Three Approaches to Drawing

Artist Melissa Pierce Murray  leads a session in which teenagers at AccessArt’s Experimental Drawing Class explore drawings with a collaborative element, drawing from clay and wire models and using electrical tape combined with other media.  Melissa says: ‘These three approaches are ways of challenging habitual ways of drawing by expanding the repertoire of marks and approaches.’

This workshop complemented the teenagers’ main making project for the term:  Modelling the Head in Clay

Three Approaches to Drawing by Melissa Pierce Murray
Some of the class doing a drawing activity while others worked on the clay heads

 

By Melissa Pierce Murray

During a term when we were focused on creating clay heads (see: Modelling the Head in Clay) , we had a few drawing sessions as an alternative activity for the teens who wanted a break from or had completed their clay heads.

Drawing with Two Hands

This activity can be done in two ways, working with a partner or alone. I suggest you try both!

The idea is to have two hands working on a drawing at the same time, each hand using two contrasting tool or medium.  You could for example, choose two types of markers, on thick and one thin, or two different colours, or even contrasting pencil with brush. The two hands will also bring a contrasting style of marks.

Three Approaches to Drawing by Melissa Pierce Murray
Drawing with a thick marker in one hand and a thin liner in the other.

 

To work with a partner on the same drawing, you might agree at the outset to draw the same thing (e.g. a tree or face, or an object in front of you). Alternatively, you could just both start drawing and see how your ideas influence each other. You could talk as you go along (‘let’s try this…”), or you can try doing this activity without talking to each other. Doing this activity without speaking is a nice way of letting go of control, and of communicating through the drawing. You might start to copy the marks or the other person, or follow their idea. You might highlight or contrast they marks they make, or might be prompted to explore a different idea. Drawing without agreeing about the outcome or intent can be frustrating and confusing or fun and surprising. Either way, it can catalyse new ideas and marks. The aim is to expand the range of approaches – both technical and conceptual- that the artists can bring to their work.

Next try working alone and draw with both hands. You might contrast a thick with a thin marker, a graphite pencil with an ink pen, or use two different colours. As you work, see how your hands relate – do you make confident, bold marks with one hand, and delicate, tentative or shaky with the other? Or do you make lines with one hand and shading with the other? One student discovered a way of using contrasting colours to add shading. Another used a marker to make jagged, dark marks of a branch and smudgy pastels for flowers.

Three Approaches to Drawing by Melissa Pierce Murray
Two handed drawing with contrasting colours

 

Three Approaches to Drawing by Melissa Pierce Murray
Contrasting marks made by using different pens, and also by the different styles of working with the left and right hand

 

Three Approaches to Drawing by Melissa Pierce Murray
Shading with colour

 

Three Approaches to Drawing by Melissa Pierce Murray
Using dark markers and soft pastels to contrast of textures

Modelling Drawings

For this class I brought in small human and animal figures which I had modelled with wire. I made these figures by drawing with wire in three dimensions. In this class I asked the students to build up their drawings by using line as if they were modelling in wire or clay.

Trying to represent the complex forms and textures of the wire inspired fresh approaches to form and mark making. Students found way of representing tangled wire or related techniques of drawing from wire forms with the study of the clay heads.

Three Approaches to Drawing by Melissa Pierce Murray
Building up a form in two dimensions in a similar way to adding clay to a three dimensional form.

 

Three Approaches to Drawing by Melissa Pierce Murray
I made these figures by drawing with wire in three dimensions. The students used these as inspiration for 2D work

 

Three Approaches to Drawing by Melissa Pierce Murray
Finding a way of representing tangled wire

 

Three Approaches to Drawing by Melissa Pierce Murray
Modelling the face in two dimensions

 

Three Approaches to Drawing by Melissa Pierce Murray
Trying to represent the wire inspires fresh approaches to form and mark making

 

Three Approaches to Drawing by Melissa Pierce Murray
Combining the mark making techniques of drawing from wire forms, with the study of the clay heads

Drawing with Tape

In this class we used black electrical tape.  I like the flat, bold graphic quality of line of the tape, how you can cut it into strips and curve the line around as you stick it to the paper.  The black plastic tape can be easily cut, shaped and stretched, and is a quick way of making large drawings. You can develop the drawing by adding other media – graphite or coloured lines or tones, contrasting the bold black lines of tape with delicate thin lines of pencil.  Another technique is to stick down the tape, add colour or shade, then remove the tape to create negative space.

