Unesco: Celebrating the Power of Making!

By Jan Miller

Using colour on large scale work
Jan Miller

It’s in Our Hands

Inspired by Paula’s recent rousing film, I was keen to put some images together to illustrate the things the children in my class do with their hands. It shows them in the process of making, the work in progress by showing the process or technique and some final pieces.

Art For All

Being creative, in any media, should be an essential part of everyone’s leisure time and contributes to our well-being. Whether it is doodling, cutting, filming on your phone or moulding plasticine, making time to recharge our creativity makes us feel better and therefore is an essential part of children’s daily curriculum. It is appropriate for all ages and levels of ability.

Finding time to learn a new skill or craft, or nurture a hidden talent can be very rewarding. There are lots of short 1 day courses or have a look in the local library were shelves are dedicated to crafting with things found around the home. I have an upcoming workshop to forge a poker, make a clay tile and create a brooch.

Activities, held after school and at lunchtime, for my classes have included making props and signs for the school play, junk modelling, slow stich, knitting and circus headdresses.

It is important that teachers refrain from telling their class that they can’t draw themselves, as Art is much more than simply drawing with a sense of realism. The children should see teachers and adults engage as makers.

We make….

Paper houses made from printed papers
paper houses from our printed papers…

We draw…

Drawing on a large scale
…spontaneously on a large scale on painted paper, with no eraser.

We design…

Sketching and thinking through ideas
…by sketching to visualise and think through our ideas.

We shape…

Moulding clay

Using clay to mould and sculpt animals
…or using our drawings as templates for clay work.

We paint…

Mixing colours and adding texture
… by mixing our own colours, using sgraffito to add textures.

Jan Miller - Unesco
…and love painting collaboratively on a large scale with bright colours.

We cut…

Jan Miller - Unesco
…textures and patterns from magazine to make fun people from collage; and using our own photographs considering the positive and negative shapes.

Jan Miller - Unesco

We build…

Jan Miller - Unesco
… our ideal home – by making a tree house with found materials.

We print…

Jan Miller - Unesco
… by layering printing techniques.

Jan Miller - Unesco
… and making mock-etching prints by exploring mark-making.

We make marks…

Jan Miller - Unesco
…using brushes and pens to make thick and thin lines when drawing an imaginary village.

Jan Miller - Unesco
…make marks with any tools – using the wooden end of the brush to create a variety of lines.

We think…

Jan Miller - Unesco
… and learn about styles of Art in history and across different cultures through research.

We create…

Jan Miller - Unesco
… by making pictures that move and come to life when you interact with them, to make them slide, turn and pop up.

We produce…

Jan Miller - Unesco
… art that is colourful to surround us and celebrates our observations.

We share…

Jan Miller - Unesco
…our experience by inviting other schools to join us and support each other to be creative and make Art.

We try…

Jan Miller - Unesco
… by helping each other to share and learn crafting skills – using our hands to explore new materials. Inviting visitors into school to demonstrate and show their talents.

Jan Miller - Unesco

We test…

Jan Miller -Unesco
… by using sketchbooks to trial materials, techniques and mix colours, before using this information in subsequent work.

We collaborate…

Jan Miller - Unesco
… by working jointly on a larger piece.

We communicate…

Jan Miller - Unesco
… by making Art a gift for someone special, to be shared and treasured, like this pom-pom keyring.

We contribute…

Jan Miller - Unesco
…responding to art and sharing information. Taking notes when listening to galleries talking about art.

We celebrate…

Exhibited work of young artist competition

We imagine…

Jan Miller - Unesco
… by recycling and making with found materials. Shaping, cutting and sticking to make models such as our circus wagons to create our ideas.

Jan Miller - Unesco
…drawing from memory, imagination and observation.

Jan Miller - Unesco
… working quickly and spontaneously with pens and scissors.

Set your hands free…

Jan Miller - Unesco
… by casting in plaster and adding colour.

 

See Related Resources Here

It Is Through Our Hands…

Brilliant Makers Resources

See a selection of resources that support brilliant making in classroom settings and after school clubs.

Brilliant Makers

See a selection of resources that support brilliant making in classroom settings and after school clubs.

Design Through Making

Follow this link to see all AccessArt about designing through making and doing.

Design Through Making

Follow this link to see all AccessArt about designing through making and doing.

Make a pledge to Brilliant Makers

Brilliant Makers Clubs

With thanks to Jan Miller for contributing this resource. You can find more of Jan’s resources here.


This is a sample of a resource created by UK Charity AccessArt. We have over 1500 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


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To Construct…

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To Connect


At the beginning of the project it was important to take time getting used to each other, the learning space and the surrounding environment. Below is a list of considerations you may find helpful to use in your own learning spaces. Be aware of the daily sounds, smells and other textures of life in your learning space; a constant humming noise or flickering light may be stressful for a child with autism. Allow time for everyone to feel their way in the space; connections may be made through the use of different senses and body parts.

At the beginning of the project it was important to take time getting used to each other, the learning space and the surrounding environment. Below is a list of considerations you may find helpful to use in your own learning spaces. Be aware of the daily sounds, smells and other textures of life in your learning space; a constant humming noise or flickering light may be stressful for a child with autism. Allow time for everyone to feel their way in the space; connections may be made through the use of different senses and body parts.

To Conceal


During the six week project, the group explored different themes and actions, some of these were displayed through learning schemas. In week 2 we experimented with different ways to conceal ourselves and objects; schemas such as enveloping and enclosure were exhibited by the group.

During the six week project, the group explored different themes and actions, some of these were displayed through learning schemas. In week 2 we experimented with different ways to conceal ourselves and objects; schemas such as enveloping and enclosure were exhibited by the group.

To Colour

Two of the sessions explored the theme of colour. The first was rather abstract, I asked questions such as; What does colour smell like? What does colour feel like?
For a child on the autistic spectrum, a question like this may be confusing, some autistic people think and understand literally. So instead of directing these questions at the children, I answered and speculated on them myself. These abstract questions became vehicles for the workshops documented below.

Two of the sessions explored the theme of colour. The first was rather abstract, I asked questions such as; What does colour smell like? What does colour feel like?
For a child on the autistic spectrum, a question like this may be confusing, some autistic people think and understand literally. So instead of directing these questions at the children, I answered and speculated on them myself. These abstract questions became vehicles for the workshops documented below.

To Construct


In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project. Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it.

In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project. Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it.


To Conceal….

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Explore how Linda Bell creates sculptures


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Explore artist Nnena Kalu


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The August Creative Challenge Gallery – Week Four


Supersized Jewellery

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See This Resource Used In Schools…

Year 6, Sheffield High School
Year 6, Sheffield High School
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Year 6, Sheffield High School
Year 3 & 4, Malpas Alport Primary School
Year 3 & 4, Malpas Alport Primary School
Year 3 & 4, Malpas Alport Primary School
Emma Dodsworth, Ashmead Primary School, Lewisham
Emma Dodsworth, Ashmead Primary School, Lewisham
Emma Dodsworth, Ashmead Primary School, Lewisham
Emma Dodsworth, Ashmead Primary School, Lewisham
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Pathway: Sculpture, Structure, Inventiveness & determination

This is featured in the 'Sculpture, Structure, Inventiveness & Determination' pathway

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Talking Points: What can we learn from birds

Marcus Coates, Conference of the Birds, 2019, (excerpt) https://vimeo.com/518101698

Drawing source material: nests

Birds nest in tree, nature photography. Free public domain CC0 image.


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