Sketchbooks! What Makes a Sketchbook “Exciting”?

Part 1: What Makes a Sketchbook “Exciting”?
<< back to "Sketchbooks!" course page

Developing Sketchbooks Skills & Approaches Online Course
Sketchbook Handling Exhibition at the AccessArt Sketchbook Conference, Cambridge 2011
Pink Pig sketchbook exploration

The number one rule we have at AccessArt is that your sketchbook should feel like it belongs to YOU, not your mum or dad, not your teacher or your school, just you!

Why? Because once you feel like your sketchbook is yours to do whatever you wish in, then you are well on your way to using a sketchbook to its full potential.

Let’s talk very quickly about what a sketchbook is, and what a sketchbook isn’t!

A sketchbook is a place for exploring the world through drawing, writing, collecting, collaging, sorting, recording, and playing with ideas. A sketchbook is a place of exploration, discovery, wonder and invention. It is a place in which you can ask all kinds of questions, without having to know or find the answer. Mistakes are welcome in sketchbooks as they show you are testing ideas or pushing yourself. 

A sketchbook is not a place where you should feel pressure to work a certain way, or produce marvellous drawings without any mistakes, or to write neatly. 

Now perhaps you will see why you really need to feel like your sketchbook is YOURS. Because the most exciting sketchbooks are not the ones with the “neatest” drawings or most “beautiful” colour wheel. The most exciting sketchbooks are the ones where the personality of the owner comes shining through, whatever that personality is. 

Remember you can post images of your sketchbook work on Instagram
Tag @accessartorguk #accessartsketchbook

Next…

2. Making Your Sketchbook Your Own

Make or adapt your own sketchbook

Make or adapt your own sketchbook

Or…

BACK TO “SKETCHBOOKS!” COURSE PAGE

Access all resources

Access all resources


Info for Teachers: Covid-19 Update

Last Updated 28th April 2020

We hope the following information is helpful to teachers looking to use AccessArt to help deliver online learning. Please do get in touch if you have a specific question. 

This will be an evolving list so please bear with us as we respond to a slight change in the type of resources schools now need – but responding we are. We will be releasing new resources over the next few weeks. If you are already registered with AccessArt we will keep you up to date, if you are not registered pls do so. 

There are many more resources available on the AccessArt website than those mentioned below, but we do not want to add unnecessary “noise” at this time, so the resources below have been chosen as starting points for those in an early stage exploration of what AccessArt can offer. 

We have split the resources into “short term: online learning” and “long term: planning”.

Short Term: Online Learning

Firstly, We have created where we will be posting resources we highlight in relation to Covid-19. These are not by any means all the resources our of our 850 which are suitable for home learning; just a highlighted few. These pages will be updated weekly and can be shared directly with staff and parents:

https://www.accessart.org.uk/art-covid-19/

https://www.accessart.org.uk/art-resources-for-home/ 

The above pages are always accessible from the “Covid-19” menu item on every page of www.accessart.org.uk, and contain stand alone projects you may wish to send to children/families.

We have reformatted our online sketchbooks skills course so that it is fully accessible to home users of all ages. You can find this via this page. 

We are also reformatting our “7 steps to drawing” course and “ten minutes five times a day” – which has 5 drawing exercises. They will be ready over the next few weeks. 

Each “course” comprises several elements and realistically could provide a whole terms worth of learning in themselves. Most importantly, when children return to school, they would have learnt valuable skills which will stay with them.

There are lots more resources of course and if you have a particular theme or media in mind then we can respond to that with suggested plan. Drawing and sketchbooks is a great way in for home users though as materials are always at hand (even if its just a biro and an envelop!). 

Long Term: Planning

Many schools are taking the opportunity to plan the art curriculum for when things return to normal. To help with this please visit the page below which houses our Exemplar Plan for EYFS and Primary, plus our Progression Plan. 

https://www.accessart.org.uk/exemplar-primary-art-plan/

You can also find currciulum advice at

https://www.accessart.org.uk/primary_art_curriculum_planning/

(Both the above pages are also accessible from the “I am” menu on the main menu of AccessArt. Choose “Primary Teacher” from the “I am”  menu).

We really hope those links help and we’re very happy to keep talking to help you through this. 