 

Three Approaches to Drawing by Melissa Pierce Murray
Drawing with black tape

 

Three Approaches to Drawing by Melissa Pierce Murray
The black plastic tape can be easily shaped or stretched

 

Three Approaches to Drawing by Melissa Pierce Murray
Contrasting the bold black lines of tape with delicate thin lines of pencil

 

Three Approaches to Drawing by Melissa Pierce Murray
Removing the black tape to create negative space

 

Three Approaches to Drawing by Melissa Pierce Murray
Removing the tape to make a relief drawing.

 

Three Approaches to Drawing by Melissa Pierce Murray
Using tape to make lines and graphite for tone

 

Three Approaches to Drawing by Melissa Pierce Murray
Using the black tape to provide high contrast

 

Three Approaches to Drawing by Melissa Pierce Murray
Contrasting textured lines and black tones

 

Three Approaches to Drawing by Melissa Pierce Murray
Using tape is a quick way of making large drawings

Adding Tone

Three Approaches to Drawing by Melissa Pierce Murray
Adding a thin red line to give the sensation of an edgy and unfocussed energy

 

Three Approaches to Drawing by Melissa Pierce Murray
Adding colour and texture

 

Three Approaches to Drawing by Melissa Pierce Murray
Adding colour and tone

See all resources by Melissa here: Melissa Pierce Murray


This is a sample of a resource created by UK Charity AccessArt. We have over 1500 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


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Visual Arts Planning: Exploring Line

Continuous Line Drawings (Squiggle Drawings) of Sticks

A great warm-up exercise for all ages - whatever their level of experience, continuous line drawings are a very useful way to get children (and adults) to tune into their subject matter and quieten ready for drawing. A great warm-up exercise for all ages – whatever their level of experience, continuous line drawings are a very useful way to get children (and adults) to tune into their subject matter and quieten ready for drawing.

Drawing hands

Another warm-up exercise that can be done anywhere! Drawing your own or someone else's hand in continuous line can be a very useful way to explore concave shapes for scuptural/making projects such as nests and bowls. Another warm-up exercise that can be done anywhere! Drawing your own or someone else’s hand in continuous line can be a very useful way to explore concave shapes for scuptural/making projects such as nests and bowls.

Warm-Up Drawing Exercise: Drawing Spirals

A great warm-up/ice breaker to use at the start of a drawing workshop for both adults and children. As well as getting participants to start making marks on the paper without worry or mental blocks, this simple exercise aims to introduce participants to the idea that drawing and mark making comes from the finger tip, wrist, elbow, shoulder and whole body. A great warm-up/ice breaker to use at the start of a drawing workshop for both adults and children. As well as getting participants to start making marks on the paper without worry or mental blocks, this simple exercise aims to introduce participants to the idea that drawing and mark making comes from the finger tip, wrist, elbow, shoulder and whole body.

Quick Drawing Exercise: Helping Children to Draw Larger!

A quick 5minute drawing exercise to encourage children to work large and make their drawing fill the page. A quick 5minute drawing exercise to encourage children to work large and make their drawing fill the page.

Right Hand, Left Hand – Non Dominant Hand Drawing Exercise

Practising drawing with your ‘none dominant’ hand, (right hand if you are left handed, left hand if you are right handed), can be a useful strategy for loosening up and for experimenting with the potential of mark making without worrying about the outcome. Another excellent ice-breaker for accessing drawing processes across all mediums. Practising drawing with your ‘none dominant’ hand, (right hand if you are left handed, left hand if you are right handed), can be a useful strategy for loosening up and for experimenting with the potential of mark making without worrying about the outcome. Another excellent ice-breaker for accessing drawing processes across all mediums.

Making a Shy Drawing – Drawing Exercises for Beginners

This resource shares unusual yet accessible drawing exercises for beginners. How can we change the nature of the drawings we make - how would we make a “shy” drawing? These exercises and suggestions provide a focus which enables pupils and teachers to explore different aspects of making a drawing, including sound, action and intention. This resource shares unusual yet accessible drawing exercises for beginners. How can we change the nature of the drawings we make – how would we make a “shy” drawing? These exercises and suggestions provide a focus which enables pupils and teachers to explore different aspects of making a drawing, including sound, action and intention.

Drawing Minibeasts – using a continuous line, graphite and oil pastel

Using images of insects as inspiration, children make 4minute continuous line drawings in pen as a warm-up exercise to encourage close looking and to get their fingers moving. Using images of insects as inspiration, children make 4minute continuous line drawings in pen as a warm-up exercise to encourage close looking and to get their fingers moving.

