AccessArt Drawing Prompt Cards

AccessArt drawing prompt cards have been created in collaboration with artists and teachers over the years, to help support drawing and overcome the ‘white page’ and ‘fear of drawing’.

Prompt cards have also been used in the context of drawing CPD for teachers and Drawing for Mindfulness sessions.
Many thanks to artist Betsy Dadd who first introduced us to the idea of drawing in the time it takes to ‘inhale and exhale a breath’, and in the time it takes to ‘blink’.

Download or access AccessArt Drawing Prompts here. Drawing Prompt Cards work very well presented on a whiteboard.

AccessArt Drawing Prompt Cards

Download or access AccessArt Drawing Prompts here. Drawing Prompt Cards work very well presented on a whiteboard.


This is a sample of a resource created by UK Charity AccessArt. We have over 1500 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


Introduction To Forest Of Imagination


You And Me Make Tree


Raising the Profile of the Art Department


AccessArt Launches DrawAble

 

DrawAble: Drawing for Recovery

“You can draw your way out of every situation”

Olga&Olaf, Tonka Uzu

When the UK first locked down in March and it was apparent that we were in this for the long haul, AccessArt decided to take the long view and think about how we could help pupils and teachers return to some kind of education in September 2020, given that we could not know, and still do not know, what shape that education might be.

And so DrawAble was born! Drawing is the perfect tool to help children navigate their way back into the world.

Drawing helps us revisit memories, explore emotions, and re-imagine our life.  Drawing helps bring us back to the moment, keeps us playful and inventive, and helps build and restore confidence. 

DrawAble is also testimony to some of the skills which artists bring to society, ones all too often overlooked.

Artists are brave people. Creativity often flourishes in a slightly chaotic space – artists are skilled at creating just enough chaos in their minds and with their hands to let ideas collide and new solutions emerge. Artists know what it means to say “I don’t know… but I do wonder…”

Artists understand the benefit of collaboration. Artists inspire and feed each other. Their ideas and actions support each other.  Artists remind each other it is ok to follow your instinct, and to have the confidence to form a vision. 

And artists are optimistic people. It is ALWAYS an optimistic act to make things with your hands, and to connect your brain and heart, and to produce, without knowing how it will turn out.

And these skills: bravery, collaboration, and optimism, are the very skills which will help us build our vision for how we would like to live, both as individuals and as a society. These are the skills we need our leaders to have, and these are the skills which make us feel better as individuals. 

Thank you so much to the DrawAble team, who have pulled together with incredible speed and energy to share their passions and create resources which we hope will help enable those skills in others. We also hope that by creating resources for September we can help take some pressure away from teachers – and a big thank you to all our wonderful teachers for all they do. 

All the DrawAble resources will be available free of charge from www.accessart.org.uk/drawable.

DrawAble has been funded by a legacy. Further DrawAble resources will be created in collaboration with other artists in the Autumn term. 

Paula Briggs on behalf of #Team AccessArt


Being an Artist Teacher


Patterns with Nature

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Drawing Projects for Children by Paula Briggs

Drawing Projects for Children by Paula Briggs

Published by Black Dog Press, Drawing Projects for Children is a beautifully illustrated collection of activities that will expand the mark making abilities and imagination of children of all ages, and help fuel their passion for drawing.

The book features a collection of drawing exercises and projects taken from the AccessArt website, presenting them in a beautiful and inspirational format.

“A beautiful book, full of ideas and a vivid sense of materials – truly appetising and stimulating.” – Sir Quentin Blake

“Drawing Projects for Children is fantastic and I know it will be an inspiration to many educators.”

“I am so thrilled with the book! Thank you for your inspiration and excellence.”

Philosophy

I have been teaching drawing for many years, and my approach is based upon:

  • Providing children with simple exercises and inspiring projects which give them a focus for their drawing exploration.

  • Providing non-specialist adults with the tools to enable them to facilitate drawing in others.

  • Helping children understand and experience the potential of different drawing materials.

  • Balancing experimental mark making with exercises which promote careful looking and thoughtful drawing.

  • Helping children understand the importance of risk-taking in drawing.

  • Building confidence and experience to enable children to undertake their own drawing journeys.

The book provides a series of modular exercises and projects which can be used alone or in cominbation to build an exciting collection of work. Warm-up exercises are used extensively to help introduce the projects. The projects themselves are suitable for all ages of children, for use at home, in the school, in an art club, gallery or museum context. The book also shares ideas to enable parents, teachers or facilitators to devise their own warm-up exercises.





£14.95
Author Paula Briggs Paperback 144 pages 120 b/w and colour ills 26.0 x 20.0 cm 10.0 x 8.0 in ISBN13: 9781908966742 £14.95
Author Paula Briggs Paperback 144 pages 120 b/w and colour ills 26.0 x 20.0 cm 10.0 x 8.0 in ISBN13: 9781908966742

Bulk Buy

Network coordinators wishing to buy this resource in bulk should contact us here for direct purchase and discount rates.

