Inspired! Making at Linton Heights Junior School

In this post, Anna Campbell shares how she and her colleague Rosie Komodromos from Linton Heights Junior School in Cambridgeshire inspired teachers from across their school to lead art projects for Inspire: A Celebration of Children’s Art in Response to Jacopo del Sellaio’s Cupid and Psyche during a Creative Arts Week.

Anna shares how the whole school engaged with making projects which were integrated across subjects in response to the Renaissance painting of Cupid and Psyche by Jacopo Del Sellaio at the Fitzwilliam Museum, Cambridge, and how she used the project to progress pupils’ making skills throughout the year groups.

 ‘The Story of Cupid and Psyche’ (c.1473) by Jacopo del Sellaio (1441/2-1493); tempera and gold on a wooden panel – From the Fitzwilliam Museum, Cambridge‘The Story of Cupid and Psyche’ (c.1473) by Jacopo del Sellaio (1441/2-1493); tempera and gold on a wooden panel – From the Fitzwilliam Museum, Cambridge


By Anna Campbell

After attending the Inspire 2020 CPD (Continued Professional Development) event ran by AccessArt and the Fitzwilliam Museum, Cambridge my colleague and I came away buzzing, inspired and full of ideas!

Anna Campbell - DT lead at Linton Heights Junior School at the Fitzwilliam Museum CPD session with AccessArt in 2019
Anna Campbell – DT lead at Linton Heights Junior School at the Fitzwilliam Museum CPD session with AccessArt in 2019

We gave our own CPD training to our teachers and they were amazing. We began with AccessArt’s Prompt Cards; I made a set for each class and then suggested the teachers used these daily throughout Creative Arts Week and at any other opportunity! The teachers really enjoyed this!

Next, we told The Story of Cupid and Psyche. The information we had been given on the CPD was invaluable for us to tell this story to the teachers. As all work had to be cross-curricular and show progression throughout the school, we laid out mind maps around the room, each with a school subject on it to explore how the painting could be used to enrich teaching across the curriculum. After discussion, the teachers walked around and wrote down their ideas for each subject and how we can incorporate the painting with each one. The ideas were flowing now! The subject leads took the ideas and each decided what would work well with our students.

The previous week, we had put up a high-resolution print of the painting of Cupid and Psyche throughout the school (but had not mentioned it to the students). 

On the first day of our Creative Arts Week, our Art lead, Rosie, began with an assembly with the whole school. Students acted out the story of the painting as she told it.

That was the beginning of the most amazing week!

As Design and Technology lead, and as the painting would have originally been painted for a wedding chest, I was interested in developing the theme of ‘containers’. I must admit, at first, I thought ‘what on earth can I do with this!?’ as I had to show progression through each year, and I wanted the children to really love each project. I was lucky to be able to work with the whole school. With each year group, we talked about what a wedding chest was, discussed the word ‘Cassone’, and created mind maps. The children had to think about any container, chest, or box they could and they had some amazing suggestions!

Year 3 Story Box

In Year 3, they had been reading a book which they all loved, so we decided to make story boxes. They had to cut out a ‘net’ shape from coloured card, build their box and then draw a comic style story of their own or choose to continue the painting and what happens next for Cupid and Psyche.

Folding a cut out net of a cube
Folding a cube

Final phase of folding a cut out net of a cube - Anna Campbell - Linton Heights - Inspire
Final phase of folding a cut out from a net of a cube

A folded cube and concertina folded paper
A folded cube and concertina folded paper

Drawing a sequential cartoon telling how the story of Cupid and Psyche might end
Drawing a cartoon sequence telling how the story of Cupid and Psyche might end

Story Boxes by Year 3 pupils at Linton Heights junior School
Story Boxes by Year 3 pupils at Linton Heights Junior School

Story Boxes by Year 3 pupils at Linton Heights junior School - Anna Campbell - Inspire

Year 4 Harry Potter Box

In Year 4, they had been doing Harry Potter and a lot of the children found the painting had a magical feel to it, with Psyche going to see the Oracle and Zephyr, the west wind magically blowing Psyche from the top of the mountain. So their project was spell boxes; they used cardboard and made layers to produce their box, they then added a top and latch to keep their spells safe and decorated it in pen and pencil to make it mysterious!