#TeamAccessArt


Printed Houses


Inspired! Re-Creating Cupid and Psyche in Mixed Media by Year Fives at Linton Heights


Inspire 2020: Introducing Colour and Egg Tempera on a Gesso Panel


A Progression Pathway in Clay Work

From Early Years

Woodland Exploration by Caroline Wendling & Deborah Wilenski

Artists Caroline Wendling and Deborah Wilenski encourage young children in a woodland exploration using art and imagination as their discovery tools. Artists Caroline Wendling and Deborah Wilenski encourage young children in a woodland exploration using art and imagination as their discovery tools.

Nest By Paula Briggs

Paula gives children the tools to both draw and make. Children worked with hard and soft pencils, graphite, wax resist, watercolour, clay and sticks. Paula gives children the tools to both draw and make. Children worked with hard and soft pencils, graphite, wax resist, watercolour, clay and sticks.

From Key Stage One

How to Clay Play

This resource, commissioned by Cambridge City Council, encourages being together through making and introduces the basics of working with Scolaquip air-hardening clay. This resource, commissioned by Cambridge City Council, encourages being together through making and introduces the basics of working with Scolaquip air-hardening clay.

Ofsted are Coming Tomorrow!

Primary school teacher, Sue Brown, shares her experience of an Ofsted Deep Dive in Art and gives advice to other teachers on how they might prepare themselves. Primary school teacher, Sue Brown, shares her experience of an Ofsted Deep Dive in Art and gives advice to other teachers on how they might prepare themselves.

Quick Clay Figurative Sketches By Paula Briggs

Paula provided young children with the opportunity to explore clay as a “short term” construction and modelling material. Without being fired, the dry clay has a limited lifespan, and the sculptures will crumble, but I think it’s important to remind oursleves that even without access to a kiln, clay can still be regarded as a valuable sculptural material. Paula provided young children with the opportunity to explore clay as a “short term” construction and modelling material. Without being fired, the dry clay has a limited lifespan, and the sculptures will crumble, but I think it’s important to remind oursleves that even without access to a kiln, clay can still be regarded as a valuable sculptural material.

Decorative Clay Coil Pots by Sharon Gale

This simple clay pot making resource is not the traditional way of making coil pots but it’s lots of fun and by using different paint effects, the end results can be very interesting. We worked on this project for two, two-hour sessions. This simple clay pot making resource is not the traditional way of making coil pots but it’s lots of fun and by using different paint effects, the end results can be very interesting. We worked on this project for two, two-hour sessions.

Making Plaster Reliefs By Paula Briggs

This resource describes how to create plaster reliefs using clay and foamboard moulds. It is based upon a session which took place at Bourn Primary Academy with a group of Year 5 children. This resource describes how to create plaster reliefs using clay and foamboard moulds. It is based upon a session which took place at Bourn Primary Academy with a group of Year 5 children.

Clay Art Medals by Sharon Gale

In this three stage resource, students make a circular medal from clay depicting their own profile, look at examples of fun lettering and devise a short, fun or meaningful phrase to paint inside their portrait profile. Clay art medals are a fun way to link class topics with an art activity. In this three stage resource, students make a circular medal from clay depicting their own profile, look at examples of fun lettering and devise a short, fun or meaningful phrase to paint inside their portrait profile. Clay art medals are a fun way to link class topics with an art activity.

Japan: Making Sushi – Recycled Style! By Jan Miller

Inspired by research into Japanese culture, children explored the potential and limitations of paper and recycled materials, learning through play and experimentation to make 3D forms. The outcomes of this process were used to inform work created in a second medium of clay, using kitchen equipment to shape the clay and add textures. Inspired by research into Japanese culture, children explored the potential and limitations of paper and recycled materials, learning through play and experimentation to make 3D forms. The outcomes of this process were used to inform work created in a second medium of clay, using kitchen equipment to shape the clay and add textures.

From Key Stage Two

Japan – Ceramics Inspire Painting and Painting Inspires Ceramics By Jan Miller

Jan shares a Year Three class project that uses the work of a contemporary Japanese ceramicist to inspire vibrant paintings in a variety of materials. The children then used their own art to design ceramic vessels. Jan shares a Year Three class project that uses the work of a contemporary Japanese ceramicist to inspire vibrant paintings in a variety of materials. The children then used their own art to design ceramic vessels.

Clay ‘Portrait’ Miniatures by Sharon Gale

Portrait miniatures are small painted images, usually of monarchs and very wealthy, important people. Dating back to the 1520s, these tiny portraiture paintings are like medals, but with realistic colour. This two stage clay and painting resource is very versatile because essentially the miniatures are blank canvasses. Portrait miniatures are small painted images, usually of monarchs and very wealthy, important people. Dating back to the 1520s, these tiny portraiture paintings are like medals, but with realistic colour. This two stage clay and painting resource is very versatile because essentially the miniatures are blank canvasses.

