The Intaglio Printing Process by Neil Woodall

Museums Sheffield

Artist Neil Woodall takes us through the intaglio printing process, creating a new work which can be seen in the Millennium Gallery exhibition, Printing Sheffield. The exhibition showcases work by a host of hugely talented printmakers working in the city today.

Many thanks to Alan Silvester at Museums Sheffield, and to Neil Woodall, for sharing this resource.

The Intaglio Printing Press
The Intaglio Printing Press

My name is Neil Woodhall and I’m an intaglio printer. I’ve been printing for about thirty years now. I used to live in London, and I saw some exhibitions of Otto Dix and Goya and I thought they were just fantastic. I had to find out how people did this, and eventually I ended up going to Central School of Art in London, started doing night classes, just to learn etching, and then I ended up doing a Postgraduate course in printing there and I’ve stayed with it ever since.


Please log in here to access full content.

Username
Password


Remember me
Forgot Password

 

To access all content, I would like to join as…

An Individual

Creative practitioners, educators, teachers, parents, learners…


An Organisation…

Schools, Colleges, Arts Organisations: Single and Multi-Users



AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.




Printmaking in the Primary National Curriculum

Guidance

Back to Curriculum Planning for Art

The resources below are accessible to AccessArt members. Please consider joining AccessArt (£42 for a single user, £96 for a multiuser membership. AccessArt is a UK Charity and all membership fees are used to develop further resources.

Year 1 (age 5) through to Year 6 (age 11)

Accessible Printmaking Techniques PDF

PDF download which describes simple printmaking techniques including block printing, linoprinting, monoprinting and screen printing, which can be explored by pupils with minimal equipment. PDF download which describes simple printmaking techniques including block printing, linoprinting, monoprinting and screen printing, which can be explored by pupils with minimal equipment.

Carbon Paper Monoprints

A low tech, low mess, way to make monoprints. Pupils draw through carbon paper to create a monoprint on the paper below. Colour can be added by using oil pastel on the carbon paper. Lots of potential to encourage children to diversify their mark making. Suitable for all year groups. A low tech, low mess, way to make monoprints. Pupils draw through carbon paper to create a monoprint on the paper below. Colour can be added by using oil pastel on the carbon paper. Lots of potential to encourage children to diversify their mark making. Suitable for all year groups.

Printing processes that use everyday materials to develop a creative focus for anyone, anywhere By Ruth Purdy

Here are some starting points from which your really accessible printing projects can begin; from printing from plasticine to using everyday objects to make prints. Enjoy! Here are some starting points from which your really accessible printing projects can begin; from printing from plasticine to using everyday objects to make prints. Enjoy!

Painting the Savannah by Chloe Williams

Working on a ambitious scale, artist Chloe Williams shows what can be achieved with printmaking techniques in an early years setting. Working on a ambitious scale, artist Chloe Williams shows what can be achieved with printmaking techniques in an early years setting.

Poetry and Printmaking by Ann Bridges

Printmaker Ann Bridges shares her love of poetry and printmaking in this illustrated resource, which enables young children to make imagery inspired by poetry. Printmaker Ann Bridges shares her love of poetry and printmaking in this illustrated resource, which enables young children to make imagery inspired by poetry.

Monoprints

Using monoprints to free up the drawing process. Simple process using acetate, printing ink, rollers. Pupils draw on top of the acetate and the pressure transfers the "print" onto the paper below. Pupils can experiement with layering drawings and varying the presuure of their mark-making. Monoprinting is an inuitive, freeing process which generates lots of experiemental work. Suitable for all year groups. Using monoprints to free up the drawing process. Simple process using acetate, printing ink, rollers. Pupils draw on top of the acetate and the pressure transfers the “print” onto the paper below. Pupils can experiement with layering drawings and varying the presuure of their mark-making. Monoprinting is an inuitive, freeing process which generates lots of experiemental work. Suitable for all year groups.