Year 4 pupils making Harry Potter boxes at Linton Heights Junior School
Year 4 pupils making Harry Potter boxes

Year 4 pupils completed Harry Potter boxes at Linton Heights Junior School - Anna Campbell - Inspire

Harry Potter Box by Year 4 pupils at Linton Heights Junior School

Year 4 Harry Potter boxes
Year 4 Harry Potter boxes

Year 4 Harry Potter box

Year 5 Lightboxes

In Year 5 the children had been researching the Aztecs. Pupils made a connection between Psyche’s father, Apollo, the God of the sun, and light, and the Aztecs’ ‘Pyramid of the Sun and chose to make lightboxes. Using foam board and craft knives, the children built the box and then used PVA glue and paper to secure it. They used pins and made a design on the sides of their box so when the light shone through, their designs came to life! The children loved working with this material and when we put in the light (battery operated tea lights) they looked wonderful!

Year 5 pupils at Linton Heights make Light boxes
Year 5 pupils at make lightboxes

Year 5 pupils finished light boxes - Anna Campbell - Linton Heights - Inspire
Year 5 pupils finished lightboxes

Year 6 Memory Boxes

In Year 6, I had the whole day with them! So to continue with the container project, the children made a memory box, linking their last year in Primary School to what Psyche may have put in her memory box throughout her life journey.

The children worked with clay and used tools and built their memory box up. They then made a separate lid and made an intricate design using the pictures of boxes and the wedding chest on the board. After that, we looked closely at the background of the picture and we could see water around the banks, mounds in the far distance, and mountains.

Year six pupils make memory boxes out of clay
Year six pupils make memory boxes out of clay

Year six pupils making memory boxes out of clay - Anna Campbell - Linton Heights - Inspire

Finished memory boxes made in clay by Year 6 pupils
Finished memory boxes made in clay by Year 6 pupils


Inspire Projects Across the Curriculum at Linton Heights

In Year 6 they were studying coasts and rivers and so we made a 3D model of a river, starting with the source and leading down through mountains to the mouth into the sea. The children used newspaper, modroc, wood, glue guns, paint and anything else we thought would work. It was amazing to see all the children working together to make this fantastic model!

Year Six Landscape and River Project at Linton Heights

Year Six Landscape and River Project with mixed media at Linton Heights

Year Six Landscape and River Project with mixed media at Linton Heights - Anna Campbell -

Year Six Landscape and River Project with mixed media at Linton Heights - Anna Campbell -

Year Six Landscape and River Project with mixed media at Linton Heights - Anna Campbell -

Year Six Landscape and River Project with mixed media at Linton Heights - Anna Campbell -

Science, History, Geography were all part of our week and we could’ve have kept going!

The school was buzzing with creativity! Without even knowing it, the children had also been incorporating Maths by breaking the picture up and using coordinates as well as finding different angles within the painting.

In English, there were diary entries, writing the next part of the story, and letter writing. The children’s imagination was simply incredible.

The children produced so many pieces of art throughout the whole school. And it wasn’t only in the classroom that the children were inspired, they were continuing to chat and act out the story in their playtime too and telling parents and siblings all about it!

At the end of the week, we had another whole school assembly and the children picked their favourite project and presented this to the school. There were so many different parts the children enjoyed and hearing them explain what they had done with such pride was brilliant! An absolutely wonderful project which we were very lucky and truly inspired to be part of. 