Clay Slab Work by Andy Cairns

This resource explores how to make an armature and use clay slab to build a form. Based upon the legend of “Black Shuck”, a ghostly dog that roams the coast searching for its drowned masters, this project engaged the children and resulted in charismatic sculptures, but you could equally transfer the activity to other themes. This resource explores how to make an armature and use clay slab to build a form. Based upon the legend of “Black Shuck”, a ghostly dog that roams the coast searching for its drowned masters, this project engaged the children and resulted in charismatic sculptures, but you could equally transfer the activity to other themes.

Fruit-Inspired Clay Tiles By Rachel Dormor

Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make decorative clay tiles. Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make decorative clay tiles.

Fruit Pinch Pot Project By Rachel Dormor

Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make simple pinch pot mugs. Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make simple pinch pot mugs.

From Key Stage Three and Beyond

Chimera Drawings into Beautiful Terracotta Tiles By Eleanor Somerset

Sgraffito, or ‘scratching’ is a technique which is an excellent way to reinforce mark making with all age groups.
Drawing into leather hard red clay tiles to create designs using mark-making can be even more effective when done through a white earthernware slip to reveal the red clay beneath. Sgraffito, or ‘scratching’ is a technique which is an excellent way to reinforce mark making with all age groups.
Drawing into leather hard red clay tiles to create designs using mark-making can be even more effective when done through a white earthernware slip to reveal the red clay beneath.

Exploring Materials: Clay and Water by Sheila Ceccarelli

Sheila asked teenagers at AccessArt’s Experimental Drawing Class when the last time was that they had played with clay? Sheila asked teenagers at AccessArt’s Experimental Drawing Class when the last time was that they had played with clay?

Arts and Minds: Manipulating Clay with Water by Sheila Ceccarelli

This post shows how to facilitate a sensory session exploring water and clay - by Sheila Ceccarelli (artist) and Yael Pilowsky Bankirer (Psychotherapist) for Arts and Minds. This post shows how to facilitate a sensory session exploring water and clay – by Sheila Ceccarelli (artist) and Yael Pilowsky Bankirer (Psychotherapist) for Arts and Minds.

Painted Clay by Melissa Pierce Murray

This post was inspired by the Japanese art of dorondongo, where mud and dirt are shaped and buffed into highly polished spheres. We made clay spheres and other simple forms in clay, and once dry, painted them with ink and acrylic. This post was inspired by the Japanese art of dorondongo, where mud and dirt are shaped and buffed into highly polished spheres. We made clay spheres and other simple forms in clay, and once dry, painted them with ink and acrylic.

Exploring Portraits with Eleanor Somerset

In this resource artist, Eleanor Somerset shows how she led students in The Little Art Studio, Sheffield, to explore and discover portraiture through various media. In this resource artist, Eleanor Somerset shows how she led students in The Little Art Studio, Sheffield, to explore and discover portraiture through various media.

Introducing Sgraffito using a Coloured Clay Slip on a Terracotta Tile By Eleanor Somerset

Further explore how to make beautiful sgraffito, or ‘scratched drawings’ with artist Eleanor Somerset. Further explore how to make beautiful sgraffito, or ‘scratched drawings’ with artist Eleanor Somerset.

From Bones and Body to Structure and Form By Melissa Pierce Murray

Artist Melissa Pierce Murray worked with teenagers from AccessArt’s Experimental Drawing Class on a series of workshops which physically explored drawing and sculptural responses to form, forces and anatomy. Artist Melissa Pierce Murray worked with teenagers from AccessArt’s Experimental Drawing Class on a series of workshops which physically explored drawing and sculptural responses to form, forces and anatomy.

Simple Clay Moulds by Melissa Pierce Murray

In this post, artist Melissa Pierce Murray, shows, step-by-step, how young teenagers explored plaster casting by making simple clay ‘waste moulds’ and then moved on to making simple ‘two piece moulds’. In this post, artist Melissa Pierce Murray, shows, step-by-step, how young teenagers explored plaster casting by making simple clay ‘waste moulds’ and then moved on to making simple ‘two piece moulds’.

