Be Inspired by Flowers in a Glass Vase by Jan Davidsz de Heem

This resource looks at ‘Flowers in a Glass Vase’ by the Dutch painter, Jan Davidsz de Heem (1606-1684), on permanent display at the Fitzwilliam Museum, Cambridge, and how it might inspire your own creative responses and experimentation with colour.

Flowers in a Glass Vase by Jan Davidsz. de Heem, (Dutch, 1606-1683/4). Oil on panel, height 93.2 cm, width 69.6 cm. Dutch/Flemish School (c) The Fitzwilliam Museum, Cambridge
Flowers in a glass vase. Heem, Jan Davidsz. de (Dutch, 1606-1683/4). Oil on panel, height 93.2 cm, width 69.6 cm. Dutch/Flemish School. (c) The Fitzwilliam Museum

Setting the Scene

In February 2020, a group of primary school teachers explored the oil painting Flowers in a Glass Vase, by the Dutch painter Jan Davidsz de Heem, at the Fitzwilliam Museum, Cambridge with the museum’s education officer, Kate Noble, the museum’s Senior Research Scientist, Paola Ricciardi,  and Sheila Ceccarelli from AccessArt.

We hope that the resource below will inspire open-ended, creative responses to the painting, from a distance. The ideas are suitable for exploration by all ages and abilities and on the kitchen table or anywhere.

Still Life

Flowers in a Glass Vase is a Dutch Still Life painting that was painted in the 1660s ‘when there was a growing interest in the natural world’*. You can read more about it here*.

Looking and Drawing Challenge

Exercise 1: Pointing and Looking

Look at the close-ups of Flowers in a Glass Vase below and choose one to work from.

With one eye squinted, point, with your index finger at a flower – you might feel silly, but this is a really good way to slow down your looking and concentrate on what you are seeing. Slowly move your index finger around the contours of the flower and, with your open eye, follow your index finger’s journey around the rest of the painting. What do you see?

Teachers pointing at flowers in a glass vase by de Heem at the Fitzwilliam Museum, Cambridge
Teachers pointing at flowers in a glass vase by de Heem at the Fitzwilliam Museum, Cambridge

 

Detail from Flowers in a Glass Vase, by Jan Davidsz. de Heem (c) The Fitzwilliam Museum
Detail from Flowers in a Glass Vase, by Jan Davidsz. de Heem (c) The Fitzwilliam Museum

 

Detail from Flowers in a Glass Vase, by Jan Davidsz. de Heem (c) The Fitzwilliam Museum
Detail from Flowers in a Glass Vase, by Jan Davidsz. de Heem (c) The Fitzwilliam Museum

 

Detail from Flowers in a Glass Vase, by Jan Davidsz. de Heem (c) The Fitzwilliam Museum
Detail from Flowers in a Glass Vase, by Jan Davidsz. de Heem (c) The Fitzwilliam Museum

 

Exercise 2: Contour Drawing

On a piece of paper or sketchbook and with a pencil or drawing tool of your choice, continue your exploration around the painting. Try not looking at your drawing but continue your search for details in the painting. What do you see?

Teachers drawing Flowers in a glass vase by Dutch painter Jan Davidsz. de Heem, 1606-1684, Oil on wooden panel, height 93.2 cm x width 69.6 cm at the Fitzwilliam Museum

 

Sketchbook pages looking at de Heem's Flowers in a Glass Vase at the Fitzwilliam Museum, Cambridge
Sketchbook pages looking at de Heem’s Flowers in a Glass Vase at the Fitzwilliam Museum, Cambridge

 

Exercise 3: Drawing the ‘Negative’ – or – Spaces ‘In-between’ 

After having explored and considered the contours of the flowers you will have discovered many details.

Now we are going to construct a drawing using a different approach. Instead of drawing around the flowers, we’re going to draw the shapes in-between them. This can be tricky but use the strong contrasts in the painting and the dark background to look at the shapes between the flowers and build your drawing by looking at, and drawing these spaces. What do you see?