Go to Inspire: A Celebration of Children’s Art in Response to Jacopo del Sellaio’s Cupid and Psyche

Inspire ArtWork from the Fitzwilliam Museum - An exhibtion of children's work inspired by the Renaissance artist Del Sellaio, In collaboration with AccessArt - links to the Fitzwilliam Museum site

Inspire – December 2019 to March 2020, was an exhibition of art made by primary school children and celebrated creativity in Cambridgeshire schools. It championed the on-going importance of cultural learning and the visual arts for all children and young people.

Based on the National Gallery’s Take One PictureThe Fitzwilliam Museum and AccessArt teamed together to offer free Inspire 2020 CPD (Continued Professional Development for Teachers), focusing on one painting, Cupid and Psyche by Jacopo del Sellaio, as a source of ideas and inspiration.

Del Sellaio’s Cupid and Psyche was on display next to the children’s work in the Octagon Gallery.

With very special thanks to Kate Noble,  Miranda StearnSarah Villis, and Holly Morrison for making this project happen and Alison Ayres.

This post was contributed by Anna Campbell with special permission from Linton Heights Junior School, Cambridgeshire edited for AccessArt by Sheila Ceccarelli.

Fitzwilliam logo

UK Charity AccessArt created this resource in collaboration with the Fitzwilliam Museum, Cambridge.

AccessArt has over 850 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


Mono Printing Session with ‘Change, Grow, Live’

You May Also Like…

Pathway: Exploring the world though mono print

This is featured in the 'Exploring The World Through Mono print' pathway

This is featured in the ‘Exploring The World Through Mono print’ pathway

Talking Points: Xgaoc’o Xare

Two giraffe and two birds II 50x65sm by Qhaqhoo Xgaoc'o X'are

Video enabled monoprint resources

Final Monotype by Tobi Meuwissen


Drawing Small

You May Also Like…

Pathway: Exploring the world though mono print

This is featured in the 'Exploring The World Through Mono print' pathway

This is featured in the ‘Exploring The World Through Mono print’ pathway

Drawing Large

Arthur Beresford Jones


Printed Houses


Inspired! Re-Creating Cupid and Psyche in Mixed Media by Year Fives at Linton Heights


Inspire 2020: Introducing Colour and Egg Tempera on a Gesso Panel


A Progression Pathway in Clay Work

From Early Years

Woodland Exploration by Caroline Wendling & Deborah Wilenski

Artists Caroline Wendling and Deborah Wilenski encourage young children in a woodland exploration using art and imagination as their discovery tools. Artists Caroline Wendling and Deborah Wilenski encourage young children in a woodland exploration using art and imagination as their discovery tools.

Nest By Paula Briggs

Paula gives children the tools to both draw and make. Children worked with hard and soft pencils, graphite, wax resist, watercolour, clay and sticks. Paula gives children the tools to both draw and make. Children worked with hard and soft pencils, graphite, wax resist, watercolour, clay and sticks.

From Key Stage One

How to Clay Play

This resource, commissioned by Cambridge City Council, encourages being together through making and introduces the basics of working with Scolaquip air-hardening clay. This resource, commissioned by Cambridge City Council, encourages being together through making and introduces the basics of working with Scolaquip air-hardening clay.

Ofsted are Coming Tomorrow!

Primary school teacher, Sue Brown, shares her experience of an Ofsted Deep Dive in Art and gives advice to other teachers on how they might prepare themselves. Primary school teacher, Sue Brown, shares her experience of an Ofsted Deep Dive in Art and gives advice to other teachers on how they might prepare themselves.

Quick Clay Figurative Sketches By Paula Briggs

Paula provided young children with the opportunity to explore clay as a “short term” construction and modelling material. Without being fired, the dry clay has a limited lifespan, and the sculptures will crumble, but I think it’s important to remind oursleves that even without access to a kiln, clay can still be regarded as a valuable sculptural material. Paula provided young children with the opportunity to explore clay as a “short term” construction and modelling material. Without being fired, the dry clay has a limited lifespan, and the sculptures will crumble, but I think it’s important to remind oursleves that even without access to a kiln, clay can still be regarded as a valuable sculptural material.