Casting a Negative Space in Plaster with Sculptor Rachel Wooller

Resident artist at ArtWorks Studios, Cambridge, Rachel Wooller, introduces teenagers at AccessArt’s Experimental Drawing Class to the process of casting and creating negative shapes in plaster from clay positives. Resident artist at ArtWorks Studios, Cambridge, Rachel Wooller, introduces teenagers at AccessArt’s Experimental Drawing Class to the process of casting and creating negative shapes in plaster from clay positives.

Rowan: Clay Coiling Techniques to Make Penguins, Tweety Pie and a Dalek too! by Abi Moore and Sarah Nibbs

Abi, Sarah and students at Rowan Humberstone, show how they made clay birds using clay coiling techniques and with a plaster mould for the birds’ bases. Abi, Sarah and students at Rowan Humberstone, show how they made clay birds using clay coiling techniques and with a plaster mould for the birds’ bases.

Rowan: Making a Clay Bird from a Mould by Abi Moore and Sarah Nibbs

Abi and students from Rowan Humberstone, describe how they made clay birds from a plaster mould. Abi and students from Rowan Humberstone, describe how they made clay birds from a plaster mould.

Modelling The Head in Clay by Melissa Pierce Murray

Artist Melissa Pierce Murray led a series of workshops for AccessArt’s Experimental Drawing Class in which the teenagers modelled a head in clay. There are five resources in this series, beginning with constructing an armature and making preparatory drawings, then studying the bone structure of the skull before moving on to features. The final post in this series looks at ways to increase the techniques and approaches used in drawing. Artist Melissa Pierce Murray led a series of workshops for AccessArt’s Experimental Drawing Class in which the teenagers modelled a head in clay. There are five resources in this series, beginning with constructing an armature and making preparatory drawings, then studying the bone structure of the skull before moving on to features. The final post in this series looks at ways to increase the techniques and approaches used in drawing.

Design Lab: Phoebe Cummings at the V&A

Students, from the DesignLab at the V&A, London, worked with artist Phoebe Cummings over a three month period to create a site-specific, group piece, from unfired clay which was inspired by the historical 2D designs found on 19th century British tableware in the collection. Students, from the DesignLab at the V&A, London, worked with artist Phoebe Cummings over a three month period to create a site-specific, group piece, from unfired clay which was inspired by the historical 2D designs found on 19th century British tableware in the collection.


Inspired! Psyche’s Resilience by The Fitzy Peters


Life Drawing Class: Visual Impressions


Research: Life Drawing & Adolescents


Inspired! ‘The Tree’ by Year One and Two at Hauxton Primary School


Ofsted are Coming Tomorrow!


Walking and Drawing


Unesco: Celebrating the Power of Making!


Children’s Community Project


Foreshortened Sketches


Cupid and Psyche: How a Fifteenth-Century Renaissance Panel Became the Most Loved Painting in Cambridgeshire


Inspire: Behind the Scenes at the Fitzwilliam Museum, Cambridge

Go back to Inspire: A Celebration of Children’s Art in Response to Jacopo del Sellaio’s Cupid and Psyche

And How Cupid’s Bow and Psyche’s Dress were Installed

On Tuesday 3rd of December 2019, there was a very special visit to the Fitzwilliam Museum, Cambridge, arranged by Sarah Villis, Holly Morrison and Kate Noble from the museum’s Education Team.

A group of pupils from two primary schools in Cambridgeshire were invited to see behind the scenes at the Fitzwilliam Museum, Cambridge and the installation of Inspire  – an exhibition of children’s artwork in the Octagon Gallery in the museum from the 10th December 2019 until 22 March 2020.

These pupils are young artists who have had their artworks selected to be exhibited alongside the Renaissance painting of Cupid and Psyche by Jacopo Del Sellaio; Year 4 and 5 pupils from the Brilliant Makers Club, at Morley Memorial Primary School, Cambridge with their teacher Maya Dalby; and the The Fitzy Peters, a group of Year 5 pupils from St Peters C of E Junior School, Wisbech, Cambridgeshire, with their teacher Natalie Bailey and head teacher Amy Harvey.

The day-long session was facilitated by Holly Morrison.

The pupils were greeted by the museum staff and Holly took them on a tour through the museum on their way to the Octagon Gallery, where their work was being installed by Charis and Jamie.

Brilliant Makers at Morley Memorial created Magical Cupid’s bow and arrows in mixed media for Inspire.