One Line Street Scene: A Visualisation Warm Up Drawing exercise

Another fun variation on the continuous line warm-up exercise: children made a drawing consisting of a single line, which started at the left hand side of the page, and finished at the right hand side. The subject matter was a street scene, which they visualised by listening to details of the buildings/objects that they would meet. The results were beautiful and the children enjoyed their journey! Another fun variation on the continuous line warm-up exercise: children made a drawing consisting of a single line, which started at the left hand side of the page, and finished at the right hand side. The subject matter was a street scene, which they visualised by listening to details of the buildings/objects that they would meet. The results were beautiful and the children enjoyed their journey!

Simple Perspective Art Lesson for Young Children

Following on from the above exercise, this resource introduces children (aged 6 to 10) to the basics of perspective in relation to drawing architecture. They learn some simple rules of perspective drawing, before being given plenty of opportunity to develop their drawings on their own. Following on from the above exercise, this resource introduces children (aged 6 to 10) to the basics of perspective in relation to drawing architecture. They learn some simple rules of perspective drawing, before being given plenty of opportunity to develop their drawings on their own.

Making a Blind Contour Drawing

This is a classic drawing exercise to use with all ages This is a classic drawing exercise to use with all ages & all abilities and helps you focus upon careful looking, without the worry of what your drawing looks like. In this resource we describe the process and suggest some suitable subject matter and drawing materials.

Minimalising: Using Simple Line Drawings to Explore Sculptural Form

Teenagers explore form using a reductive or minimalising approach to drawing. They were encouraged to create a series of drawings in quick succession, using a limited number of lines to record their objects. For each subsequent drawing, they dropped a line, starting with a seven line drawing and working down to a drawing in one line. This exercise was to get students thinking about essential, sculptural elements in their constructions and drawings. Teenagers explore form using a reductive or minimalising approach to drawing. They were encouraged to create a series of drawings in quick succession, using a limited number of lines to record their objects. For each subsequent drawing, they dropped a line, starting with a seven line drawing and working down to a drawing in one line. This exercise was to get students thinking about essential, sculptural elements in their constructions and drawings.

Exercise to Introduce Foreshortening and Volume in Line Drawings

This workshop introduces children aged 10 to 13 to foreshortening but can be adapted for groups or individuals and is appropriate for all age groups. The activity enables students to find a way to facilitate the development of volume in their line drawings. They work ‘small and quick’ to encourage ‘doing without thinking’ (and worrying!). This workshop introduces children aged 10 to 13 to foreshortening but can be adapted for groups or individuals and is appropriate for all age groups. The activity enables students to find a way to facilitate the development of volume in their line drawings. They work ‘small and quick’ to encourage ‘doing without thinking’ (and worrying!).

Tackling Still Life for Children Part 1 – Continuous Line Drawing

In the first of a three part workshop on painting a still life, children gain familiarity with the objects by making continuous line drawings. As well as tuning into the subject matter, the drawing exercises also encourage the children to consider the shape and dimensions of the canvases right from the start. In the first of a three part workshop on painting a still life, children gain familiarity with the objects by making continuous line drawings. As well as tuning into the subject matter, the drawing exercises also encourage the children to consider the shape and dimensions of the canvases right from the start.

Drawing Skulls in Black Pen

This workshop on drawing skulls was about looking and the re-examination of marks and lines. Students used black pen to create continuous line drawings on A1 paper. This workshop on drawing skulls was about looking and the re-examination of marks and lines. Students used black pen to create continuous line drawings on A1 paper.

Still Life Drawing in a Cubist Style Using Carbon Paper

A fun workshop and a great way to study still life and explore Cubist ideas of ‘temporal frames’ and drawing ‘time and space’. Different views of the same glass objects are captured through drawings made with carbon paper, to produce a composite drawing of a still life. A fun workshop and a great way to study still life and explore Cubist ideas of ‘temporal frames’ and drawing ‘time and space’. Different views of the same glass objects are captured through drawings made with carbon paper, to produce a composite drawing of a still life.