Drawing the shapes between the flowers looking at de Heem's flowers in a glass vase at the Fitzwilliam Museum, Cambridge
Drawing the shapes between the flowers looking at de Heem’s flowers in a glass vase at the Fitzwilliam Museum, Cambridge

 

Drawing the shapes between the flowers looking at de Heem's flowers in a glass vase at the Fitzwilliam Museum, Cambridge
Drawing the shapes between the flowers looking at de Heem’s flowers in a glass vase at the Fitzwilliam Museum, Cambridge

 

Painting Flowers

Flowers at the Fitzwilliam Museum - de Heem Colour workshop

You Will Need:

  • Flowers – Either cut flowers or flowers growing in the garden or your surrounding area;
  • Primary Colours (Primary Yellow, Primary Red or Primary Blue) in:
    • Powder paint, or
    • Watercolour paint, or,
    • Gouache paint, or,
    • Acrylic paint, or,
    • Watercolor pencils.

Primary Colours, blue, red and yellow in powder paint at the Fitzwilliam Museum, Cambridge
Primary Colours – primary blue, primary red and primary yellow in powder paint at the Fitzwilliam Museum, Cambridge

Exercise 1 – Colour Matching

Choose a flower and choose your painting medium.
Flowers at the Fitzwilliam Museum, Cambridge

 

Flowers and colour at the Fitzwilliam Museum, Cambridge
Explore mixing colours you are drawn to and make colour swatches of them.

 

Close up - flowers and colour at the Fitzwilliam Museum, Cambridge

 

Painting workshop at the Fitzwilliam Museum Cambridge - de Heem

 

Painting flowers at the Fitzwilliam - de Heem

 

Exercise 2 – Colour and Form

As you start to gain confidence and pleasure in exploring colour, you might want to start to experiment with form. Remember your drawing exercises and how to look and see what’s in front of you and enjoy experimenting with mark making with liquid paint. If you want to add line, you might want to experiment with water-soluble graphite and watercolour pencils too. Enjoy!

Watercolour pencils at the Fitzwilliam Museum

 

Painting flowers at the Fitzwilliam - de Heem

 

Painting flowers at the Fitzwilliam - de Heem

 

Painting flowers at the Fitzwilliam - de Heem

 

Flowers at the Fitzwilliam Museum, Cambridge

 

Painting flowers at the Fitzwilliam - de Heem

 

Painting flowers at the Fitzwilliam - de Heem

 

Painting flowers at the Fitzwilliam - de Heem

 

Painting flowers at the Fitzwilliam - de Heem

 

Painting workshop at the Fitzwilliam Museum Cambridge - de Heem

Many thanks to the teachers who participated in this CPD training session for sharing their processes with AccessArt and The Fitzwilliam Museum, Cambridge.

Many thanks to the museum’s education officer, Kate Noble, the museum’s Senior Research Scientist, Paola Ricciardi. Many thanks to Lynda Clark, Image Library Manager at the museum, for providing AccessArt with images of Flowers in a Glass Vase. This post was written by Sheila Ceccarelli for AccessArt with photos by Sheila Ceccarelli and Rachel Thompson.

Fitzwilliam logo

Supporting Resources

The Wildflower Meadow by Rachel Burch

Rachel Burch, Head of Art at Burton Hathow Preparatory School and her pupils explore simple drawing, collaging and painting techniques to create beautiful artworks inspired by a summer meadow.

The Wildflower Meadow

Rachel Burch, Head of Art at Burton Hathow Preparatory School and her pupils explore simple drawing, collaging and painting techniques to create beautiful artworks inspired by a summer meadow.

Minibeast Artwork by Tracy McGuinness-Kelly

Tracy McGuinness-Kelly creates a beautiful collaborative piece of work with children for permanent display inside a school.

The Minibeast Project

Tracy McGuinness-Kelly creates a beautiful collaborative piece of work with children for permanent display inside a school.