Aluminium Foil Printing by Paul Carney

Artist Paul Carney shows us Aluminium printing. Aluminium printing provides a low cost and more manageable alternative to the process of etching and engraving used in industry and throughout history. Artist Paul Carney shows us Aluminium printing. Aluminium printing provides a low cost and more manageable alternative to the process of etching and engraving used in industry and throughout history.

Mayan Tabletop Eraser Printing Project

Little hands explore carving with lino-tools to create printing blocks out of erasers to create repetitive designs on fabric. Little hands explore carving with lino-tools to create printing blocks out of erasers to create repetitive designs on fabric.

Making Collagraphs

Using cardboard, string, found objects and pva glue to create a "plate" ready for printing. If no printing press is available, you can use the pressure of your hand, or a clean roller. Children can explore one or multi-colour printing. The collagraphic plates are also beautiful objects in their own right. Suitable for all year groups. Using cardboard, string, found objects and pva glue to create a “plate” ready for printing. If no printing press is available, you can use the pressure of your hand, or a clean roller. Children can explore one or multi-colour printing. The collagraphic plates are also beautiful objects in their own right. Suitable for all year groups.

Block printing: Creating repeat patterns using letters with Andy McKenzie

Working with artist Andy McKenzie to create repeat patterns of letters using block printing. Working with artist Andy McKenzie to create repeat patterns of letters using block printing.

How to Make a Tessellated Design

How to make a simple tessellated design using a cardboard stencil. How to make a simple tessellated design using a cardboard stencil.

Printmaking with Salvaged Sticky Back Aluminium Foil, Mixed Media and Cardboard

A dynamic printmaking session using sticky-back foil to make printing plates and a car to apply print pressure! A dynamic printmaking session using sticky-back foil to make printing plates and a car to apply print pressure!

Collagraphs Inspired by Architecture

Students create collagraphs inspired by architecture with Paula Briggs. Students create collagraphs inspired by architecture with Paula Briggs.

Year 5 (age 10) and above

Eraser Printmaking

Using linocutting tools to make printing plates from erasers. Simple, repeatable images which can be used to explore pattern or to make logos. Due to the sharp tools suitable for Year 5 children or older. Using linocutting tools to make printing plates from erasers. Simple, repeatable images which can be used to explore pattern or to make logos. Due to the sharp tools suitable for Year 5 children or older.

Collagraph, Collage and Stitch: Make a Image of Your Home on Fabric

Artist Andrea Butler shares how to create a collagraph and print on fabric. Artist Andrea Butler shares how to create a collagraph and print on fabric.

Making a Collagraph Print by Suzie Mackenzie

Artist Suzie Mackenzie shares her collagraph process with AccessArt. Artist Suzie Mackenzie shares her collagraph process with AccessArt.

Lino Print

Easy (Speedy) carve lino now means it is easier for children to carve and print with lino. Pupils can print in a single colour, or experiement with more colours. The area carved away does not print, so linoprinting gives pupils the opportunity to explore negative and positive/reverse designs. Due to the sharp tools needed to carve lino prints this activity is more suitable for children in Years 5 (age 10) and above. Ensure you use safety cutting boards to encourage pupils to cut away from themselves. Easy (Speedy) carve lino now means it is easier for children to carve and print with lino. Pupils can print in a single colour, or experiement with more colours. The area carved away does not print, so linoprinting gives pupils the opportunity to explore negative and positive/reverse designs. Due to the sharp tools needed to carve lino prints this activity is more suitable for children in Years 5 (age 10) and above. Ensure you use safety cutting boards to encourage pupils to cut away from themselves.

LinoCut – An Artist’s Perspective

Printmaker James Green shares his passion for making linocuts. Printmaker James Green shares his passion for making linocuts.

Exploring Cyanotype by Maru Rojas

Artist Maru Rojas describes how to make cyanotype prints by resting plant material on senstised paper, or making plates from acetate. Artist Maru Rojas describes how to make cyanotype prints by resting plant material on senstised paper, or making plates from acetate.

The Intaglio Process: An Artist’s Perspective

Artist Neil Woodall shares how he makes an intaglio print. Artist Neil Woodall shares how he makes an intaglio print.