Read Most Recent Reviews – August 2020

Eileen Adams, NSEAD

The chunky (8’’x10’) Drawing Projects for Children is a beautiful book: 144 pages, printed on thick paper, with colour illustrations on nearly every page. Well done designers Freddy Williams and Vanessa Wong! It is robust both in content and presentation, a book that will be of use for a long time. Black Dog, the publishers, claim to take a daring, innovative approach to our titles, to maintain high production values and authoritative content and to produce books that challenge, provoke and entertain. There is much here to inspire children to develop their love of drawing, to stimulate them and to engage them. This is not merely a ‘how to do it’ book: it is also ‘how to think about it’.

The book is in three main parts:

• Materials, drawing surfaces and faciltators’ notes
• Warm ups
• Projects

The section on warm ups provided a range of prompts for children to start drawing: exploring line, shape, tone, texture and rhythm to create different kinds of marks that could be manipulated in a variety of ways to create drawings.

The 26 projects vary in complexity and difficulty. Many are based on drawing from observation such as moving water and natural form. Some are prompted by experimenting with marks and materials. Some are concerned with drawing from imagination, such as animal cartoon characters. Some are about storytelling. Others bring new excitement to the activity, such as drawing by torchlight, making carbon paper prints or drawing on plaster. Some drawings come off the page and are developed in 3D. Some drawings turn into books.

Teachers, parents and other facilitators will welcome this book, chock full of ideas for drawing activities. They will also appreciate the explanations, instructions and advice that will help them support children’s efforts. I particularly valued explanations as to the purpose of each drawing activity. What was the intention? What might children experience? What might they explore – ¬ a material, a technique or a concept? What might they learn as a result? This book is not just about learning to draw: it is about drawing to learn.

All the advice is sound, based on Paula Briggs’s long experience of working with her colleague, Sheila Ceccarelli, in AccessArt, to support children and teachers. The projects have been trialed and tested at drawing workshops in Grantchester. They are transferable to other situations and other age groups – secondary students would benefit from exploring many of the activities. They have the potential to inspire young people and build their confidence and competence in drawing.

The whole tone of the book is about enabling children to experiment and take risks so that they are encouraged to push beyond what they consider ‘safe’ (safe drawings are those in which we know what the outcome is going to be before we have even started making them). This is such a relief when teachers and children in schools are being constrained and mis-directed by inappropriate assessment procedures and ways of valuing children’s work.

Prehaps the author should have the last word. \”One thing I am certain of is that we need to raise our expectations of the level of artwork children are capable of making. We need to give children access to more materials, more time and space, provide more focused support, and we need to feed them with projects to give them a reason to explore further. In return, they will demonstrate how fundamentally important drawing is to us as human beings, and they will reward us with the most beautiful, eloquent and remarkable drawings.”

Artful Kids

There are no shortage of practical books about art out there for children, but speaking as someone whose first love in art is drawing, I was curious to review Drawing Projects for Children by Paula Briggs, (published by Black Dog) as there are not so many which focus on the act of drawing itself.

This is not a book about ‘how to draw’ in the traditional sense, and is, I personally thought, all the better for it. Instead it is a truly creative book – the projects are aimed at encouraging children to explore different aspects of drawing for themselves – inviting them to think and create in different ways.

Well-structured, the introduction of the book includes notes about art materials, and is followed by some facilitator’s notes for parents or teachers (there are further facilitator’s notes added for some of the individual projects). There then follows a series of 10 simple warm up exercises devoted to different aims. So for example there are exercises in mark making, continuous line drawing, and activities aimed at encouraging children to work larger, or produce bolder or ‘stronger’ drawings.

The next section is the heart of the book where there are 26 drawing projects. These are unusual and imaginative, many of them with a fun element designed to appeal to children, while at the same time fulfilling a specific learning objective. There are projects which explore the properties of different art materials, and others which encourage children to ‘think differently’ founded on the author’s extensive experience of conducting drawing workshops with children of all ages.

Not just for teachers of art, the book could just as easily be used by parents who are interested in genuinely teaching their children some of the fundamentals of art practice – to explore, observe and be creative, and also by older children who already have an interest in art. One of the strengths of the book however is the range of projects which encourage collaboration, sharing or simply exploring and learning together. The activity from the book which we tried together (Drawing by Torchlight, which you can read about here) turned out to be quite successful on a number of different levels.

The book is lavishly illustrated and produced in paperback format, using quality paper, and at £14.95 I thought it was pretty good value for the quantity of inspiring material it contains.

