Make First

By Rebecca Goozee 

Over the last 50 years the Crafts Council has been working hard to champion craft education, through support education settings and delivering exciting in school programmes including Firing up and Make Your Future. As we prepare to launch our new national schools program Craft School: Yinka’s Challenge we have been revisiting how we have seen and experienced the development and delivery of craft skills by teachers of craft and maker educators.

This reflection has led us to champion Make First approaches as a core craft learning principal. Make First asks learners to make their ideas instead of sketching them, using, forming and playing with malleable materials to test their thinking and develop imaginations. Make First is a good strategy to nurture learner’s resilience and encourage them to take risks with their idea generation and development, as well as provide a rich level of experience with lots of new and different craft making techniques.

Make First also acknowledges and encourages learner’s agency and the importance and development of multiple non verbal modes of demonstrating knowledge and understanding. Often without explicit instruction or discussion learners are able to experiment with their creativity and explore the potentials of craft materials, whilst developing dexterous and tacit practice.

It allows learners of all ages to make craft practices their own, in a way that is rooted in interaction with materials in a playful way, and this is where we feel the magic really happens!



Which Artists: The Life & Works of Madge Gill

What We Like About This Resource….

“The life of Madge Gill that Sophie Dutton recounts here gives us real insight into the challenges that Madge Gill experienced, and how these challenges would have been common among women at the time. When we study the work of Artists, it adds a rich context to our experience of their work to consider their personal history, and helps us ask questions like ‘why do you think the Artist painted in this way or was inspired by this subject matter?’ If you introduce your class to Madge Gill, begin with looking back over her younger life to try and better understand her motivations as an Artist” – Rachel, AccessArt

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I am AccessArt: Ann Rippin

I am AccessArt: Ann Rippin

Making Batik Textiles in the Classroom

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How I Use Drawing and Sketchbooks

How I Use Drawing and Sketchbooks


Collage Streets

What We Like About This Resource….

“This project provides a real opportunity for children to engage with a range of different processes to produce truly individual final results. Jan Miller is an experienced teacher and connects her projects well with learning outcomes. In this case, children are encouraged to have a loose approach and to make their own creative decisions – which is such a valuable part of any child (or adults!) creative education”. – Rachel, AccessArt

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Painted Houses

placing roof over house frame

One Line Street

Teaching Drawing

Responding to Place

Collaged landmarks of Oldham ready for display - Claire Mather


World War I Mail Art

What We Like About This Resource….

“This project links poignant subject matter with meaningful art processes and local history. What we learn about the re purposing of materials, (in this case spent ammunition) re affirms how we can use what is around us as a starting point to making and creating. You could extend or adapt this project by looking at broken pottery, re purposing that into new sculptures that link with Roman or other local historical cultures” – Rachel, AccessArt

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Henry Moore's Shelter Drawings

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Remembrance Day Soldiers

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For Remembrance Day

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Which Artists: Theresa Easton

What We Like About This Resource….

“It’s interesting to hear Theresa describe Printmaking as a social activity, with the shared use of materials and equipment so central to the practice. This could be a positive way of working for lots of children in school, where instead of just working on individual art work, they can collaborate and embrace the creative sharing experience!” – Tobi, AccessArt.

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Monoprint Animals

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Screen printing Inspired by Matisse

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An Exploration of Shepherd Fairey

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An Exploration of Pandora’s Box

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Ancient Greek Lyres

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Decorative Coil Clay Pots

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Visual Arts Planning: Clay

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Working with Dogwood

What We Like About This Resource….

“It’s lovely to see a resource that centres on a particular material and the scope it offers. I particularly like how the dogwood is used here to make wooden beads. This idea could be developed further by looking at how wood has been used to make jewelry throughout history and within many different cultures.” – Rachel, AccessArt.

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A Passion for Woodworking

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Woodland Exploration

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Visual Arts Planning: Trees, Forests and Landscape

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Ink Collage Inspired by The Wolf Wilder


Making a Scroll Drawing


One Roll of Paper, Two Activities


Botanical Fairies


Inspired! Re-Creating Cupid and Psyche in Mixed Media by Year Fives at Linton Heights


Inspired! Psyche’s Resilience by The Fitzy Peters


Unesco: Celebrating the Power of Making!


Flying Minpin Birds

See This Resource Used In Schools…

Nine Mile Ride Primary School in Finchampstead in collaboration with South Hill Park Arts Centre
Nine Mile Ride Primary School in Finchampstead in collaboration with South Hill Park Arts Centre
Nine Mile Ride Primary School in Finchampstead in collaboration with South Hill Park Arts Centre
Nine Mile Ride Primary School in Finchampstead in collaboration with South Hill Park Arts Centre

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Pathway: Telling Stories through drawing and making

This is featured in the 'Drawing Stories Through Drawing and Making' pathway

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Visual Arts Planning Collections: Birds

Drawing Birds with Oil Pastels and Washes

MAKING BIRDS FROM CARD, PAPER AND WIRE

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Pastel and Rubber Chiaroscuro Drawings


Wall Drawings with Tape


‘Painting’ with Plasticine


Clay Art Medals

See the Resource Used in Schools…

Creative Days Bedford Inspired by AccessArt
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Clay ‘Portrait’ Miniatures