Balancing Observational & Experimental Drawing

By Paula Briggs

Drawing takes many forms, and facilitating drawing encompasses a wide variety of activities. At AccessArt we have always tried to advocate taking a balanced view between activities which develop observational drawing skills, and activities which promote more experimental, explorative activities. At the beginning it can feel like these two areas, observational and experimental drawing, are two opposites, but you will quickly see that actually the one feeds into the other, and very soon pupils will be drawing on all the skills you have taught to develop their drawings.

Observational Drawing

When children (and adults) say they can’t draw, or that their drawing isn’t going well, they are often making that judgement because they imagine drawing is about accurate representation. As we will see, drawing is also about experimentation and expression, but to help those who would like to develop observational drawing skills, we need to teach skills in developing how they see the world about them.  Seeing and drawing are so closely linked and we need to help children to slow down and really see, to enable them to draw.

Observational drawings of hands

Explore Drawing on AccessArt for plenty of opportunity to help your pupils develop their observational drawing skills, develop hand eye coordination, and build an understanding of what drawing can be.

These activities can be re-visited time and again (much like a warm up exercise in a PE lesson), and can be adapted for all year groups.

We’d also strongly advise that you try the activities yourself!

Experimental Drawing

Of course from a child’s first scribbles as a toddler, his or her drawings are experimental in nature. Continuing to feed this natural impulse is vital. Many of our resources help facilitators and pupils continue this exploration and you can visit a list of some of experimental projects here.

Experimental drawing

Our experimental drawing projects are generally about enabling children to develop their own drawing language and to make and follow their own drawing decisions. This can only begin to happen when pupils begin to build familiarity with materials and techniques, and begin to develop an understanding of what each media can do for them. So for this reason, we advocate enabling children to explore medium from a very young age, in a loosely structured session.

Which comes first: Observational or Experimental?

AccessArt advocates weaving activities which support the two types of drawing amongst each other, as both activities will help develop skills in the other. Try to fit in activities from the Key Drawing Exercises during the school day or week, i.e. a ten minute continuous line exercise in the morning, or use the key drawing exercises as warm up exercises before a more experimental drawing session. Generally the more experimental activities will take longer, so plan for these to take place during art-based projects.

Observational / experimental drawing of a gem stone


This is a sample of a resource created by UK Charity AccessArt. We have over 1500 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


Teaching for the Journey not the Outcome


Screen Printing using Overlaid Pattern


Sketchbooks Made with Screenprinted Papers


A “Wallpaper” Sketchbook – Enabling Drawing by Getting Rid of the White page


Layered Landscapes: Working in Mixed Media on Location with Kittie Jones


Fabulous Fish


Wave Bowls


Collagraphs Inspired by Architecture


Ink & Foamboard Architecture

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Anna share the thinking behind a community created building in Bangladesh.

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Pathway: Architecture- Dream big or small?

This is featured in the 'Architecture: Dream Big or Small?' pathway

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Talking Points: Tiny houses

A collection of sources and imagery to explore tiny houses

A collection of sources and imagery to explore tiny houses

Drawing Source Material: Amazing Architectural Homes

A collection of imagery and sources which you can use to prompt drawing

A collection of imagery and sources which you can use to prompt drawing


Under the Ocean Mirrors


Making Shells


Graphic Inky Still Life!

See This Resource Used In Schools…

Year 6, Ruth at Carden Primary School, Brighton
Year 6, Ruth at Carden Primary School, Brighton
Year 6, Ruth at Carden Primary School, Brighton
The British School of Paris
The British School of Paris

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Pathway: Exploring Still Life

This is featured in the 'Explore Still Life' pathway

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talking points: Flemish and Dutch Still Life Painters

A Vase with Flowers Artist: Jacob Vosmaer (Dutch, Delft ca. 1584–1641 Delft) Date: probably 1613 Medium: Oil on wood Dimensions: 33 1/2 x 24 5/8 in. (85.1 x 62.5 cm) Classification: Paintings Credit Line: Purchase, 1871

Talking Points: Paul Cezanne

image-from-rawpixel-id-2035657-jpeg

talking points: Contemporary still life

Still Life by Nicole Dyer


Making Boats that Float Out of Everyday Materials

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Featured in the 'Playful Making' pathway

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What is Sculpture

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Jennifer Lauren Gallery Work By Nnena Kalu

Talking Points: Linda BEll

Linda Bell at Arts Fringe


Sculptural Constraints Workshop by Susie Olczak


Self Portrait in Acrylic

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Drawing feathers


The Geometry of Chickens!

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Year 3 Sheffield High School
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Graphite Sketches of Artist Retreats

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Pathway: Mixed Media Land and city scapes

This is featured in the 'Mixed Media Land and City Scapes' pathway

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Talking Points: Vanessa Gardiner

Vanessa Gardiner- Landscape Painter https://vimeo.com/211454959

Talking Points: The Shoreditch Sketcher

Royal Academy by The Shoreditch Sketcher


Using Colour to Develop Gestural Drawing


Backwards Forwards Drawing Exercise

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Drawing Large

Arthur Beresford Jones

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drawing small