Art Rooms in KS1&2 Schools: The Elms Junior School

As part of AccessArt’s campaign to promote the importance of making in schools (#whatdidmychildmake), AccessArt is keen to identify and share success stories from schools that have created art rooms within their schools. See all school interviews here, and if your school has an art room then please get in touch to share your story.


Many thanks to Anna Morrow from The Elms Junior School for sharing their art room story.

The Art Room at The Elms Junior School
The Art Room at The Elms Junior School

 

“The Elms Junior School, is an independent co-ed school in the East Midlands with approximately 400 children aged 0-11. The school has expanded and evolved a lot over the last nine years, under the tenure of the existing head. This evolution has been both a physical change with the creation of new buildings, and a philosophical one, with an overhaul of how we educate our pupils. Both changes have helped to develop the school into an excellent and vibrant place to learn and teach in. The profile of Art, DT and IT have risen significantly, to the point where the school has a dedicated Art/DT for KS1 children and purpose built separate Art room and DT room, both with specialist teachers who teach all of the children from Y3 upwards.

The Art Room at The Elms Junior School
The Art Room at The Elms Junior School

 

The move from Art being taught as a general classroom-taught subject, was born out of the need to offer a more consistent experience to the children, as at that point, the quality of art taught was very much dependent on whether the teacher had the skills or interest in art. There was a desire to move away from some lessons that were craft experiences, which had the tendency for the end product to look rather uniformed, to lessons that gave experiences and skills which young children need to help them to develop as artists and give the children the scope to express themselves creatively. Physically our infant classrooms did not lend themselves to a full immersive art experience, which is why a new room was created. This room had the resources to hand, enough space to make and store work and importantly surfaces that could with stand a good dollop of creative enthusiasm – mess! The children in KS1 are taught by their class teachers, but they follow an art scheme that introduces the skills the children need, in a way a non-specialist teacher can follow and adapt to suit their class and topics.

One of ten glass fused panels made by Y6, part of the 2015 leavers legacy window
One of ten glass fused panels made by Y6, part of the 2015 leavers legacy window

 

Our KS2 children are taught in a lovely room, where their experiences extend beyond the normal curriculum and they explore a wide range of mediums, including lino cut, willow and wire work and glass fusing. I am the children’s specialist teacher. I have a degree in Art, as well as being a qualified and experienced Primary teacher.  I worked as a class teacher in the state system for a large proportion of my career, before I joined The Elms as a class teacher, where I taught both infant and junior classes. As our school’s direction changed, I became the specialist teacher for art. Initially I confess I was not keen to give up all of the other subjects I enjoyed teaching, but now, four years into the role, I love it! I have found that I can weave the other subjects I also enjoy, such as history, science etc, into my teaching, so I am enriching the subject further with this knowledge. Subject specialism is already well established at The Elm’s, in MFL, Music, Science, Games and P.E, most of these being taught from Reception up. Art, DT and IT joined the list in the last few years for KS2. Both children and parents have embraced this change and it is a huge selling point for the school – which is a business, in a way a state school isn’t. Prospective parents are always impressed by the facilities and especially by the work the children have produced.

Mixed media collage of a dragon by Y4 child, inspired by Uccello's St George and the Dragon
Mixed media collage of a dragon by Y4 child, inspired by Uccello’s St George and the Dragon

 

The children are hugely enthusiastic about art; many tell me it is their favorite lesson. The work they produce is of a high standard, which can be seen in the work that is displayed in the art room and around the main school. The children are confident in the room, they know where everything they need is kept and are independent in organizing and caring for the equipment they use. They experience a rich art-based language and can talk confidently about the elements of art they use, using the terminology. They respond to challenges well and are willing to take risks in their work. I am lucky enough to see them develop from Y3 to Y6, which is a privilege.

Felted and embellished Lowry style figure by Y5 children
Felted and embellished Lowry style figure by Y5 children

 

As a school we are free from having to follow the National Curriculum, so I have developed my planning to suit the children I teach. The work they do engages them in all of the elements of art, through topics such as William Morris and our 1920 building and ‘Fishy’ work in Y3, Dragons and ‘Emotion and Masks’ in Y4, ‘Insects world’ and L.S Lowry in Y5, Banksy, ‘Sweets treats’ and Pop Art in Y6. A small sample of the themes that allow the skills to be covered in a stimulating and captivating way.