Julianne Negri

How would you like a drawing book that encourages risk taking in art? A book that emphasises process over product? A book that encourages experimentation within guidance? A book that is full of messy-get-your-hands-dirty drawing projects? In short, a book with smudgy fingerprints all over it? Well if these things tick your boxes like they tick mine, Paula Briggs’, Drawing Projects for Children published by Black Dog Publishing is the art book for you.

Paula Briggs has not only created a beautiful object with this book. She has created a welcome antidote to a world (wide web) full of outcome based children’s activities that seem to be all about the photo opportunity to display on whatever platform – blog/insta/facebook/twitter – a parent chooses.

This is very much a gorgeous(smudgy) hands on book, divided into two sections – warm up drawing exercises and more in depth projects. So the only real way to review this book was to try it out. First – rustle up some children (fortunately not a challenge for me).

The book is firmly aimed at children but without any dumbing down of language or “fun speak” or the sort of cutesy Dr Suess sort of language you often find with this target audience. For example:

“All of the projects in this book also use a huge range of drawing materials from inks and watercolours to graphite and pastels. Remember, great drawing experiences are not always about the outcome, but often about the things you learn when you experiment. So get ready to try out some new techniques, and make some wonderful creations!”

This tone generates respect for the child artist, for the materials being used and for the activity being undertaken. I read sections aloud to the kids first and we discussed some of the concepts – risk taking, process, not worrying about “mistakes”, no rubbing out etc. These are hugely neglected concepts in the world of a 7-almost-8-year old’s art practice. They are at an age where they lose the earlier wildness of creativity and have been firmly indoctrinated into school ideas of right and wrong and drawing like the person next to you, with a seemingly strong preoccupation on getting eyes and noses especially “right”!

While Paula Briggs suggests this book is aimed to be used independently by children, I found it does benefit from focused facilitating. And for kids this age? Fairly strong facilitation is required. Fortunately I had a background in art and understood the materials and requirements of the tasks, but it is written with point by point instructions, a colour coded idea of levels of intensity and a material list like a recipe and is therefore very accessible. For preparation we made a trip to the local art shop with a list in hand – lots of newsprint paper, various pencils, charcoals and pastels and some ink – and we were ready.

We began with some warm ups which were wonderfully fun and challenging. This “continuous line drawing” warm up was a terrific way to display process over outcome. Pens, paper, still life and go. The kids had to look at the object and draw it while not lifting their pen from the page. They were happy to keep trying this for ages! Our second warm up was “backwards-forwards sketching”. This was a good way to focus on looking and observing while slowing down the hand and creating texture.

My kids are very physical and these drawing ideas are also very physical – hand-eye coordination, large gestural mark making and sustained concentration. We interspersed the activities with kicking the footy in the back yard to freshen up.

We enjoyed perusing all the projects in the book and the kids have ear-marked many they want to try asap. But the obvious “project” to undertake right away was the “Autumn Floor Drawing”. We ran around the house and street collecting leaves, seed husks, plants and all things Autumnal.

I found myself joining in and rediscovering the joys of charcoal and of delicate lines and shading in a way I hadn’t indulged in years. It was so relaxing, for me and for the kids, to play with the materials without any pressure on the result.

Drawing Projects For Children, while not completely independently accessible to younger children, actually benefits from involving a facilitator as well as the child. I found that Paula Briggs language and ideas generate an inspirational and stimulating practical art experience. Through warm ups and projects she extends children’s idea of mark making and drawing into a new realm. It challenges children (and teachers and parents) to explore, take artistic risks and to discover the fun inherent in drawing when there is no pressure for the outcome. It is a book we will return to and from just one day of experimenting it has already inspired these two kids to observe things a little differently and to think more about how to represent their world through art.

Drawing Projects for Children is highly recommended for those who love messy art. For those who want to encourage careful observation, thoughtful mark making and inspire artistic processes. For those who understand that experimentation and sustained exploration of a medium is more important than a quick simple art activity that results in a picture perfect photo opportunity. Go get the book, some supplies, some kids and get your fingers dirty.

The BookBag

Drawing Projects For Children is a beautiful, full-colour guide that encourages children to use a range of materials to create stunning and thought-provoking artwork. As the author points out, the end result is not always as important as the journey and this book helps children to move away from the more traditional, or ‘safe’ type of drawing styles and indulge in a little more experimentation and risk taking. The book is ideal for parents to use with their children, but each chapter is a self-contained lesson plan that facilitators and teachers can use with groups.

The theme of the book is all about experimenting with materials, so it is a good idea to stock up on the basics in order to get the most out of the projects. The focus is on using different paper and drawing media to create effects, so items like graphite, charcoal and pastels, as well as papers of varying textures, are useful items to have on hand.

The book also has some engaging warm-up exercises to help the child become more aware and mindful of physical movements and rhythms involved in the drawing process. For example, drawing to a slow rhythm using a metronome, or trying to create a picture using a single, continuous line can improve hand-eye coordination and observation skills.