Painting a Bluebell Forest in Cyan, Magenta and Process Yellow on a Large Scale

Inspired by the spring, teenagers work on a large scale in red (magenta), cyan (blue) and process yellow.

Painting a Bluebell Forest in Cyan, Magenta and Process Yellow on a Large Scale

Inspired by the spring, teenagers work on a large scale in red (magenta), cyan (blue) and process yellow.

Look, Think, Do by The Fitzwilliam Museum Education Team

Vanessa the Lost Butterfly written and narrated by Nicola Wallis

This story is based on ‘Flowers in a glass vase’ by Jan Davidsz de Heem at The Fitzwilliam Museum. It links with a Look, Think, Do Activity on the painting fitzmuseum.cam.ac.uk/work/flowers-glass-vase Written and narrated by Nicola Wallis.

UK Charity AccessArt created this resource in collaboration with the Fitzwilliam Museum, Cambridge.

AccessArt has over 850 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.

 


Inspired! Making at Linton Heights Junior School


Talking Points: Hormazd Narielwalla

A collection of sources and imagery to explore the work of Hormazd Narielwalla.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

 

This resource is free to access and is not a part of AccessArt membership.

 

ages 9-11
ages 11-14
ages 14-16
free to access

Hormazd Narielwalla

Hormazd Narielwalla works across a number of artistic disciplines including printmaking, sculpture and artist’s books but he is best known for his intricate paper collages and assemblages, which are made on the surfaces of antique, vintage and bespoke tailoring patterns. – Hormazd Narielwalla

Explore more of Hormazd’s  figure work on his website including his Diamond Dolls.

Questions to Ask Children

What do you like/dislike about Hormazd’s work?

Why do you think that Hormazd works on brown paper/used patterns?

Are there any collaged designs that stood out to you? Which ones and why?

This Talking Points Is Used In…

Pathway: Fashion Design

This is featured in the 'Fashion Design' pathway

This is featured in the ‘Fashion Design’ pathway

using sketchbooks to make visual notes

Sketchbooks used for observations, research drawing and experimentation.

Show me what you see

Show Me What You See Method 250 Words by Tobi Meuwissen


Talking Points: The Art of Nature

A collection of sources and imagery to explore artist Laura McKendry’s love of nature.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

ages 5-8
ages 9-11
ages 11-14
ages 14-16

Laura McKendry

Laura McKendry is an artist who lives and works in London. She takes her inspiration from wildlife and nature.

Explore more of Laura’s work on her website.

In this video Laura McKendry explains how the natural world inspires every aspect of her work – from the art itself to the materials with which she works.

Questions to Ask Children

Which season is your favourite? Why?

Is there a space in your local area where you would like to sit and draw?

How do you think sitting in nature whilst drawing differs to working in a studio?


Talking Points: Shaun Tan

A collection of sources and imagery to explore the work of graphic artist Shaun Tan.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

 

This resource is free to access and is not a part of AccessArt membership.

 

ages 9-11
ages 11-14
ages 14-16
free to access

Shaun Tan

Shaun Tan grew up in Perth and works as an artist, writer and film-maker in Melbourne. He is best known for illustrated books that deal with social and historical subjects through dream-like imagery, widely translated throughout the world and enjoyed by readers of all ages. –Shaun Tan

See more of Shaun Tan’s work on his website.

Shaun Tan’s Sketchbook Work

Watch the film below to hear how Shaun approaches his early sketchbook work, and how he then develops this into more finished artwork. 

Stop the video at various points so that you can have a discussion with the children to help them think through what Shaun might mean by his various working practices.

The Arrival

Watch the trailer for ‘The Arrival’ by Shaun Tan.

Watch the video above to see the full animation of Shaun Tan’s graphic novel. 

Questions to Ask Children

Do you like Shaun Tans work? Why?

How do his drawings make you feel?

What kind of atmosphere did you pick up in’The Arrival’? How do you think he achieved this?

