Classical Inks

By Melissa Pierce Murray

In this session we made ink drawings by copying from images of classical marble sculptures. We worked from a selection of printed images of well-known Greek and Roman sculptures, sourced from the internet. We used washes of a single colour of ink to create tone and black ink to add details and depth.

Seeing Form

Working from images of the white marble allows you to more easily see form.  Similar to working from a black and while photographs, you see outlines and shadows, uncomplicated by colour and tone. We used broad brushstrokes of the coloured ink to feel our way around the form. Diluting the ink with water allows you to successively build up the shape, adding deeper washes for shadows and depth.

Roman ‘Discus Thrower’, and Bernini’s ‘David’.

 

Winged Sphinx


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AccessArt is a UK Charity and we believe everyone has the right to be creative. AccessArt provides inspiration to help us all reach our creative potential.




Inspire: Teachers


Drawing in the Dark: Developing a Visual Language


Taking on the Inktober Challenge


Colour Wheel for Infants and Juniors

Exploring Primary Colours and Progressing from Powder Paint to Gouache and Acrylic

By Sheila Ceccarelli

By Sheila Ceccarelli


Composite Still Life Studies in Candlelight


Making an Ink and Wax Village with Pupils in Mansfield


Sketchbooks Made with Screenprinted Papers


A “Wallpaper” Sketchbook – Enabling Drawing by Getting Rid of the White page


Using Sketchbooks to Take Ownership of Ideas


“Heart-Work” an Arts and Wellbeing Project for Young People

Arts and Minds: Time to Introduce Ourselves – A Sculpture Challenge

Arts and Minds - Week 1 - SC

Arts and Minds: A ‘Heart-Work’ Conversation

Arts and Minds - Cambourne VC - Week Two - SC

Arts and Minds: Asemic Writing and Invented Text

Arts and Minds - Asemic Writing - week three -SC

Feeling Through Drawing

Arts and Minds Cambourne Village College - Week four

Drawing for Mindfulness

Arts and Minds - Cambourne - week five - SC

Arts and Minds: Expressive Monoprinting on a Big Scale

Arts and Minds - Cambourne - week six - monoprinting - SC

Constructing the World with Collage

Collage - Cambourne VC - SC

Building to the Limit

Building - Cambourne - week eight - SC

Manipulating Clay with Water

Clay - Cambourne - week nine- SC


Making Elastic Band Sketchbooks with Pupils at Philip Southcote School


Mayan Tabletop Eraser Printing Project


“Heart-Work” – A series of ‘Arts on Prescription’ style workshops for young people at Cambourne Village College with Arts and Minds; Led by Sheila Ceccarelli (Artist) and Yael Pilowsky Bankirer (Psychotherapist)

Arts and Minds: Time to Introduce Ourselves – A Sculpture Challenge

We kicked off the programme with a quick making challenge which would act as an ice-breaker and introduce students to an array of materials. We kicked off the programme with a quick making challenge which would act as an ice-breaker and introduce students to an array of materials.

Arts and Minds: Asemic Writing and Invented Text

Students were given the opportunity to further explore expressive mark making as a tool for self-expression and a vehicle for communication. Students were given the opportunity to further explore expressive mark making as a tool for self-expression and a vehicle for communication.

Arts and Minds: Expressive Monoprinting on a Big Scale

Students enjoyed monoprinting on a large scale by rolling printing ink and acrylic paint directly onto the table and experimenting with ways to take prints. Students enjoyed monoprinting on a large scale by rolling printing ink and acrylic paint directly onto the table and experimenting with ways to take prints.

Constructing the World with Collage

Students were invited to use their previously created monoprints to construct large scale collages inspired by the landscape surrounding the college. Students were invited to use their previously created monoprints to construct large scale collages inspired by the landscape surrounding the college.

Manipulating Clay with Water

In this session teenagers had an abundance of clay and the freedom to play and manipulate form. In this session teenagers had an abundance of clay and the freedom to play and manipulate form.

With Special Thanks To:

And to Pink Pig sketchbooks for their continued support of AccessArt and providing young people with beautiful books for this project.

 

 

Building to the Limit

In this session students were given the challenge of making building blocks out of mixed media and using them to build a sculpture. They were encouraged to experiment with balancing different elements together and setting themselves the challenge of seeing how far they could build before their constructions collapsed. In this session students were given the challenge of making building blocks out of mixed media and using them to build a sculpture. They were encouraged to experiment with balancing different elements together and setting themselves the challenge of seeing how far they could build before their constructions collapsed.

Drawing for Mindfulness

Students were guided on drawing exercises designed to explore drawing as a tool for seeing and being in the here and now. Students were guided on drawing exercises designed to explore drawing as a tool for seeing and being in the here and now.

Feeling Through Drawing

Students were led on a guided drawing experience of drawing through touch. Students were led on a guided drawing experience of drawing through touch.

Arts and Minds: A ‘Heart-Work’ Conversation

Teenagers were introduced to graphite, charcoal, masking tape and acrylic paint as mediums for communal expressive mark making. A collective drawing was produced, whereby students were encouraged to work in collaboration and in response to each other. Teenagers were introduced to graphite, charcoal, masking tape and acrylic paint as mediums for communal expressive mark making. A collective drawing was produced, whereby students were encouraged to work in collaboration and in response to each other.

UK Charity AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.

Join AccessArt from only £3.50 per month and enjoy full access to hundreds more resources!


Landscape Painting: A Collection of Resources by Hester Berry

 

The sea at Welcombe Mouth' by Hester Berry

Explore these resources created by artist Hester Berry, to develop your develop technique, observation, and good practice in painting and drawing when approaching the landscape as a subject.

The series begins with suggestions for how to keep a sketchbook followed by exercises in drawing and painting.

We hope that these exciting resources will inspire you to experiment with materials and techniques and  enable you to discover your own visual language for drawing and painting the landscape.

Explore Hester Berry’s resources to help build upon drawing and painting from life.

Explore the basics….

Develop your understanding of landscape painting

Introduction to Landscape by Hester Berry

An exercise in looking and discovering

An exercise in looking and discovering

Landscape Painting: Tone in the Landscape

Explore tone in the landscape 

Explore tone in the landscape 

Landscape Painting: Plein Air Painting

Explore what 'Plein Air' means

Explore what ‘Plein Air’ means

Landscape Painting: Colour in the Landscape

Simplify colour by breaking it down

Simplify colour by breaking it down

landscape Painting: Expressive mark Making

Practice and hone technical skills

Practice and hone technical skills


Arts and Minds: Drawing for Mindfulness


Arts and Minds: Feeling Through Drawing


Arts and Minds: Asemic Writing and Invented Text


Sketchbook Exercise: Drawing Brushes with Charcoal


Filling a Sketchbook: Sketchbook Exercises

What is a Canvas?

Making drawings which compete with the background

Making drawings which compete with the background

Making a Charcoal Animation

Inspired by the animations of William Kentridge

Inspired by the animations of William Kentridge

Making Ruler Drawings

Using 2 grades of pencil and only straight lines

Using 2 grades of pencil and only straight lines

Drawing Brushes with Charcoal

Using varied marks to capture the qualities of brushes

Using varied marks to capture the qualities of brushes

Many thanks to Pink Pig International for the sketchbooks