In KS1 the work often linked to topics they are covering in other subject areas and is delivered by their class teacher. The children revel in the space a dedicated room offers, it is a vibrant room and once inside the scene is clearly set for the learning about to take place. As in KS2, the children enjoy the change of environment and both rooms have a buzz about them. Work is focused and the pace is fast, a huge amount is crammed into an hour, but the children never fail to respond.

Soft pastel observational drawing of a passion fruit by Y4 child
Soft pastel observational drawing of a passion fruit by Y4 child

 

Being an independent school is a factor that makes dedicated art rooms viable. The income allows the school to develop such fantastic opportunities for the children, these then help to attract more children to the school. Times in the independent sector have been and still are, very tough, with many schools falling by the wayside. However, with a visionary head and a team of excellent teachers, schools such as The Elms, continue to thrive and offer an outstanding education (as supported by our recent excellent ISI inspection). This school has small classes which make a big difference to the amount of attention children get individually, this focus helps all of our children to progress further than they otherwise would. While the physical space is very important, it is the teacher who is able to stretch, inspire and nurture children’s artist skills, this is still the key to a top quality art education. At The Elms this is what we are collectively aiming for, by putting those teachers into specialist positions to offer the very best education to our children, the people who matter the most in our school.”

Anna Morrow

The Elms Junior School

Twitter: @ElmsSchool 


This is a sample of a resource created by UK Charity AccessArt. We have over 1500 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


The Lion, the Witch and the Wardrobe by Kaz Trinder


Doppleganger Drawing


Drawing for Science, Invention & Discovery Even If You Can’t Draw by Paul Carney


Visualisation Drawing


Adaptation Drawing


Trial and Error Drawing


Methodical Drawing


Serendipity Drawing


Drawing Source Material: Ancient Greek Architecture

A collection of imagery and sources which you can use to prompt drawing in schools and community groups. 

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

This resource is free to access and is not a part of AccessArt membership.

free to access

Ancient Greek Architecture

Use the film below as source material to enable an exploration of drawing Ancient Greek architecture.

Pause the footage at points which catch your eye and invite the children to make timed drawings – 15 minutes, 10 minutes, 5 minutes, 2 minutes or 1 minute. 

Vary the drawing materials you use and work in sketchbooks or sheets of paper of different sizes and textures. You may also like to make multiple line drawings over one page – each with a different colour or line weight, to describe different pause points in the same film. 

Explore Ancient Corinth in 3D.

You May Also Like…

AccessArt Olympics Resources

Explore projects to celebrate the 2024 Olympics

Explore projects to celebrate the 2024 Olympics

Visual Notes

Find out how pupils can respond to artists work in sketchbooks

Find out how pupils can respond to artists work in sketchbooks

Show me what you see

Enable close looking and drawing with this exercise

Enable close looking and drawing with this exercise


Drawing Source Material: Ice

A collection of imagery and sources which you can use to prompt drawing in schools and community groups. 

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

Ice

Use the film below to enable children to explore drawing icy landscapes. Try to create a sense of momentum – for example you might pause the video 4 times and ask the pupils to make a 1 minute, 2 minute, 3 minute and 4 minute drawing at each pause. 

Encourage close and slow looking by talking as they draw – use your voice to attract their attention to features of the landscapes.

You May Also Like…

Pathway: Life on ice

This is featured in the 'Life on Ice' pathway

This is featured in the ‘Life on Ice’ pathway

using sketchbooks to make visual notes

Find out how pupils can respond to artists work in sketchbooks

Find out how pupils can respond to artists work in sketchbooks

Show me what you see

Enable close looking and drawing with this exercise

Enable close looking and drawing with this exercise

Handmade plasterboard

Plasterboard sheets

Making Painted and Sewn Landscapes

Painted and sewn cloth

Ice Worlds

Final Ice World by Frances Hatch


Talking Points: Drawn to Antarctica

A collection of imagery and sources designed to introduce children to artist Frances Hatch and her book, Drawn to Antarctica.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However, external websites and videos are updated and that is beyond our control. 