Decorative Clay Coil Pots by Sharon Gale

This simple clay pot making resource is not the traditional way of making coil pots but it’s lots of fun and by using different paint effects, the end results can be very interesting. We worked on this project for two, two-hour sessions. This simple clay pot making resource is not the traditional way of making coil pots but it’s lots of fun and by using different paint effects, the end results can be very interesting. We worked on this project for two, two-hour sessions.

Making Plaster Reliefs By Paula Briggs

This resource describes how to create plaster reliefs using clay and foamboard moulds. It is based upon a session which took place at Bourn Primary Academy with a group of Year 5 children. This resource describes how to create plaster reliefs using clay and foamboard moulds. It is based upon a session which took place at Bourn Primary Academy with a group of Year 5 children.

Clay Art Medals by Sharon Gale

In this three stage resource, students make a circular medal from clay depicting their own profile, look at examples of fun lettering and devise a short, fun or meaningful phrase to paint inside their portrait profile. Clay art medals are a fun way to link class topics with an art activity. In this three stage resource, students make a circular medal from clay depicting their own profile, look at examples of fun lettering and devise a short, fun or meaningful phrase to paint inside their portrait profile. Clay art medals are a fun way to link class topics with an art activity.

Japan: Making Sushi – Recycled Style! By Jan Miller

Inspired by research into Japanese culture, children explored the potential and limitations of paper and recycled materials, learning through play and experimentation to make 3D forms. The outcomes of this process were used to inform work created in a second medium of clay, using kitchen equipment to shape the clay and add textures. Inspired by research into Japanese culture, children explored the potential and limitations of paper and recycled materials, learning through play and experimentation to make 3D forms. The outcomes of this process were used to inform work created in a second medium of clay, using kitchen equipment to shape the clay and add textures.

From Key Stage Two

Japan – Ceramics Inspire Painting and Painting Inspires Ceramics By Jan Miller

Jan shares a Year Three class project that uses the work of a contemporary Japanese ceramicist to inspire vibrant paintings in a variety of materials. The children then used their own art to design ceramic vessels. Jan shares a Year Three class project that uses the work of a contemporary Japanese ceramicist to inspire vibrant paintings in a variety of materials. The children then used their own art to design ceramic vessels.

Clay ‘Portrait’ Miniatures by Sharon Gale

Portrait miniatures are small painted images, usually of monarchs and very wealthy, important people. Dating back to the 1520s, these tiny portraiture paintings are like medals, but with realistic colour. This two stage clay and painting resource is very versatile because essentially the miniatures are blank canvasses. Portrait miniatures are small painted images, usually of monarchs and very wealthy, important people. Dating back to the 1520s, these tiny portraiture paintings are like medals, but with realistic colour. This two stage clay and painting resource is very versatile because essentially the miniatures are blank canvasses.

Clay Slab Work by Andy Cairns

This resource explores how to make an armature and use clay slab to build a form. Based upon the legend of “Black Shuck”, a ghostly dog that roams the coast searching for its drowned masters, this project engaged the children and resulted in charismatic sculptures, but you could equally transfer the activity to other themes. This resource explores how to make an armature and use clay slab to build a form. Based upon the legend of “Black Shuck”, a ghostly dog that roams the coast searching for its drowned masters, this project engaged the children and resulted in charismatic sculptures, but you could equally transfer the activity to other themes.

Fruit-Inspired Clay Tiles By Rachel Dormor

Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make decorative clay tiles. Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make decorative clay tiles.

Fruit Pinch Pot Project By Rachel Dormor

Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make simple pinch pot mugs. Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make simple pinch pot mugs.

