Red to Green: Steps to Observational Drawing

By Sheila Ceccarelli

Adults often comment on a lack of confidence in drawing and associations to it with Art room traumas from childhood, which instilled a disbelief in ability or even entitlement to engage in the drawing process.

Learner at Red2Green drawing a skull on loan from University of Cambridge Museum of Zoology
Learner at Red2Green drawing a skull on loan from University of Cambridge Museum of Zoology

 

This association was expressed by some of the students at Red2Green, centre for adult learners, many of whom had not drawn since their childhood days.

In this workshop, I wanted to lay the foundations for students to be able to approach observational drawing without feeling inhibited or paralyzed and reinstate their confidence in their ability and right to draw.

Please log in here to access full content.
Username
Password


Remember me
Forgot Password

 

To access all content, I would like to join as…

An Individual


Creative practitioners, educators, teachers, parents, learners...

Creative practitioners, educators, teachers, parents, learners…


From £3.50

An Organisation…


Schools, Colleges, Arts Organisations: Single and Multi-Users

Schools, Colleges, Arts Organisations: Single and Multi-Users


From £42


AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.


Red to Green: Monoprinting

Life Drawing: Capturing Gesture by Hester Berry

Red to Green: Block Printing

Red to Green: Taking Rubbings and Making Compositions

You May Also Like….

Pathway: Simple Printmaking

Featured in the 'Simple Printmaking' pathway

Featured in the ‘Simple Printmaking’ pathway

Pathway: Making Birds

Featured in the 'Making Birds' pathway

Featured in the ‘Making Birds’ pathway

Collaging with Wax Crayon Rubbings

Scrunching Ripping and Cutting Collage Arrangement by Tobi Meuwissen

Red to Green: Patterns in Nature, Line and Wire

Aspire to Create: Inspired by Nature & Empowered by Creativity – Red to Green

One: Casting

Exploring mark making into wet clay, mould making, mixing and pouring plaster

Exploring mark making into wet clay, mould making, mixing and pouring plaster

Two: Patterns in Nature, Line and Wire

Using drawing to look at designs and patterns in nature to inspire the creation of wire sculpture

Using drawing to look at designs and patterns in nature to inspire the creation of wire sculpture

Three: Taking Rubbings and Making Compositions

Recording the surrounding world by taking rubbings

Recording the surrounding world by taking rubbings

Four: Block Printing

Learners are introduced to block printing

Learners are introduced to block printing

Five: Monoprinting

Exploring texture, pattern and mark making through monoprinting

Exploring texture, pattern and mark making through monoprinting

Six: Steps to Observational Drawing

Four steps to enabling observational drawing

Four steps to enabling observational drawing

Seven: Making Sculpture

Learners explore sculptural principles of form, space and balance

Learners explore sculptural principles of form, space and balance

Eight: Wax Resist and Scraffito

Introducing colour with wax resist and scraffito techniques

Introducing colour with wax resist and scraffito techniques

Red to Green: Casting

3D Drawing with Paper: Texture – Surface – Structure

See This Resource Used In Schools…

Sutton Valence Preparatory School
Sutton Valence Preparatory School
Sutton Valence Preparatory School

You May Also Like

Visual Arts Planning Collections: Cardboard and paper

cardboard detail 3b

Adapting AccessArt: 2D to 3D

Paper Sculptures by Yu-Ching Chiu

Making Prompt cards

AccessArt Making Prompt Cards Saatchi Learning Workshop By Lala Thorpe

Life Drawing: A Collection of Resources by Hester Berry

How to Run a Life Drawing Class

Introducing Hester and providing an overview of how Hester sets up and facilitates a life class. Introducing Hester and providing an overview of how Hester sets up and facilitates a life class.

An Introduction to Life Drawing

Getting started with life drawing and some simple warm-up exercises to help you become familiar with your drawing materials and the life model. Getting started with life drawing and some simple warm-up exercises to help you become familiar with your drawing materials and the life model.

Capturing gesture

Hester provides some helpful advice along with a series of short drawing exercises, that will enable you to identify the essentials of a pose and successfully record the movement and gesture of the life model. Hester provides some helpful advice along with a series of short drawing exercises, that will enable you to identify the essentials of a pose and successfully record the movement and gesture of the life model.