Inspired by Google Earth: Drawing

A session suitable for all ages, continuous line drawings are used to gather information taking inspiration was taken from Google earth images. A variety of media were then explored to extend and develop the drawings, A session suitable for all ages, continuous line drawings are used to gather information taking inspiration was taken from Google earth images. A variety of media were then explored to extend and develop the drawings,

Drawing and Making Flowers

A beautifully structured resource which shares how drawing can be used to enable children to familarise themselves with flower anatomy. Children are given the opportunity to develop their observations and ideas in three dimensions by making flowers with paper and wire. A beautifully structured resource which shares how drawing can be used to enable children to familarise themselves with flower anatomy. Children are given the opportunity to develop their observations and ideas in three dimensions by making flowers with paper and wire.

Quentin Blake’s Drawings as Inspiration!

Taking Quentin Blake’s drawings as a starting point for simple exercises, children make drawings from life using line and explore how they might use exaggeration as a tool to help them convey the intention of their drawing. During the session, the children are encouraged to take risks and try new ways of working. Taking Quentin Blake’s drawings as a starting point for simple exercises, children make drawings from life using line and explore how they might use exaggeration as a tool to help them convey the intention of their drawing. During the session, the children are encouraged to take risks and try new ways of working.

Inspired by Henri Matisse – Repetitive Life Drawing Exercise

This workshop encourages students to challenge pre-conceived ideas of what a drawing should be or what finished drawings should look like. By making drawings of each other they can experiment with line and expression, inspired by the working practice of Henri Matisse, who often drew an object or life pose many times in succession. This workshop encourages students to challenge pre-conceived ideas of what a drawing should be or what finished drawings should look like. By making drawings of each other they can experiment with line and expression, inspired by the working practice of Henri Matisse, who often drew an object or life pose many times in succession.

Red to Green: Patterns in Nature, Line and Wire

One of a series of workshops by Accessart at Red2Green using drawing to explore designs and patterns in nature, followed by a making session using wire to extend ideas into 3D. One of a series of workshops by Accessart at Red2Green using drawing to explore designs and patterns in nature, followed by a making session using wire to extend ideas into 3D.

Drawing Insects in Wire and Tracing Shadows in Black Pen

Students use modelling wire to ‘draw’ an insect from their first drawings in black pen. The purpose of this exercise was to help them see and draw form and to think about the quality of line achievable in black pen. It was also an exercise in simple abstraction or simplification of subject matter. Students use modelling wire to ‘draw’ an insect from their first drawings in black pen. The purpose of this exercise was to help them see and draw form and to think about the quality of line achievable in black pen. It was also an exercise in simple abstraction or simplification of subject matter.

Drawing with Wire

Teenagers in AccessArt's Experimental Drawing Class explore drawing their bodies with wire. They were asked to think about how they feel physically from within and try and find a way of expressing that with wire. The exercise was about finding a way to ‘represent’ physical sensations using form. Teenagers in AccessArt’s Experimental Drawing Class explore drawing their bodies with wire. They were asked to think about how they feel physically from within and try and find a way of expressing that with wire. The exercise was about finding a way to ‘represent’ physical sensations using form.

Drawing with Wire like Calder, and Backwards Forwards Sketching

An exciting resource based on the work of Alexander Calder. Children make drawings of their own toys, which are then interpreted in fine wire – an introduction to the tricky business of drawing in space! An exciting resource based on the work of Alexander Calder. Children make drawings of their own toys, which are then interpreted in fine wire – an introduction to the tricky business of drawing in space!

Standing Up! – Making Vertical Sculptures and Working from the Base

Teenagers are challenged to create sculpture that was able to stand up and to explore how tall the sculpture could be before it fell down. They experimented with elegant solutions to make their wire forms stand, considering also the relationship between its base and the surface it was standing on. This was also an opportunity to explore construction materials and finding the right materials for the job. Teenagers are challenged to create sculpture that was able to stand up and to explore how tall the sculpture could be before it fell down. They experimented with elegant solutions to make their wire forms stand, considering also the relationship between its base and the surface it was standing on.
This was also an opportunity to explore construction materials and finding the right materials for the job.

Reaching the Limit: Making Tall Sculptures and Stretching Materials

Following on from working with the vertical in Standing Up! – Introducing the Vertical and Working from the Base, students were pushed to further develop their understanding of sculptural relationships such as balance, the object’s relationship with the ground and how to build elegant, vertical structures. They were set the challenge of building a sculpture or structure, which was as tall or taller then themselves, working with basic (and quite flimsy) construction materials, in an hour. Following on from working with the vertical in Standing Up! – Introducing the Vertical and Working from the Base, students were pushed to further develop their understanding of sculptural relationships such as balance, the object’s relationship with the ground and how to build elegant, vertical structures. They were set the challenge of building a sculpture or structure, which was as tall or taller then themselves, working with basic (and quite flimsy) construction materials, in an hour.