Please let us know if you find a 404 link, or if you feel content is no longer appropriate. 

We strongly recommend as part of good teaching practice that teachers watch all videos and visit all websites before sharing with a class. On occasion there may be elements of a video you would prefer not to show to your class and it is the teacher’s responsibility to ensure content is appropriate. Many thanks. 

*If you are having issues viewing videos it may be due to your schools firewall or your cookie selection. Please check with your IT department.*

This resource is free to access and is not a part of AccessArt membership.

ages 5-8
ages 9-11
ages 11-14
free to access

Drawn to Antarctica by Frances Hatch

Drawn to Antarctica is a book about a journey made by artist, Frances Hatch, who turned 50 and knew she needed to see Antarctica. The trip only lasted a fortnight and yet years on she is still pondering the significance of what she witnessed. Information is gathered here from notes in sketchbooks, photographic records, paintings and drawings.

Current information about Frances’ work as artist and art educator can be found in her website.

Iceberg Collages

Iceberg Collage by Frances Hatch
Orange and Blue Iceberg Collage by Frances Hatch
Blueberg Collage by Frances Hatch
Foil Collaged Icebergs by Frances Hatch
Yellow Iceberg Collage by Frances Hatch

Questions to Ask Children

What colours and shapes can you see? 

What time of day might it have been when Frances made the collage? Why do you think that?

How do you feel when you look at the artwork?

Compare two of the artworks. What are the differences and similarities? Which do you prefer and why?

Water

Travelling to the Antarctic by Frances Hatch
Travelling to the Antarctic by Frances Hatch
Travelling to the Antarctic by Frances Hatch

Questions to Ask Children

What colours can you see in the water?

What different marks can you see?

Why do you think there are so many colours in the water?

What do you think the weather was like that day?

Imagine you are in the painting. What can you hear, smell, feel?

Which is your favourite and why?

Penguins

Penguins by Frances Hatch
Penguins by Frances Hatch

Questions to Ask Children

What different lines and marks can you see?

Is this a landscape you’d expect to see penguins in? Why?

How has Frances captured perspective?

How has Frances captured a sense of movement in the drawing?

This Talking Points Is Used In…

Pathway: Using Art To Explore Global Issue

This is featured in the 'Using Art To Explore Global Issue' pathway

This is featured in the ‘Using Art To Explore Global Issue’ pathway

using sketchbooks to make visual notes

Sketchbooks used for observations, research drawing and experimentation.

Show me what you see

Show Me What You See Method 250 Words by Tobi Meuwissen


Rowan: Clay Coiling Techniques to Make Penguins, Tweety Pie and a Dalek too!


Pathway: Sculpture, Structure, Inventiveness & Determination

Pathway for Years 3 & 4

Disciplines:
Drawing, Sketchbooks, Sculpture

Key Concepts:

  • That artists can learn from the world around them. That artists can draw parallels with other beings/events to help us understand things about ourselves.

  • That artists take creative risks. That artists try to say new things by manipulating and representing the materials of the world.

  • That we can feel safe enough to take creative risks in our own work. That we can explore materials and ideas feeling free from criticism.

  • That we can express our personality through the art we make.

  • That we can use materials, tools and the ideas in our head to explore line, shape, form, balance and structure.

  • That making art can be hard, but that doesn’t mean we aren’t doing it right or aren’t good at it. It just means we are doing it.  

In this pathway children explore formal drawing and sculpture skills like line, mark making, shape, form, balance and structure, but they also just as importantly explore how it feels to make art. They explore how they can appreciate a sense of challenge, and a feeling of trying things out without fear of failure or “wrong or right”.

Pupils start by seeing how artists sometimes help us learn about ourselves by drawing parallels with other lives. Pupils apply this knowledge by looking at how birds build nests – what can we learn from them about the traits we might show when we make experimental drawings and build sculpture?