From Key Stage Three and Beyond

Chimera Drawings into Beautiful Terracotta Tiles By Eleanor Somerset

Sgraffito, or ‘scratching’ is a technique which is an excellent way to reinforce mark making with all age groups.
Drawing into leather hard red clay tiles to create designs using mark-making can be even more effective when done through a white earthernware slip to reveal the red clay beneath. Sgraffito, or ‘scratching’ is a technique which is an excellent way to reinforce mark making with all age groups.
Drawing into leather hard red clay tiles to create designs using mark-making can be even more effective when done through a white earthernware slip to reveal the red clay beneath.

Exploring Materials: Clay and Water by Sheila Ceccarelli

Sheila asked teenagers at AccessArt’s Experimental Drawing Class when the last time was that they had played with clay? Sheila asked teenagers at AccessArt’s Experimental Drawing Class when the last time was that they had played with clay?

Arts and Minds: Manipulating Clay with Water by Sheila Ceccarelli

This post shows how to facilitate a sensory session exploring water and clay - by Sheila Ceccarelli (artist) and Yael Pilowsky Bankirer (Psychotherapist) for Arts and Minds. This post shows how to facilitate a sensory session exploring water and clay – by Sheila Ceccarelli (artist) and Yael Pilowsky Bankirer (Psychotherapist) for Arts and Minds.

Painted Clay by Melissa Pierce Murray

This post was inspired by the Japanese art of dorondongo, where mud and dirt are shaped and buffed into highly polished spheres. We made clay spheres and other simple forms in clay, and once dry, painted them with ink and acrylic. This post was inspired by the Japanese art of dorondongo, where mud and dirt are shaped and buffed into highly polished spheres. We made clay spheres and other simple forms in clay, and once dry, painted them with ink and acrylic.

Exploring Portraits with Eleanor Somerset

In this resource artist, Eleanor Somerset shows how she led students in The Little Art Studio, Sheffield, to explore and discover portraiture through various media. In this resource artist, Eleanor Somerset shows how she led students in The Little Art Studio, Sheffield, to explore and discover portraiture through various media.

Introducing Sgraffito using a Coloured Clay Slip on a Terracotta Tile By Eleanor Somerset

Further explore how to make beautiful sgraffito, or ‘scratched drawings’ with artist Eleanor Somerset. Further explore how to make beautiful sgraffito, or ‘scratched drawings’ with artist Eleanor Somerset.

From Bones and Body to Structure and Form By Melissa Pierce Murray

Artist Melissa Pierce Murray worked with teenagers from AccessArt’s Experimental Drawing Class on a series of workshops which physically explored drawing and sculptural responses to form, forces and anatomy. Artist Melissa Pierce Murray worked with teenagers from AccessArt’s Experimental Drawing Class on a series of workshops which physically explored drawing and sculptural responses to form, forces and anatomy.

Simple Clay Moulds by Melissa Pierce Murray

In this post, artist Melissa Pierce Murray, shows, step-by-step, how young teenagers explored plaster casting by making simple clay ‘waste moulds’ and then moved on to making simple ‘two piece moulds’. In this post, artist Melissa Pierce Murray, shows, step-by-step, how young teenagers explored plaster casting by making simple clay ‘waste moulds’ and then moved on to making simple ‘two piece moulds’.

Casting a Negative Space in Plaster with Sculptor Rachel Wooller

Resident artist at ArtWorks Studios, Cambridge, Rachel Wooller, introduces teenagers at AccessArt’s Experimental Drawing Class to the process of casting and creating negative shapes in plaster from clay positives. Resident artist at ArtWorks Studios, Cambridge, Rachel Wooller, introduces teenagers at AccessArt’s Experimental Drawing Class to the process of casting and creating negative shapes in plaster from clay positives.

Rowan: Clay Coiling Techniques to Make Penguins, Tweety Pie and a Dalek too! by Abi Moore and Sarah Nibbs

Abi, Sarah and students at Rowan Humberstone, show how they made clay birds using clay coiling techniques and with a plaster mould for the birds’ bases. Abi, Sarah and students at Rowan Humberstone, show how they made clay birds using clay coiling techniques and with a plaster mould for the birds’ bases.