Do you think that Shaun Tan was successful in capturing the story without any writing or text? Why?

This Talking Points Is Used In…

Pathway: Storytelling through drawing

This is featured in the 'Storytelling Through Drawing' pathway

This is featured in the ‘Storytelling Through Drawing’ pathway

Additional Pathway: Drawing and Making Inspired by Illustrators

This is featured in the 'Drawing and Making Inspired by Illustrators' pathway

This is featured in the ‘Drawing and Making Inspired by Illustrators’ pathway

using sketchbooks to make visual notes

Sketchbooks used for observations, research drawing and experimentation.

Show me what you see

Show Me What You See Method 250 Words by Tobi Meuwissen


Talking Points: Laura Carlin

A collection of sources and imagery to explore the work of illustrator Laura Carlin.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

 

This resource is free to access and is not a part of AccessArt membership.

 

ages 5-8
ages 9-11
ages 11-14
free to access

Laura Carlin

Primarily known for her work as an illustrator, Laura Carlin’s ambitious and emotionally resonant work has led to some of the most striking contemporary books for children, including her award-winning illustrations for The Iron Man, The Promise and for her solo project A World of Your Own. – Waterstones

Explore all of the books that Laura Carlin has illustrated here.

Questions to Ask Children

Do you like the illustrations in The King of the Sky? Why?

How do they make you feel?

What colours might you feature in an illustration if the story was about being hopeful? Fearful? Lonely? Happy?

How has Laura’s use of materials and composition helped with the storyline? 

This Talking Points Is Used In…

Pathway: Storytelling through drawing

This is featured in the 'Storytelling Through Drawing' pathway

This is featured in the ‘Storytelling Through Drawing’ pathway

using sketchbooks to make visual notes

Sketchbooks used for observations, research drawing and experimentation.

Show me what you see

Show Me What You See Method 250 Words by Tobi Meuwissen


Talking Points: Paper Cut Outs

A collection of sources and imagery to explore the paper cut outs.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

This resource is free to access and is not a part of AccessArt membership.

ages 9-11
ages 11-14
ages 14-16
free to access

Phillipp Otto Runge

Red Currant , Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg) Late 18th–Early 19th century Medium: Silhouette Dimensions: sheet: 13 9/16 x 11 5/8 in. (34.5 x 29.5 cm) Classification: Cut Paper Credit Line: Janet Lee Kadesky Ruttenberg Fund, in honor of Colta Ives, and Mary Martin Fund, 2010

Red Currant, Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg) Late 18th–Early 19th century, Silhouette, sheet: 13 9/16 x 11 5/8 in. (34.5 x 29.5 cm), Janet Lee Kadesky Ruttenberg Fund, in honor of Colta Ives, and Mary Martin Fund, 2010

 

Questions to Ask Children

Describe what you can see.

Describe the different types of edges that you can see.

Henri Matisse Cut Outs

Questions to Ask Children

Describe what you can see.

What do the cut outs remind you off?

Pippa Dyrlaga

Paper Cut Out Bird by Pippa Dyrlaga

Questions to Ask Children

Describe what you can see.

How do you think the artist has created this?

How has the artist used negative space?

See more of Pippa’s cut outs on her website.

Thomas Witte

Questions to Ask Children

Describe what you can see.

How has the artist used negative space?

How does Thomas’ work make you feel?

What do you like/dislike about his work?

Visit Thomas’ website to find more of his work.

This Talking Points Is Used In…

Pathway: Shadow Puppets

This is featured in the 'Shadow Puppets' pathway

This is featured in the ‘Shadow Puppets’ pathway

using sketchbooks to make visual notes

Sketchbooks used for observations, research drawing and experimentation.

Show me what you see

Show Me What You See Method 250 Words by Tobi Meuwissen


Talking Points: Studio McGuire

A collection of sources and imagery to explore the work of Davy and Kristin McGuire.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

This resource is free to access and is not a part of AccessArt membership.

ages 9-11
ages 11-14
ages 14-16
free to access

The Paper Architect

The Paper Architect is a play combining paper-craft, animation, projection mapping and performance. It tells the story of an old model-maker who uses his paper creations as vessels for his imagination.