Medium:
Various Drawing Materials, Construction Materials 

Artists: Marcus Coates

This pathway will take approximately half a term, based upon a weekly art lesson. 

If you use this resource in your setting, please tag us on social media: #InspiredBy @accessart (facebook, twitter) @accessart.org.uk (instagram) and share the url. Thank you!

Nest
16
Built
ages 5-8
ages 9-11

Teaching Notes

Find the MTP for this pathway here.

See the recording of the hour long zoom CPD to introduce teachers to this pathway.


Curriculum Links

Geography: Link with birds and migration via the North and South hemisphere.

Science: Language to support understanding of materials, habitats.

PSHE: Supports Responsibility to the planet, Collaboration, Peer Discussion.


I Can…

  • I have seen how we can learn about ourselves through art.

  • I can feel safe to take creative risks when I work. I can enjoy the feeling of experimenting with materials.

  • I can feel ok when I am being challenged by materials and ideas. I can feel ok when I don’t know exactly what I’m doing.

  • I can use a variety of drawing materials to make experimental drawings based upon observation. 

  • I can construct with a variety of materials to make a sculpture. 

  • I can see my personality in what I have made.

  • I can talk about the work I have made with my classmates, sharing the things I thought were successful and thinking about things I would like to try again.

  • I can appreciate the work of my classmates and I can share my response to their work, identifying similarities and differences in our approach and outcomes. 

  • I can take photographs of my work thinking about presentation, focus and lighting. 


Time

This pathway takes 6 weeks, with an hour per week. Shorten or lengthen the suggested pathway according to time and experience. Follow the stages in green for a shorter pathway or less complex journey.


Materials

A3 cartridge paper, soft B and hard H pencils, ink, graphite sticks, water soluble graphite, wax crayons, water colour.

Construction Materials (see list here )


 

Pathway: Sculpture, Structure, Inventiveness & Determination

A PDF of this pathway can be found here.

  • Aims of the Pathway

    This pathway aims to provide children with the opportunity to connect drawing and making, encouraging the freedom to be inventive and exploratory. 

    The processes involved ask children to take creative risks, and to feel ok if they feel challenged by creating art. 

  • Week 1: Introduce

    Introduce artists who are inspired by things that birds can teach us

    Marcus Coates, Conference of the Birds, 2019, Film by Kate MacGarry

    Use the free to access “Talking Points: What Can We Learn From Birds!” resource to explore how artists draw parallels with other beings so that we can learn about ourselves. 

  • Weeks 2 & 3: Exploratory Mark Making

    Drawing Nests

    Flicking paint over graphite, wax resist and watercolour nest

    Use the “Drawing Nests” resource to explore how pupils can use a variety of media to create observed and expressive drawings of nests. 

    The resource explores how their drawings might feel relatively “neat” or might feel “messy” – both are fine! We are able to express our personality through art!

    Use sketchbooks to test materials. If children need drawing source material use our free to access “Drawing Source Material: Nests” resource. Invite children to create their own “Experimental Mark Making Tools” to create expressive and personal drawings.

    Stop at the making activity (you will do that next week).

    Explore the resource below to see a similar activity in a school:

    Nests: Materials, Tools, Testing & Sketchbooks

    Nests: Observational Ink Drawing

    Nests: Wet and Dry Media

    A nest drawing using ink and oil pastel

  • Weeks 4 & 5: Making

    Making Nests

    Use the “Perseverance, Determination and Inventiveness: Building Nests” resource to encourage children to explore how we practice and nurture valuable life skills when we make sculpture. The resource takes its starting point from what it must be like to be a bird, and place those first tentative twigs in place when nest building begins. How can children use their own instinct and intuition to make sculpture?

  • Week 6: Present & Share

    Share, Reflect & Discuss

    Nest

    Use the “Crit” resource to help you run a class critique. 

    Clear a space and present drawings, sketchbooks and sculptures made.

    Walk around the space as if it were a gallery. Enable a conversation about the journey and skills learnt (personality traits as well as technical skills). 

    Take photographs of the work. Explore how children can take high quality photographs of 3d artwork with this resource.

