Animating Old Books

By Mostyn de Beer

In this resource, Mostyn de Beer, an art educator based in Stockholm, shares a workshop idea for children using old books as the basis for a flip-book style animation.

This session idea would work well with ages 8 upwards, and might be used to explore ideas about narrative and illustration.


Please log in here to access full content.

Username
Password


Remember me
Forgot Password

 

To access all content, I would like to join as…

An Individual

Creative practitioners, educators, teachers, parents, learners…


An Organisation…

Schools, Colleges, Arts Organisations: Single and Multi-Users



AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.




To Colour….


The AccessArt Village and How a Small Idea can be Big

See how primary school pupils responded to the AccessArt Village in Mansfield Central Library

This was a very special day for Sheila Ceccarelli from AccessArt, as she got to meet and work with sixty, year five pupils from Berry Hill Primary School in Mansfield Central Library, with colleagues from Inspire Arts Service, who had previously facilitated the development of the AccessArt Village across Nottinghamshire.

Making an Ink and Wax Village with Pupils in Mansfield

This was a very special day for Sheila Ceccarelli from AccessArt, as she got to meet and work with sixty, year five pupils from Berry Hill Primary School in Mansfield Central Library, with colleagues from Inspire Arts Service, who had previously facilitated the development of the AccessArt Village across Nottinghamshire.


Day of the Dead Skulls


One Material: Sea Sculptures from Plastic Bottles


Exploring the Sculptural Possibilities of Plastic Milk Bottles


Working with Ink


Magnets and Forces


Two and Four Legged Creatures


The Opposite of Light


Snowflakes


Making your Mark on Small Canvases


Making a “To Scale” Gallery


Installing Artwork in “To Scale” Gallery


Draw, Paint, Build, Make: Gallery Project


Sensory Spaces: An Autism-Friendly Project

To Connect


At the beginning of the project it was important to take time getting used to each other, the learning space and the surrounding environment. Below is a list of considerations you may find helpful to use in your own learning spaces. Be aware of the daily sounds, smells and other textures of life in your learning space; a constant humming noise or flickering light may be stressful for a child with autism. Allow time for everyone to feel their way in the space; connections may be made through the use of different senses and body parts.

At the beginning of the project it was important to take time getting used to each other, the learning space and the surrounding environment. Below is a list of considerations you may find helpful to use in your own learning spaces. Be aware of the daily sounds, smells and other textures of life in your learning space; a constant humming noise or flickering light may be stressful for a child with autism. Allow time for everyone to feel their way in the space; connections may be made through the use of different senses and body parts.

To Conceal


During the six week project, the group explored different themes and actions, some of these were displayed through learning schemas. In week 2 we experimented with different ways to conceal ourselves and objects; schemas such as enveloping and enclosure were exhibited by the group.

During the six week project, the group explored different themes and actions, some of these were displayed through learning schemas. In week 2 we experimented with different ways to conceal ourselves and objects; schemas such as enveloping and enclosure were exhibited by the group.

To Colour

Two of the sessions explored the theme of colour. The first was rather abstract, I asked questions such as; What does colour smell like? What does colour feel like?
For a child on the autistic spectrum, a question like this may be confusing, some autistic people think and understand literally. So instead of directing these questions at the children, I answered and speculated on them myself. These abstract questions became vehicles for the workshops documented below.

Two of the sessions explored the theme of colour. The first was rather abstract, I asked questions such as; What does colour smell like? What does colour feel like?
For a child on the autistic spectrum, a question like this may be confusing, some autistic people think and understand literally. So instead of directing these questions at the children, I answered and speculated on them myself. These abstract questions became vehicles for the workshops documented below.

To Construct


In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project. Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it.

In my final post on the project, I want to reflect on the theme of To Construct… looking at the different ways we constructed during the project. Please remember this is a personal and artistic reflection, based on the ideas I presented and the (emotional and physical) reactions and responses of the children and their families, who inspired changes and the development of the project as we experienced it.


To Conceal….

You May Also Like…

Talking Points: Linda BEll


Explore how Linda Bell creates sculptures


Explore how Linda Bell creates sculptures

Talking Points: Nnena Kalu


Explore artist Nnena Kalu


Explore artist Nnena Kalu


Composite Still Life Studies in Candlelight


The Winter Tree Challenge: A Combined Sculpture & Drawing Project!


To Connect…

You May Also Like…

Talking Points: Linda BEll


Explore how Linda Bell creates sculptures


Explore how Linda Bell creates sculptures

Talking Points: Nnena Kalu


Explore artist Nnena Kalu


Explore artist Nnena Kalu