The show features tiny, accurately mapped animations playing across intricate paper sets. 

See more of their work on their here.

Questions to Ask Children

How do the Paper Architect make you feel?

How would you describe the atmosphere of The Paper Architect?

Do you like it? Why?

If you could cut a paper structure and make it come to life what you it be? Why?

The Icebook

The Icebook – the world’s first projection mapped pop-up book. An exquisite experience of fragile paper cutouts and video projections that sweep you right into the heart of a fantasy world. It is an intimate and immersive experience of animation, book art and performance.

This Talking Points Is Used In…

using sketchbooks to make visual notes

Find out how pupils can respond to artists work in sketchbooks

Find out how pupils can respond to artists work in sketchbooks

Show me what you see

Enable close looking and drawing with this exercise

Enable close looking and drawing with this exercise


Talking Points: Nicole Dyer

A collection of imagery and sources designed to explore the work of Nicole Dyer.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

 

This resource is free to access and is not a part of AccessArt membership.

 

ages 5-8
ages 9-11
ages 11-14
free to access

Nicole Dyer

Like the 14th-century Dutch still-life painters who depicted tabletops piled high with edible symbols of wealth, power, and mortality, Dyer, a 2013 BFA graduate of the Maryland Institute College of Art, compulsively catalogs the objects that attract their attention with the allure of satiety and wholeness and packs them into dense tableaus of excess. –BMoreArt

Explore more work by Nicole Dyer here.

Still Life by Nicole Dyer

Ladies, Ladies, Ladies, 2018 Acrylic, ink, collage, and ceramic on canvas 16” x 12”

Questions to Ask Children

Describe what you see in the paintings.

How does it make you feel?

What do you think the artist is trying to say with this work?

Describe the colour palette. How does the colour effect the mood of the painting?

If you were to include some of your favourite books in a still life painting, what would they be? Why?

Cupcake Sculpture by Nicole Dyer
Cake Sculpture by Nicole Dyer
Cake Slice Sculpture by Nicole Dyer

Questions to Ask Children

Describe what you see.

How does it make you feel?

What materials do you think were used to make these food sculptures?

Which sculpture is your favourite? Why?

This Talking Points Is Used In…

Pathway: Festival Feasts

This is featured in the 'Festival Feasts' pathway

This is featured in the ‘Festival Feasts’ pathway

using sketchbooks to make visual notes

Sketchbooks used for observations, research drawing and experimentation.

Show me what you see

Show Me What You See Method 250 Words by Tobi Meuwissen


Talking Points: Olafur Eliasson

A collection of sources and imagery to explore the work of Olafur Eliasson.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

This resource is free to access and is not a part of AccessArt membership.

ages 9-11
ages 11-14
ages 14-16
free to access

Olafur Eliasson

Olafur Eliasson’s interest in light came from growing up in Iceland, where for half of the year the country is in darkness. 

Olafur is known for sculpture and large-scale installation art employing elemental materials such as light, water, and air temperature to enhance the viewer’s experience.

Explore more of Olafur’s work here.

Questions to Ask Children

Describe what you see.

How does this make you feel?

How would it feel to be in that space, interacting with the light?

How do you think the artist creates these playful light installations?

Olafur Eliasson Exhibition at The Tate by Paula Briggs
Olafur Eliasson Exhibition at The Tate by Paula Briggs
Olafur Eliasson Exhibition at The Tate by Paula Briggs
Olafur Eliasson Exhibition at The Tate by Paula Briggs

Questions to Ask Children

Describe what you see.

How do you think it would feel to interact with the light installations?

Does it make you think about space and colour in different ways?