See the Pathway Used in Schools…

Yr 5 Sutton Valence Preparatory School, Adaptation of Nests Pathway
Yr 5 Sutton Valence Preparatory School, Adaptation of Nests Pathway
Year 6, Sheffield High School
Year 6, Sheffield High School
Year 6, Sheffield High School
Year 6, Sheffield High School
Years 3 & 4, Artivity Studios
Years 3 & 4, Artivity Studios
Year 6, Sheffield High School
Year 6, Sheffield High School
Year 6, Sheffield High School
Year 6, Sheffield High School
Year 6, Sheffield High School
Year 6, Sheffield High School
Year 3 & 4, Malpas Alport Primary School
Year 3 & 4, Malpas Alport Primary School
Emma Dodsworth, Ashmead Primary School, Lewisham
Emma Dodsworth, Ashmead Primary School, Lewisham
Emma Dodsworth, Ashmead Primary School, Lewisham
Emma Dodsworth, Ashmead Primary School, Lewisham

If You Use AccessArt Resources…
You might like to…

Join our Facebook Group

Join the AccessArt Network group on Facebook and ask questions of others using our resources

Join the AccessArt Network group on Facebook and ask questions of others using our resources

Share and Tag

Share photos of work made by tagging us on social media

Share photos of work made by tagging us on social media

You May Also Like…

Help Children draw larger

Encourage children to work larger so that they can fully explore a wider range of mark making/materials/techniques

Encourage children to work larger so that they can fully explore a wider range of mark making/materials/techniques


Miro


Animation


Wave Bowls


Marionettes


Sculpture Balance


Pathway: Exploring Identity

Pathway for Years 5 & 6

Disciplines:
Collage, Drawing, Sketchbooks 

Key Concepts:

  • That artists embrace the things which make them who they are: their culture, background, experiences, passions – and use these in their work to help them create work which others can relate to.

  • That people are the sum of lots of different experiences, and that through art we can explore our identity. 

  • That we can use techniques such as working with layers to help create imagery which reflects the complex nature of our identities.

  • That as viewers we can then “read” imagery made by other people, unpicking imagery, line, shape, colour to help us understand the experience of the artist. 

In this pathway children are introduced to artists who explore their identity within their art. 

Pupils explore how artists use various aspects of their identity, creating imagery which explores many different aspects within one image by using layers and juxtaposition. Children listen to how the artists construct their work, before working physically in drawing and collage or digitally on a tablet to make their own layered and constructed portrait. 

Pupils also use sketchbook throughout to help them generate ideas, experiment with materials and techniques, and record and reflect. 

Medium:
Drawing Materials, Tablet (if digital), Paper

Artists: Njideka Akunyili Crosby, Yinka Shonibare, Thandiwe Muriu, Mike Barrett

This pathway will take approximately half a term, based upon a weekly art lesson. 

If you use this resource in your setting, please tag us on social media: #InspiredBy @accessart (facebook, twitter) @accessart.org.uk (instagram) and share the url. Thank you!

The Drawing 2 by Mike Barrett
Self portrait details by Mike Barrett
Portrait Club Sketch by Jake Spicer
ages 9-11

Teaching Notes

Find the MTP for this pathway here.


Curriculum Links

History: Explore the identity of a figure from your chosen history topic.

PSHE: Collaboration, Peer Discussion, Different Religions, Ethnic Identity.


I Can…

  • I have seen how artists explore their identity by creating layered and constructed images. I can share my response to their work with my classmates.

  • I can use my curiosity to think about how I might adapt techniques and processes to suit me.

  • I can use my sketchbook to record, generate ideas, test, reflect and record.

  • I can work digitally or physically to create a layered portrait to explore aspects of my identity, thinking about line, shape, colour, texture and meaning. 

  • I can share my work with my classmates,  articulate how I feel about the journey and outcome. I can listen to  feedback from my classmates and respond. 

  • I can appreciate the work of my classmates and I can reflect upon  the differences and similarities of their work (and experience)  to mine. I can share my response to their work.

  • I can take photographs of my artwork, thinking about lighting, focus and composition. 