AccessArt Resources to Support Printmaking

AccessArt is an evolving collection of resources and further resources are being added over time. Please register with AccessArt to receive updates.


Experimental Drawing – Process over Outcome


Sculptural Pots


Scraperboard Woodcut Lookalikes


Thinking and Making


Bad Cat: Inspiration for Art Week

You May Also Like…

Visual Arts Planning Collections: Literacy

Units Painted on Paper by Yu-Ching Chiu

the making of rabbit, cactus, accident

Drawing feathers

Making Broadway Market

NatskoSeki_Broadway_image4


“Light Bulb Art” with Sharon Gale


Drawing Materials Sample Cards


Found Poetry

You May Also Like…

Visual Arts Planning Collections: Literacy

Units Painted on Paper by Yu-Ching Chiu

A Visual Poetry Zine with Monotype

Drawing feathers

creating a poetry comic

Finished page 1. Based on the poem "A Day in Autumn" by RS Thomas (c) Elodie Thomas. Art by Irina Richards.


Painting on Plaster, Inspired by Vincent Van Gogh

See This Resource Used In Schools…

Year 4, Sheffield High School
Year 4, Sheffield High School
Year 4, Sheffield High School
Year 4, Sheffield High School
Year 4, Sheffield High School
Year 4, Sheffield High School
Year 4, Sheffield High School

You May Also Like…

Pathway: Exploring Still Life

This is featured in the 'Explore Still Life' pathway

This is featured in the ‘Explore Still Life’ pathway

talking points: Flemish and Dutch Still Life Painters

A Vase with Flowers Artist: Jacob Vosmaer (Dutch, Delft ca. 1584–1641 Delft) Date: probably 1613 Medium: Oil on wood Dimensions: 33 1/2 x 24 5/8 in. (85.1 x 62.5 cm) Classification: Paintings Credit Line: Purchase, 1871

Talking Points: Paul Cezanne

image-from-rawpixel-id-2035657-jpeg

talking points: Contemporary still life

Still Life by Nicole Dyer


How does the Sculpture Balance?


Colour Mixing with Cyan, Magenta and Yellow Colour Mixing


Colour Mixing with Cyan Magenta Yellow


Layered Colour Gestural Drawing

See This Resource Used in Schools…

Layered Colour Gestural Drawings @smarty.arty18
Layered Colour Gestural Drawings @smarty.arty18
Layered Colour Gestural Drawings @smarty.arty18

You May Also Like…

Pathway: Exploring Still Life

This is featured in the 'Explore Still Life' pathway

This is featured in the ‘Explore Still Life’ pathway

See Three shapes

See Three Shapes

Water Soluble Felt-Tips With Complementary Colours

Continuous Line Drawing Of A Shell By Zoe Coughlan


Colour Composition and Ben Nicholson


Cardboard Sculptures

You May Also Like….

Visual Arts Planning Collections: Cardboard and paper

cardboard detail 3b

CARDBOARD ENGINEERING CHALLENGE

Drawing feathers

THE 1KG CHALLENGE WITH ANDEE COLLARD

Andee Collard's brief: 'Make a cardboard structure to hold at least a 1KG weight'


Quentin Blake’s Drawings as Inspiration!

See this Resource used in Schools…

Shottermill Junior School Year 5 art work
Shottermill Junior School Year 5 art work
Shottermill Junior School Year 5 art work
Shottermill Junior School Year 5 art work
Shottermill Junior School Year 5 art work

You Might Also like…

Pathway: Telling Stories through drawing and making

This is featured in the 'Drawing Stories Through Drawing and Making' pathway

This is featured in the ‘Drawing Stories Through Drawing and Making’ pathway

Pathway: An Exploration of Coal Mining, Inspired By Henry Moore

This is featured in the 'An Exploration of Coal Mining, Inspired By Henry Moore' pathway

This is featured in the ‘An Exploration of Coal Mining, Inspired By Henry Moore’ pathway


Drawing and Making Flowers


Drawing in the National Curriculum