Landscape Painting: A Collection of Resources by Hester Berry

In this collection of resources on landscape, artist Hester Berry encourages “looking and discovering, browsing and daydreaming”. Hester discusses the work of other landscape artists, both historical and contemporary and encourages you to go out and record your impressions and experiences of the landscape in all its forms: “urban scenes, the country-side, inner-city green spaces and even the sky”.

The series begins with suggestions for how to keep a sketchbook followed by exercises in drawing and painting.

We hope that these exciting resources will inspire you to experiment with materials and techniques and  enable you to discover your own visual language for drawing and painting the landscape.

Introduction to Landscape by Hester Berry

This introduction to landscape painting is an exercise in looking and discovering, browsing and daydreaming.

This introduction to landscape painting is an exercise in looking and discovering, browsing and daydreaming.

Landscape Painting: Tone in the Landscape

In this post Hester Berry explores tone as a crucial aspect of landscape drawing and painting. 

In this post Hester Berry explores tone as a crucial aspect of landscape drawing and painting. 

Landscape Painting: Plein Air Painting

Plein Air painting is the practice of painting outside, normally in front of one’s subject.

Plein Air painting is the practice of painting outside, normally in front of one’s subject.

Landscape Painting: Colour in the Landscape

Hester Berry shows how working with colour can be broken down, simplified and approached in a pragmatic way.

Hester Berry shows how working with colour can be broken down, simplified and approached in a pragmatic way.

landscape Painting: Expressive mark Making

Practice and hone technical skills, use of tone and colour, observation and time spent in the landscape.

Practice and hone technical skills, use of tone and colour, observation and time spent in the landscape.


Arts and Minds: Asemic Writing and Invented Text


Arts and Minds: A ‘Heart-Work’ Conversation


Introduction to Landscape by Hester Berry


What is a Canvas? Exploration Activity


Year 3 & 4 Making Club: Animal Parade – Week Three


Painting the Light and the Dark…


Show Me The Shadows


Paint, Colour and Autobiographical Imagery


Exploration of Watercolour in the Studio

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Pathway: Exploring Watercolour

Featured in the 'Exploring Watercolour' pathway

Featured in the ‘Exploring Watercolour’ pathway

Pathway: Mixed Media Land and city scapes

This is featured in the 'Mixed Media Land and City Scapes' pathway

This is featured in the ‘Mixed Media Land and City Scapes’ pathway

PAINTING THE STORM AT BOURN PRIMARY SCHOOL

Graphite and watercolour cloud and rain

Collection of Landscape Resources by Hester Berry

img6-hester-berry

part 2: Exploration of Watercolour in the studio

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Talking Points: Paul Klee

The Firmament Above the Temple (1922) by Paul Klee. Original from The MET Museum


Introduction to Watercolour

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Pathway: Exploring Watercolour

Featured in the 'Exploring Watercolour' pathway

Featured in the ‘Exploring Watercolour’ pathway

Pathway: Mixed Media Land and city scapes

This is featured in the 'Mixed Media Land and City Scapes' pathway

This is featured in the ‘Mixed Media Land and City Scapes’ pathway

PAINTING THE STORM AT BOURN PRIMARY SCHOOL

Graphite and watercolour cloud and rain

Collection of Landscape Resources by Hester Berry

img6-hester-berry

part 2: Exploration of Watercolour in the studio

test

Talking Points: Paul Klee

The Firmament Above the Temple (1922) by Paul Klee. Original from The MET Museum


Exploring Watercolour at the Fitzwilliam Museum Cambridge with AccessArt

part 1: Introduction to Watercolour

The resource describes and demonstrates individual watercolour techniques, and then shows examples of these techniques in paintings from the Fitzwilliam Collection.

The resource describes and demonstrates individual watercolour techniques, and then shows examples of these techniques in paintings from the Fitzwilliam Collection.

part 2: Exploration of Watercolour in the studio

After studying paintings from the collection at first hand and identifying how various marks within the paintings may have been made, teachers undertake their own exploration of working with watercolour.

After studying paintings from the collection at first hand and identifying how various marks within the paintings may have been made, teachers undertake their own exploration of working with watercolour.


Painting the Storm, at Bourn Primary Academy


The Paint Swing-O-Meter


Gilding and a ‘Touch of Gold’


‘Pouncing’: A Simple Technique to Transfer Patterns onto Plaster Tablets


Detached and Timeless Painting Workshop by Sara Dudman


Making an Urban Landscape Painting by James Nairne


Intuitive Art- Freedom to Paint by Natasha Day


Newspaper Heads by Sharon Gale