Rowan: Making a Clay Bird from a Mould by Abi Moore and Sarah Nibbs

Abi and students from Rowan Humberstone, describe how they made clay birds from a plaster mould. Abi and students from Rowan Humberstone, describe how they made clay birds from a plaster mould.

Modelling The Head in Clay by Melissa Pierce Murray

Artist Melissa Pierce Murray led a series of workshops for AccessArt’s Experimental Drawing Class in which the teenagers modelled a head in clay. There are five resources in this series, beginning with constructing an armature and making preparatory drawings, then studying the bone structure of the skull before moving on to features. The final post in this series looks at ways to increase the techniques and approaches used in drawing. Artist Melissa Pierce Murray led a series of workshops for AccessArt’s Experimental Drawing Class in which the teenagers modelled a head in clay. There are five resources in this series, beginning with constructing an armature and making preparatory drawings, then studying the bone structure of the skull before moving on to features. The final post in this series looks at ways to increase the techniques and approaches used in drawing.

Design Lab: Phoebe Cummings at the V&A

Students, from the DesignLab at the V&A, London, worked with artist Phoebe Cummings over a three month period to create a site-specific, group piece, from unfired clay which was inspired by the historical 2D designs found on 19th century British tableware in the collection. Students, from the DesignLab at the V&A, London, worked with artist Phoebe Cummings over a three month period to create a site-specific, group piece, from unfired clay which was inspired by the historical 2D designs found on 19th century British tableware in the collection.


Inspired! Psyche’s Resilience by The Fitzy Peters


Life Drawing Class: Visual Impressions


Inspired! ‘The Tree’ by Year One and Two at Hauxton Primary School


Ofsted are Coming Tomorrow!


Walking and Drawing


Unesco: Celebrating the Power of Making!


Foreshortened Sketches


Bubble Drawings


Flying Minpin Birds

See This Resource Used In Schools…

Nine Mile Ride Primary School in Finchampstead in collaboration with South Hill Park Arts Centre
Nine Mile Ride Primary School in Finchampstead in collaboration with South Hill Park Arts Centre
Nine Mile Ride Primary School in Finchampstead in collaboration with South Hill Park Arts Centre
Nine Mile Ride Primary School in Finchampstead in collaboration with South Hill Park Arts Centre

You Might Also like…

Pathway: Telling Stories through drawing and making

This is featured in the 'Drawing Stories Through Drawing and Making' pathway

This is featured in the ‘Drawing Stories Through Drawing and Making’ pathway

Visual Arts Planning Collections: Birds

Drawing Birds with Oil Pastels and Washes

MAKING BIRDS FROM CARD, PAPER AND WIRE

Drawing feathers


Pastel and Rubber Chiaroscuro Drawings


Thinking Silhouettes


Mini World Light Boxes

Year 5 & 6, Al-Ashraf Primary School
Year 5 & 6, Al-Ashraf Primary School
Year 6, St Michaels Community Academy
Year 6, St Michaels Community Academy
Year 6, St Michaels Community Academy
Year 6, St Michaels Community Academy
Process Art at HP, Home Education group.
Process Art at HP, Home Education group.
Process Art at HP, Home Education group

You May Also Like…

Pathway: Brave Colour

This is featured in the 'Brave colour' pathway

This is featured in the ‘Brave colour’ pathway

Talking Points: Carnovsky

Explore different colour profiles and see how light can transform art

Explore different colour profiles and see how light can transform art

Which Artists: Liz West

Find out how Liz West is inspired by light, colour and reflections

Find out how Liz West is inspired by light, colour and reflections

Talking Points: Olafur Eliasson

See how Eliasson uses elemental materials such as light, water, and air temperature

See how Eliasson uses elemental materials such as light, water, and air temperature


Wall Drawings with Tape