam Collection.

part 2: Exploration of Watercolour in the studio

After studying paintings from the collection at first hand and identifying how various marks within the paintings may have been made, teachers undertake their own exploration of working with watercolour.

After studying paintings from the collection at first hand and identifying how various marks within the paintings may have been made, teachers undertake their own exploration of working with watercolour.


Painting the Storm, at Bourn Primary Academy


The Paint Swing-O-Meter


Gilding and a ‘Touch of Gold’


‘Pouncing’: A Simple Technique to Transfer Patterns onto Plaster Tablets


Detached and Timeless Painting Workshop by Sara Dudman


Making an Urban Landscape Painting by James Nairne