Time

This pathway takes 6 weeks, with an hour per week. Shorten or lengthen the suggested pathway according to time and experience. Follow the stages in green for a shorter pathway or less complex journey.


Materials

Soft B pencils, handwriting pens, sharpies, oil/chalk pastels, acrylic or ready mixed paints, inks, brushes, A4 cartridge paper, collage papers, digital devices (tablets) if working digitally.


 

Pathway: Exploring Identity

A PDF of this pathway can be found here.

  • Aims of the Pathway

    The aim of this pathway is to enable children to explore how artists embrace aspects of their experience of life – using their background, culture, race, gender, and interests to inform and shape their artwork. 

  • Week 1: Introduce

    Discover Artists & Approaches

    Explore the free to access Talking Points below and introduce pupils to artists who work with notions about identity. 

    Explore as few or as many of the artists below as you would like:

    Have sketchbooks open and make time during the exploration to use the “Making Visual Notes” resource. For example pupils might make references, collect ideas, jot down methods of working, draw equivalents etc. 

  • Week 2: Sketchbook work

    Portrait Club

    Pen Portrait from Portrait Club by Jake Spicer

    Bring portraiture into the classroom in a light-hearted flexible way with the “Portrait Club” resource. Encourage open and intuitive observational drawing.

  • Weeks 3, 4 & 5: Explore & Create

    Making Layered Portraits

    The Drawing 2 by Mike Barrett

    Use the “Let Me Inspire You: Mike Barrett” resource to enable a physical (using drawing materials, paper, collage), or digital exploration of how to make a layered portrait which captures aspects of your personality and identity. 

    The resource consists of 4 parts: a video from Mike introducing himself and then 3 stepped stages to the project.

    Use sketchbooks throughout to help explore and focus, test and reflect.

    Textured background close-up by Mike Barrett

  • Week 6: Present & Share

    Share, Reflect, Discuss

     

    layered Portraits by Mike Barrett

    Time to see the work which has been made, talk about intention and outcome. 

    If you have class cameras or tablets, invite the children to document the work, thinking about lighting, focus and composition. 

    Use the resource here to help you run a class “crit” to finish the project. 

See the Pathway Used in Schools…

Shottermill Junior School Year 6
Shottermill Junior School Year 6
Shottermill Junior School. Year 5 art work.
Shottermill Junior School. Year 5 art work.
Littleport Community Primary School Exploring Identity
Littleport Community Primary School Exploring Identity
Littleport Community Primary School Exploring Identity
Littleport Community Primary School Exploring Identity
Springfield Juniors
Year 6 Goose Green Primary School https://www.goosegreenprimaryschool.org/
Year 6 Goose Green Primary School https://www.goosegreenprimaryschool.org/
Year 6 Goose Green Primary School https://www.goosegreenprimaryschool.org/
Year 6 Goose Green Primary School https://www.goosegreenprimaryschool.org/
Year 6, Winslow CE School
Year 6, East Manchester
Year 6, East Manchester
Years 5 & 6, Artivity Studios
Years 5 & 6, Artivity Studios
Years 5 & 6, Artivity Studios

If You Use AccessArt Resources…
You might like to…

Join our Facebook Group

Join the AccessArt Network group on Facebook and ask questions of others using our resources

Join the AccessArt Network group on Facebook and ask questions of others using our resources

Share and Tag

Share photos of work made by tagging us on social media

Share photos of work made by tagging us on social media

You May Also Like…

Self Portraiture photography

Explore photography, drawing and mixed media activities

Explore photography, drawing and mixed media activities

Celebrating class success

Create large scale drawings of classmates using pastels

Create large scale drawings of classmates using pastels

Exploring Portraits

Explore features through collage, clay and/or print

Explore features through collage, clay and/or print

escaping wars and waves by Olivier Kugler

Explore Illustrator Olivier Kugler Book exploring stories of Syrian Refugees

Explore Illustrator Olivier Kugler Book exploring stories of Syrian Refugees

Repetitive Life Drawing Exercise

Create continuous line drawings of classmates inspired by Matisse

Create continuous line drawings of classmates inspired by Matisse