The projects are suitable for all ages and can be as simple or as detailed as the artist wishes them to be. Projects include turning paper into fur, drawing by torchlight and printing with carbon paper. Each project encourages a thoughtful approach and introduces a new aspect of drawing or mark-making.

There is something in the book for everyone and it is visually appealing. My daughter is a budding artist and loves perusing the pages for ideas and inspiration. It would also be a useful resource for home-educators and childminders.

Fran Richardson, Artist Educator

“Being both an artist specialising in drawing and a parent who wants to inspire my own children to draw, I was glad to have discovered this book. Although pitched at an older child to read and follow independently, it offers guidance for parents and teachers who want to lead activities at home or in the classroom.

The layout is simple and pleasing with contrasting fonts in different sizes. It is fully illustrated with colour photographs of children making the work alongside examples of materials and drawings at differing stages of completion, which makes it both engaging and easy to follow. No prior experience is required so anyone can start immediately with the items already available at home.

I particularly like the way the author moves away from the traditional model of seeking to make a finished product though a series of specific steps to a focus on different techniques and the enjoyment of using materials in an experimental way, gently pushing at the boundaries of what children can achieve.

Drawing in charcoal by torch light, the picnic drawing party, or being your own art installation are things that I would never have thought of doing. I haven\’t had any experience of teaching children so I feel much more confidant that I will be working with them at the right level. Packed with ten warm ups and 26 projects with three levels of difficulty it offers value for money for any adult who wants to enjoy some creative time with children – a must for the holidays!” 

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Hands, Feet and Flowers

See the Resource Used in Schools…

Hands and Feet Year 1 @Whitchurch1
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Year 1/2, St Michaels Community Academy
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Year 1, Abbey School, Torquay
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Laura Gilling, Davenham CofE Primary School
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Talking Points: WWF Campaign “We Can’t Negotiate The Melting Point of Ice”

Explore the videos below to find out about the creation of a WWF campaign.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

This resource is free to access and is not a part of AccessArt membership.

ages 5-8
ages 9-11
ages 11-14
ages 14-16
free to access

A Stop-Motion Made of Ice

“We follow the story of a young polar bear which tries to survive in the increasingly melting Arctic environment. In the film, as in real life, Arctic sea ice is melting quickly “changing the Arctic ecosystems forever, causing destruction around the planet.” This is a stark reminder that world leaders need to act now.

We used an innovative combination of 3D-Printing, Mould-Making, and Ice-sculpting to create 500 unique polar bear ice-sculptures that were then used to create the stop-motion animation. More than 1000 liters of ice were used to create the polar-bear sculptures and environment. The film, which took a year to produce, was created by NOMINT co-founder Yannis Konstantinidis, in collaboration with Marcos Savignano and Jua Braga, with music by Ted Regklis.” – Vimeo

Watch the video below to find out how the animation was created

Questions to Ask Children

What can you see in the animation?

What do you like / dislike about the animation?

How does the animation make you feel?

How successful is the animation in communicating its message?

Would you like to create an animation out of ice? Why?

If you could make an animation with a message about our planet, what would that message be?

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Talking Points: Faith Bebbington

A collection of sources and imagery to explore the work of sculptor, Faith Bebbington.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

This resource is free to access and is not a part of AccessArt membership.

ages 5-8
ages 9-11
ages 11-14
free to access

Faith Bebbington

Faith Bebbington is a nationally renowned sculptor based in Liverpool. Faith has worked with a range of big name clients, from the Football Association to campaigning for endangered species. Faith is best known for her sustainable practise; her large sculptures utilise lots of waste materials, with her biggest sculpture to date re-using over 2500 deconstructed plastic milk bottles!

itv Reindeer For itv Creates reimagined Brand Identity by Faith Bebbington (Illuminated Plastic Milk Bottles) itv Reindeer For itv Creates reimagined Brand Identity by Faith Bebbington (Illuminated Plastic Milk Bottles)
Polar Bear In The Studio (Created With 3000 Plastic Milk Bottles) by Faith Bebbington Polar Bear In The Studio (Created With 3000 Plastic Milk Bottles) by Faith Bebbington
Recycled Plastic Bengal Tiger for Veolia Environment by Faith Bebbington Recycled Plastic Bengal Tiger for Veolia Environment by Faith Bebbington

Find out more about Faith Bebbington’s process in this “Which Artists?” post. 

Questions to Ask Children

What materials can you spot in the sculptures?

Why do you think that Faith has used recycled materials to make her sculptures?

How would you describe the sculptures?

Which sculpture is your favourite? Why?

This Talking Points Is Used In…

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This is featured in the 'Using Art To Explore Global Issue' pathway

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Draw your Granny and Grandpa or Any Relative You Love!