How Do We Look At Contemporary Sculpture: Meg Klosterman

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We are pleased to share the work of Meg Klosterman, a recent Masters graduate from the University of Arts London and an exhibitor at London Grads Now.21

Meg’s piece ‘For Estelle’ is ‘a memorial to her great grandmother “my Mammaw, Estelle Clark (B. Lee Country, Virginia; October 16, 1925- D. August 6, 2011). A decade after her death, the handkerchief is the way I can still touch her. I feel the forgotten power in the softness of the hankies. This work is ongoing. I don’t believe that it will ever be finished… I don’t want it to be.”

March 2020- ongoing

Begin to interpret the artwork using these questions…

Try asking the following questions when looking at an artwork, either as a group or as an individual. Remember that there is no wrong or right response.

What do you see? First of all, let’s make sure we have really looked at the artwork. Keep it simple. Tell it as it is: Can you tell what it’s made from? How big is it? What can you see? Ask these questions as a group and you’ll find the hive mind helps individuals with the group see things they wouldn’t have seen before.
What do you like? What does it make you think about?
What do you see which makes you curious?
What do you struggle with? Are there things which don’t make sense to you?
Can you find out anything about the artist or artwork? Does the title help? Does the artist share why they made the piece and what they were thinking?
Have your feelings changed towards the artwork since we started exploring it by asking questions?

'For Estelle' In Saatchi Gallery By Meg Klosterman Close Up Of 'For Estelle' By Meg Klosterman Close Up Of 'For Estelle' By Meg Klosterman


This is a sample of a resource created by UK Charity AccessArt. We have over 1500 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


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“This is a great activity for really tuning into colour and shape. The process is ultimately quite a refined one (ie making a pattern balanced and repeated ‘correctly’) – but there’s plenty of scope for exploring pattern in a more experiential way prior to the refinement page. Try one of the recommended resources below to introduce pattern and begin with some open ended activities to build skill and confidence.” – Andrea, AccessArt

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“This activity walks through a number of different processes and taps into multiple skills.This provides a rich exploratory project for children to fully immerse themselves in. Cezanne was the focus artist for this project, but other contemporary still life painters could be used as starter inspiration. We actually advocate showing the work of more than one artist as this builds knowledge of how approaches to painting, drawing etc differ. This also helps children move towards a personal response rather than creating a ‘copy’ of one particular artist’s work” – Rachel, AccessArt

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“It’s great to see a different approach to thinking about remembrance day. These peg soldiers are a refreshing alternative to artwork inspired by poppies. The processes involved encourage children to focus on fine motor skills: wrapping embroidery thread around the peg and creating small detailed clothes and helmets. These dolls look particularly effective when standing as a collection and would make a poignant alternative to a standard display board” – Rachel, AccessArt

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“This project links poignant subject matter with meaningful art processes and local history. What we learn about the re purposing of materials, (in this case spent ammunition) re affirms how we can use what is around us as a starting point to making and creating. You could extend or adapt this project by looking at broken pottery, re purposing that into new sculptures that link with Roman or other local historical cultures” – Rachel, AccessArt

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“We really enjoyed reading about the process of creating art work according to a design brief and how the experience of this differs to when an artist begins with their own idea or concept. That’s not to say an artist can’t approach a brief with their own individual style and ideas, but what this post shows us is that there can be a balance between the two. This would be a great resource to show older KS pupils who may be beginning to consider their options beyond Primary School”. – Rachel, AccessArt

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“The sentiment behind this resource idea is lovely and it provides an opportunity to really develop some fine motor skills as well as independence of approach. Taking ownership of the medal design means the sense of achievement is heightened beyond the children just being given one. You can really imagine the positive energy that would surround this activity within a classroom, with each child working on a shared project but embarking on their own creative journey.”  – Rachel, AccessArt

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