This Talking Points Is Used In…

Pathway: Brave Colour

This is featured in the 'Brave colour' pathway

This is featured in the ‘Brave colour’ pathway

using sketchbooks to make visual notes

Find out how pupils can respond to artists work in sketchbooks

Find out how pupils can respond to artists work in sketchbooks

Show me what you see

Enable close looking and drawing with this exercise

Enable close looking and drawing with this exercise


Talking Points: Carnovsky

A collection of sources and imagery to explore the work of Carnovsky.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

This resource is free to access and is not a part of AccessArt membership.

ages 9-11
ages 11-14
ages 14-16
free to access

Carnovsky

Carnovsky is a Milan-based art and design duo comprised of Francesco Rugi and Silvia Quintanilla.

RGB is a work about the exploration of the “surface’s deepness”. 

RGB designs create surfaces that mutate and interact with different chromatic stimulus.

Carnovsky’s RGB is an ongoing project that experiments with the interaction between printed and light colours. The resulting images are unexpected and disorienting. Colors mix, lines and shapes entwine and not completely clear. Through a coloured filter (a light or a transparent material) it is possible to see clearly the layers in which the image is composed. The filter’s colours are red, green and blue, each one of them serves to reveal one of the three layers. Carnovsky

Questions to Ask Children

Describe what you see.

How does it make you feel when you see the image change before your eyes?

How would it feel to be in that space, interacting with the sculpture?

What do you think the artists are trying to do through the artwork?

Why do you think that light has an effect of specific colours?

This Talking Points Is Used In…

Pathway: Brave Colour

This is featured in the 'Brave colour' pathway

This is featured in the ‘Brave colour’ pathway

using sketchbooks to make visual notes

Find out how pupils can respond to artists work in sketchbooks

Find out how pupils can respond to artists work in sketchbooks

Show me what you see

Enable close looking and drawing with this exercise

Enable close looking and drawing with this exercise


Talking Points: Njideka Akunyili Crosby

A collection of sources and imagery to explore the work of Njideka Akunyili Crosby.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

This resource is free to access and is not a part of AccessArt membership.

ages 9-11
ages 11-14
ages 14-16
free to access

Njideka Akunyili Crosby

Njideka is originally from Nigeria but trained as an artist is America, which is where she now lives. This duality of experience has given Njideka a fresh perspective on the places and cultures that she has experienced.

Njideka’s paintings draw on art historical, political and personal references, Njideka Akunyili Crosby creates densely layered figurative compositions that express the complexity of contemporary experience.

Many of Akunyili Crosby’s images feature figures – images of family and friends – in scenarios derived from familiar domestic experiences: eating, drinking, watching TV.

While the artist’s formative years in Nigeria are a constant source of inspiration, Akunyili Crosby’s grounding in Western art history adds further layers of reference.  – Victoria Miro Gallery

Watch the videos below to find out more. 

Apologies if you cannot watch one of the videos because your school has blocked YouTube. 

Questions to Ask Children

Pause the video at various points where you can see details of Njideka’s paintings, or find an image on Njideka’s website and discuss the following questions…

Describe what you think is happening in this painting/this detail. 

What do you think the person in the painting could be thinking about?

How does Njideka use layers in her work to help her create imagery. 

How does this painting make you feel?

How might the painting reflect Njideka’s identity?

This Talking Points Is Used In…

Pathway: Exploring Identity

This is featured in the 'Exploring Identity' pathway

This is featured in the ‘Exploring Identity’ pathway

using sketchbooks to make visual notes

Sketchbooks used for observations, research drawing and experimentation.

Show me what you see

Show Me What You See Method 250 Words by Tobi Meuwissen


Talking Points: Chhau masks

A collection of sources to explore Chauu masks in performances.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

ages 5-8
ages 9-11

Chhau Masks

Chhau dance is a semi classical Indian dance with martial and folk traditions. It is found in three styles named after the location where they are performed, i.e. the Purulia Chau of West Bengal, the Seraikella Chau of Jharkhand and the Mayurbhanj Chau of Odisha.