Drawing the head

Drawing faces can be daunting, but Hester explains how you can tackle them successfully using simple and logical steps. Drawing faces can be daunting, but Hester explains how you can tackle them successfully using simple and logical steps.

drawing hands and feet

Hands and feet are tricky subjects and often get omitted because the forms seem too complicated to draw. Hester shares a secret shortcut to understanding and drawing these complex forms …think mittens and socks! Hands and feet are tricky subjects and often get omitted because the forms seem too complicated to draw. Hester shares a secret shortcut to understanding and drawing these complex forms …think mittens and socks!

Understanding Foreshortening

When drawing the life model, it can be difficult to process your view of a 3D form into a 2D representation. Hester explains clearly and concisely how to successfully achieve a foreshortened figure to create the illusion of space in your drawings. When drawing the life model, it can be difficult to process your view of a 3D form into a 2D representation. Hester explains clearly and concisely how to successfully achieve a foreshortened figure to create the illusion of space in your drawings.

Using Tone

Hester explains how to use tone effectively to give your drawings more definition and an increased sense of volume and suggests ways of using tone when drawing short poses, that will build your confidence and skills. Hester explains how to use tone effectively to give your drawings more definition and an increased sense of volume and suggests ways of using tone when drawing short poses, that will build your confidence and skills.

Introduction to Life Drawing with Hester Berry

Cantus Arcticus (Concerto for Birds and Orchestra) Op.61: Images Inspired by Music

How to Make a Simple Origami Bird by Melanie Johns

You May Also Like….

Visual Arts Planning Collections: Birds

Drawing Birds with Oil Pastels and Washes

making a puzzle world

Drawing feathers

Turkish map fold

Theresa Easton Turkish Map Fold

In the Company of Birds

You May Also Like….

Visual Arts Planning Collections: Birds

Drawing Birds with Oil Pastels and Washes

swoop

Drawing feathers

Birds in trees

birds in the trees at battyeford 1

Exploration of Watercolour in the Studio

You May Also Like…

part 1: Exploration of Watercolour in the studio

Creating a watercolour wash

Collection of Landscape Resources by Hester Berry

img6-hester-berry

PAINTING THE STORM AT BOURN PRIMARY SCHOOL

Graphite and watercolour cloud and rain

Pathway: Exploring Watercolour

Featured in the 'Exploring Watercolour' pathway

Featured in the ‘Exploring Watercolour’ pathway

Talking Points: Paul Klee

The Firmament Above the Temple (1922) by Paul Klee. Original from The MET Museum

Introduction to Watercolour

You May Also Like…

Pathway: Exploring Watercolour

Featured in the 'Exploring Watercolour' pathway

Featured in the ‘Exploring Watercolour’ pathway

Pathway: Mixed Media Land and city scapes

This is featured in the 'Mixed Media Land and City Scapes' pathway

This is featured in the ‘Mixed Media Land and City Scapes’ pathway

Collection of Landscape Resources by Hester Berry

img6-hester-berry

PAINTING THE STORM AT BOURN PRIMARY SCHOOL

Graphite and watercolour cloud and rain

Talking Points: Paul Klee

The Firmament Above the Temple (1922) by Paul Klee. Original from The MET Museum

part 2: Exploration of Watercolour in the studio

test

Exploring Watercolour at the Fitzwilliam Museum Cambridge with AccessArt

part 1: Introduction to Watercolour

The resource describes and demonstrates individual watercolour techniques, and then shows examples of these techniques in paintings from the Fitzwilliam Collection.

The resource describes and demonstrates individual watercolour techniques, and then shows examples of these techniques in paintings from the Fitzwilliam Collection.

part 2: Exploration of Watercolour in the studio

After studying paintings from the collection at first hand and identifying how various marks within the paintings may have been made, teachers undertake their own exploration of working with watercolour.

After studying paintings from the collection at first hand and identifying how various marks within the paintings may have been made, teachers undertake their own exploration of working with watercolour.

‘Dawn Chorus’ by Marcus Coates

Priscilla the Puffin: Make a Simple Bird Mobile

Download the Template for Priscilla here:

You May Also Like….

Visual Arts Planning Collections: Cardboard and paper

cardboard detail 3b

Colourful Sculptural Birds by Pupils at Donhead Preparatory School

You May Also Like….

Visual Arts Planning Collections: Birds

Drawing Birds with Oil Pastels and Washes

MAKING MODROC SCULPTURES

Drawing feathers

FLYING MINPIN BIRDS

minpin 17