Landscape Sculptures in Wire and Mixed Media: Working Through Ideas

Teenagers work from the theme of landscape exploring rhythm and movement in wire, drawing from their sculptures and making simultaneously. They were introduced to modelling wire and modroc as construction materials - paper, drawing and collaging materials were also readily available. Teenagers work from the theme of landscape exploring rhythm and movement in wire, drawing from their sculptures and making simultaneously. They were introduced to modelling wire and modroc as construction materials – paper, drawing and collaging materials were also readily available.

Withy Sculptures

Traditionally used for basket weaving and garden sculpture, withies, or willow sticks, are a versatile construction material, ideal for exploring sculptural form and ‘drawing in space’ with line. Traditionally used for basket weaving and garden sculpture, withies, or willow sticks, are a versatile construction material, ideal for exploring sculptural form and ‘drawing in space’ with line.

Drawing with Wire: The Polymeric Approach by Julie de Bastion

Artist Julie de Bastion shares a wonderful workshop that enabled participants to create a “drawing within a drawer” making delightful “Story Boxes” involving 3D drawing with flexible black wire, and drawing with mono-printing. Artist Julie de Bastion shares a wonderful workshop that enabled participants to create a “drawing within a drawer” making delightful “Story Boxes” involving 3D drawing with flexible black wire, and drawing with mono-printing.

Drawing Space/Drawing in Space

In Western art, we use the term ‘negative space’ to talk about the areas between objects on the page/canvas but this tends to convey quite a static idea of space. There is a Japanese word, ‘ma‘ (間), that suggests a more evocative and dynamic spatial experience and it was this concept that inspired this workshop, in which teenagers made three dimensional line drawings to explore the space around them. In Western art, we use the term ‘negative space’ to talk about the areas between objects on the page/canvas but this tends to convey quite a static idea of space. There is a Japanese word, ‘ma‘ (間), that suggests a more evocative and dynamic spatial experience and it was this concept that inspired this workshop, in which teenagers made three dimensional line drawings to explore the space around them.

Teachers Explore ‘Line and Shape’ at the Fitzwilliam Museum, Cambridge with AccessArt

In the spring and summer of 2016, Paula Briggs and Sheila Ceccarelli from AccessArt and Kate Noble from the Fitzwilliam Museum, Cambridge to create and deliver a series of InSET sessions (in-service-training) for primary school teachers. The aim was to fuse top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture. In the spring and summer of 2016, Paula Briggs and Sheila Ceccarelli from AccessArt and Kate Noble from the Fitzwilliam Museum, Cambridge to create and deliver a series of InSET sessions (in-service-training) for primary school teachers.
The aim was to fuse top Museum Education practice with practical, hands on learning in Fine Art disciplines including: drawing, printmaking, sketchbooks, collage and sculpture.


The August Creative Challenge Gallery – Week Four


Linking Flock Together to your Curriculum: Key Stage 4


Playing with tape, projectors, Wicky Sticks and so much more!


Artist Studio Series: Emma Sandham King


Years 3 and 4 D&T and Making Club

Year 3 & 4 Making Club: Animal Parade – Week One

Pupils use AccessArt's carnival mask template to create animal mask designs Pupils use AccessArt’s carnival mask template to create animal mask designs

Year 3 & 4 Making Club: Animal Parade – Week Two

Pupils make their animal mask designs 3D Pupils make their animal mask designs 3D

Year 3 & 4 Making Club: Animal Parade – Week Three

Pupils put finishing touches on their animal masks using paint Pupils put finishing touches on their animal masks using paint

Long Legged Animals by Years 3 & 4 Making Club

Pupils work over several sessions to create their very own long legged animals with Modroc and sticks Pupils work over several sessions to create their very own long legged animals with Modroc and sticks

Articulated Beasts

Using wire to create articulated joints and moving beasts Using wire to create articulated joints and moving beasts

Animating Articulated Beasts

Using pocket digital cameras to animate beasts Using pocket digital cameras to animate beasts

40 Minute Cardboard and Double-Sided Sticky Tape Engineering Challenge

Simple engineering challenge using the competitive spirit and a bit of cardboard! Simple engineering challenge using the competitive spirit and a bit of cardboard!


Paper Pigeon Project