‘Focusing on the theme of ‘change’ and ‘love’, the group discussed inspirational people who were changing the world for the better. The children decided what positive change they would make if they had a magical Cupid’s bow and arrow to shoot into the world. Responses ranged from arrows that stopped deforestation to arrows that helped people read.’ Maya Dalby, Art Coordinator and Year 5 teacher at Morley Memorial School, Cambridge

This was also a chance for children to see other children’s work and behind the scenes at the Museum.

The children then went to the Seminar Room, where Holly had an afternoon of creative activity planned out for them, but first a chance for the Fitzy Peters to introduce the others to ‘The Resilience of Psyche;’ Psyche’s dress which they had made over several sessions with their teacher Natalie Bailey.

‘A group of children, The Fitzy Peters, became fascinated by Psyche’s resilience during her period of grief and loss and made significant connections to the story during our PSHE lessons. We decided to extend the children’s learning by running a Summer holiday project. The children decided to tell the story of Psyche through a dress designed especially for her at Studio 15 in Wisbech. What surprised me the most was how much art helps children to communicate and express thoughts, feelings and emotions.’  Natalie Bailey, Year 5 Teacher and Art Lead

‘The main fabric is denim, we thought this showed resilience. It’s tough and can take the harshness of life. The underneath of the dress is soft, white tulle showing Psyche’s soft innocent side. Every single part of the dress has a message, a reason for being there.’ Tomasz, aged 10

The Resilience of Psyche can be seen from the 10th December 2019 until the 22nd March 2020 in the Armory at the Fitzwilliam Museum, Cambridge.


Inspire ArtWork from the Fitzwilliam Museum - An exhibtion of children's work inspired by the Renaissance artist Del Sellaio, In collaboration with AccessArt

Inspire – December 2019 to March 2020, was an exhibition of art made by primary school children and celebrated creativity in Cambridgeshire schools. It championed the on-going importance of cultural learning and the visual arts for all children and young people.

Based on the National Gallery’s Take One PictureThe Fitzwilliam Museum and AccessArt teamed together to offer free Inspire 2020 CPD (Continued Professional Development for Teachers), focusing on one painting, Cupid and Psyche by Jacopo del Sellaio, as a source of ideas and inspiration.

Del Sellaio’s Cupid and Psyche was on display next to the children’s work in the Octagon Gallery.

With very special thanks to Kate Noble,  Miranda StearnSarah Villis, and Holly Morrison for making this project happen and Alison Ayres.

This post was written by Sheila Ceccarelli.

Fitzwilliam logo


The Story of Cupid and Psyche by Jacopo del Sellaio (1442 – 1493)  


Inspire Exhibition CPD Programme for Teachers

 
During these practical, hands-on CPD Sessions for Primary School Teachers, we will take a closer look at Del Sellaio’s Cupid and Psyche, and celebrate how this remarkable Rennaisance panel inspired the creation of artworks by primary school pupils in Cambridgeshire, on display in the INSPIRE Exhibition in the Octagon Gallery from 10th December 2019 until 22nd March 2020.
 
We would be delighted to welcome back primary school teachers, who participated in the INSPIRE 2020 Project, as well as those who were unable to come to the original sessions. These sessions will demonstrate how to look at and use objects in the Fitzwilliam Museum collection to support and deepen learning in the classroom, and further develop practical, fine art skills essential for the delivery of a balanced curriculum. 
 
The sessions will be facilitated by the Fitzwilliam Education Team and AccessArt and co-led by participating teachers from the INSPIRE Exhibition.

INSPIRE – A Closer Look at Sketchbooks

Wednesday 12th February
2 pm until 5 pm
Fitzwilliam Museum, Cambridge
 
This session will look at examples of best sketchbook practice within a school and museum setting and explore how schools can harness sketchbooks as tools for learning, research, and the development of visual literacy.
 

Selection of powder paints and ground charcoal and chalk to mimic the Renaissance palette

INSPIRE – A Closer Look at Colour

Saturday 29th February
2 pm until 5 pm
Fitzwilliam Museum, Cambridge
 
This session will look at examples of the journeys that pupils undertook in their own experimentation and exploration of colour, as inspired by Del Sellaio’s Cupid and Psyche and the processes used in the Italian Renaissance to create a painted panel.
 

INSPIRE – A Closer Look at Making

Wednesday 4th March
2 pm until 5 pm
Fitzwilliam Museum, Cambridge
 
Often forgotten in schools, this session celebrates the importance and power of making and the exploration of materials for children as tools for thinking and understanding the physical world.
 
 
To book call 01223 332904 or email education@fitzmuseum.cam.ac.uk


Bubble Drawings