The dance ranges from celebrating martial arts, acrobatics and athletics performed in festive themes of a folk dance, to a structured dance with religious themes. The costumes vary between the styles, with masks being used to identify the characters.

The stories enacted by Chhau dancers include those from  Indian literature.

Find out more about the “Craft of Accessorising for Chhau dancers” and “How the Craft of Mask Making Transforms the Dancers” with Google Arts and Culture.

https://vimeo.com/185429774

Click on the image above to find out more about Seraikella Chhau Dance.

Questions to Ask Children

How do the masks make you feel?

How do you feel watching parts of the performance?

How would you describe the colours?

What kinds of materials are used to make the masks? 


Talking Points: Contemporary Masks

A collection of sources to explore contemporary artists who create masks.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

ages 11-14
ages 14-16

Romuald Hazoumè

West African artist Romuald Hazoumé creates contemporary African masks made using discarded plastic containers, in particular petrol canisters. The petrol canisters are used by lots of people in West Africa and represent the artist’s heritage. They also represent his critical vision of political systems.

I send back to the West that which belongs to them, that is to say, the refuse of consumer society that invades us every day.”

Questions to Ask Children

How do the masks make you feel?

Do you like the masks? Why?

What do you think the artist is trying to say through the artwork?

What other recycled or waste materials could we use to make masks? 

Damselfrau

Damselfrau focuses on play and make as few conscious decisions as possible to let the materials lead. Damselfrau design the masks as she makes, responding to materials as opposed to a drawn design.

The masks are perhaps more accurately described as wearable sculptures. The ornate creations fuse the boundaries between fashion and design.

Questions to Ask Children

How do these masks make you feel?

How do these masks compare to Romuald’s masks?

If you encountered someone wearing the of the masks how would you feel?

Thalassic Masks

The Thalassic Masks project focuses on rethinking the protective mask, transforming a medical product, born in a state of emergency, into a design statement expressing contemporary identities.

The artists Filippo Nassetti and Vincezo Reale believe that beyond Covid-19, further implications of climate change and the disruption of ecological environments, such as air pollution and transformations in the atmosphere, may see protective devices become more and more an essential extension of the human body.

Questions to Ask Children

Do you like the Thalassic masks?

How does the mask make you feel?

Do you think that it’s an improvement on the surgical masks you’ve had to wear over the past 2 years?


Talking Points: Exploring Flip Books

A collection of imagery and sources designed to explore different flip books.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

 

This resource is free to access and is not a part of AccessArt Membership.

 

ages 5-8
ages 9-11
ages 11-14
free to access

Animate the Earth

Animate the Earth uses a book as the foundation for the flip book. Using an old book is a good way to make a flip book quickly. The background text can also add some character to the animation. You could even use the story line or theme of the book to inspire the storyline of your flip book.

Questions to Ask Children

Do you like the background of words on a page? Why?

What is your favourite part of the animation?

Do you think the artist planned what was going to happen next or was just playing with what is possible?

 

Colibri Flip Book

Graphite and coloured pencil on paper, stainless steel, delrin, motor electronics 10x10x12.7 CM.2011 By J. C. Fontanive

J. C. Fontanive

Fontanive invented the first flip book machine in his bedroom from old bike, car and clock parts and vinyl records. The invention explores moving image, form and structure. Multiple frames are shown in sequence to form the animation. The fluttering of the paper provides a natural soundtrack bring the still images to life.

Quiknesse, 2009 flipbook machine

Questions to Ask Children

What kind of bird do you think that this features in these flip book machines?

Which is your favourite and why?

Does the painted background of Quiknesse add anything to the flip book machine? If so, what?

What bird would you like to see in a flip book machine?

Volume 5 of Harumin Asao’s Cat series

Harumin Asao is a Japanese illustrator who uses flip books as a way to create short and playful animations.

Using small pages for flip books gives a nice control when flipping through as opposed to bigger thinner pages. 

Questions to Ask Children

What your favourite animal?

Think about how that animal might greet you when you get home.

Flip Book Within a Flip Book

The Flippist creates hand drawn flip books as a career, from engagement proposals to more commercial projects the Flippest has made a flip book for every occasion.

Questions to Ask Children

If you could make a flip book for any occasion what would it be?

Whats your favourite part of this flip book and why?

What other objects could replace the volcano and leak out of the flip book?


Talking Points: What is Linocut?

A collection of imagery and sources designed to introduce children to the process of linocut.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate.

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

ages 5-8
ages 9-11
ages 11-14

Linocut

Teachers Notes

Linocut print is a printmaking technique used for relief printing. The surface of the Linoleum is cut into with sharp V shaped tools to create a design.

Linocut originates from the technique ‘woodcut’. In this process a block of wood is used to carve from instead of linoleum. Woodcut is the oldest form of printmaking with records of its use on textiles from as long ago as the twelfth century.

Two maraboos (Twee maraboes) (c.1914) by Samuel Jessurun de Mesquita. Original from The Rijksmuseum. Digitally enhanced by rawpixel. CC0

Two maraboos (Twee maraboes) (c.1914) by Samuel Jessurun de Mesquita. Original from The Rijksmuseum. CC0


Talking Points: What is Letterpress?

A collection of imagery and sources designed to introduce children to the process of letterpress.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

This resource is free to access and is not a part of AccessArt Membership.

ages 5-8
ages 9-11
ages 11-14
free to access

Letterpress

Teachers Notes

Letterpress is a relief printing technique. For hundreds of years letterpress was the only way to create reproductions of text. The invention of the letterpress in the mid 15th Century meant that information could be more accessible to the masses. Traditionally, the letters are arranged, a roll is inked and the raised surface of the letters are pressed against sheets or a continuous roll of paper. 

 

Take a online tour of Robert Smail’s Printing Works in Scotland. Founded in 1866 and now part of the Scottish National Trust, the tour walks you through the rooms, different jobs and the machinery used in the victorian era.

A modern day letterpress process.

BLM Collaboration with SMack by Theresa Easton

Alan Kitching, Letterpress artist, talking about his process and inspirations whilst working on a commission for English Heritage

Farewell Etaoin Shrdlu, a 30 minute documentary on the last day of typesetting at The New York Times in 1978, before the switch to computers. 

Features interviews for and against the incoming technology, plus a look at the end showing the contrast between the old typesetting methods and the new computerised version.

Talking Points

What sort of things was letterpress traditionally used for?

What do people still use letterpress?

What differences are there between designing on a computer nowadays and using old methods such as letterpress?

Why do you think there is still an interest in using old technology today?

Can you think of any other old techniques used to make art that are still being used?

Why is (or is?) it important to understand old techniques and ways of making things?

How have computers changed how we make art?

What do you think is next for printing techniques? What comes after computers?


Talking Points: What is Collagraph?

A collection of imagery and sources designed to introduce children to the process of Collagraph.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

This resource is free to access and is not a part of AccessArt Membership.

ages 5-8
ages 9-11
ages 11-14
free to access

Collagraph

A collagraph print is made from textured materials collaged together on a piece of card. Lots of materials can be used to make collagraphs including (but not limited to) sand, fabric, bubblewrap, string and cardboard.

The surface of the plate can also be cut away at or into to create different marks. 

Sinclair Ashman

Watch this video to find out about how printmaker Sinclair Ashman found his passion for collagraph.

Karen Wicks

RAF Tangmere by Karen Wicks Medium: Collagraph Paper Type: Fabriano Unica (250gsm) Year: 2022 Print dimensions: 22.5cm x 22cm

RAF Tangmere by Karen Wicks Medium: Collagraph Paper Type: Fabriano Unica (250gsm) Year: 2022.

Explore this resource by Karen Wicks to find out how she makes her prints here.


Talking Points: What is Etching?


Inspired! Re-Creating Cupid and Psyche in Mixed Media by Year Fives at Linton Heights