Scaffolding Projects

By Paula Briggs

In this post we address the question ‘How do we Balance Ongoing Skill Development with the Novelty of Fresh Projects?’

At AccessArt, we believe that the key to balancing skill development with fresh projects is by scaffolding projects with sketchbooks and drawing activities. Find out more about our approach below.

 

Sharing skills in felt making
Image: Jan Miller

In the AccessArt Primary Art Curriculum we have created 36 pathways, each one lasting between 6-8 weeks for pupils in primary aged settings. Within these pathways we have ensured that we’ve built in really rich and exciting exploration of materials, disciplines and concepts, underpinned by drawing and sketchbooks throughout. To accompany the curriculum we have also created supporting documents such as a revised Progression Plan which demonstrates how, when taken as a whole, you can be sure to build a really rich and exciting creative curriculum.

Because every school is different in the amount of time and resources it can commit to art, we have created 4 different versions of the Primary Art Curriculum: A Full Curriculum which covers one session of art in school per week across the year; The Split Curriculum for schools who swap between art and D&T; The Mixed Year Curriculum for school who teach mixed year groups; The Split and Mixed Year Group Curriculum, for those schools who divide time between art and D&T, and who teach in mixed classrooms.

We want to enable all teachers to feel that they are able to build their knowledge and experience of art and therefore have supplemented the curriculum with ongoing CPD, to help improve individuals understanding and skillset. We record the majority of our sessions which can be found here.

There are two important elements within the AccessArt approach which can be found across all of our pathways. These are:

Encouraging learners and teachers to take a Journeyful Approach. You won’t find prescribed teaching ideas and pre-defined outcomes in the AccessArt Curriculum. Instead our emphasis is on journeyful teaching and learning which empowers teachers and pupils to become confident creative decision makers. Teachers and pupils can GROW with our curriculum, and to help that happen we have created clear structures and access to resources which help teachers understand the WHY as well as the HOW.

Scaffolding all visual arts activities with drawing and sketchbook skills. Each pathway tells a story / forms a journey, for both teacher and pupil. Each pathway follows a particular format which promotes excellent teaching & learning:

  1. Warm-up: Artists: Activity: Crit / Reflection

  2. Artists: Materials: Activity: Crit / Reflection

  3. Challenge or Brief: Artist: Activity: Crit / Reflection

Each of these elements are underpinned by sketchbook work and drawing, with tasks such as Show Me What You See and Visual Notes featuring in all pathways. By starting these practises (which can be challenging at first) in KS1, it will ensure that knowledge is acquired through experience throughout their primary education, guaranteeing the learning is owned by the pupils.

Both drawing and sketchbook work also involve a slowing down – a making time for. What exactly you are making time for will be revealed along the way – and will probably be as important, if not more important, than the thing you thought you were doing (i.e. the project)!

Taking or enabling a journeyful approach means creating space around and within a project to encourage learners to think around the subject area. Being journeyful means finding time for serendipity, accident, and personal discovery within a thoughtful structure. It also means making time for fallow time, or for things to go wrong,  – essential parts of the creative process – so that we can enable children to take creative risks. Think of children enabled to discover their own pathway via a meandering walk through the woods, noticing things along the way, with room for personal diversions and sharing amongst the group, rather than a direct and swift bus ride from A to B.

You can find out more about what we mean by a journeyful approach here, but in this post we will think a little more about how we can use scaffolding to support and expand the projects in the AccessArt Exemplar Plan.

How Do We Scaffold Creative Projects?

AccessArt advocates using creative projects to help give focus to an exploration of new materials, techniques, and concepts. Most importantly, creative projects keep visual arts learning fresh and inspiring – there is always a new start with new stimuli and ideas.

But AccessArt also advocates scaffolding creative projects with key elements which will help make the creative project all the richer and more rewarding, and also provide ongoing opportunities for skill development. Here are a few tips about how to scaffold a creative project, and why.

  • Balance the novelty brought through creative projects with time spent practising drawing skills. Use warm-up drawing exercises and icebreakers at all stages of a project to help pupils slow down their journey and open minds. Use drawing as a tool to help deepen and broaden understanding of ideas within the project. Don’t forget drawing can be used to help pupils see, discover and share.

  • Make time for sketchbooks. Time exploring is never wasted, and pupils will return to the main project with a richer and more personal understanding. Think of sketchbooks as the stretchy glue between the learner, the project and the world. Use sketchbooks before, during and after a project. And don’t forget sketchbooks aren’t just for sketching – they are also for collecting, researching, noticing, testing, thinking and reflecting.

  • Finally, explore the work of a diverse range of artists to help feed imaginations. Look at the work of other artists so that you can deepen understanding of the artist’s work, be open to the different roles artists have within society, and understand the relevance of their work to you.

Weave these activities within the main creative project. As your experience as a facilitator grows, you will learn when it is time to freshen things up with a drawing ice-breaker, or realise that children need more sketchbook time to help them connect to a project. Think of the activities which you introduce to scaffold a project as not just supporting the project, but feeding it too.

See an example of a creative project scaffolded by sketchbooks and drawing at the Gestural Drawing With Charcoal Pathway.

Don’t worry if it feels like some of the scaffolding around a project takes children on small diversions from their main project, or even if the scaffolding raises more questions than answers. We have become slightly obsessed in schools with making sure we tie up loose ends, and have a clear plan with tight learning targets, but in art, it is often the spaces in between our experience and the apparently disconnected threads that can nurture the biggest creative leaps. Scaffolding a creative project doesn’t mean holding the project so tight that there is no room for creative freedom – it means providing just the right support at just the right time to ensure each pupils can grow into their creative potential.


This is a sample of a resource created by UK Charity AccessArt. We have over 1500 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


Which Artists: Liz West

What We Like About This Resource….

“It’s really interesting to hear how the interest Liz has in the quality of light comes from a personal place and is something she has responded to since childhood. Seeing how her work has developed over the years is therefore a really positive re enforcement that individual creative journeys, where nurtured, are so central to a rich arts education. We also love hearing Liz is always on the ‘quest for knowledge’ – meaning she is open to her ideas constantly evolving and the process of gathering new information and inspiration never stops!” – Rachel, AccessArt

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Pathway: Brave Colour

This is featured in the 'Brave colour' pathway

This is featured in the ‘Brave colour’ pathway

using sketchbooks to make visual notes

Find out how pupils can respond to artists work in sketchbooks

Find out how pupils can respond to artists work in sketchbooks

Show me what you see

Enable close looking and drawing with this exercise

Enable close looking and drawing with this exercise

Lightbulb Art

Drawing with Light - A workshop facilitated by Sharon Gale

Mini World Light Boxes

Lighting up the miniworld

Visual Arts Planning: LIght and Dark

Glow in the dark architectural maquette


Collage Streets

What We Like About This Resource….

“This project provides a real opportunity for children to engage with a range of different processes to produce truly individual final results. Jan Miller is an experienced teacher and connects her projects well with learning outcomes. In this case, children are encouraged to have a loose approach and to make their own creative decisions – which is such a valuable part of any child (or adults!) creative education”. – Rachel, AccessArt

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Painted Houses

placing roof over house frame

One Line Street

Teaching Drawing

Responding to Place

Collaged landmarks of Oldham ready for display - Claire Mather


World War I Mail Art

What We Like About This Resource….

“This project links poignant subject matter with meaningful art processes and local history. What we learn about the re purposing of materials, (in this case spent ammunition) re affirms how we can use what is around us as a starting point to making and creating. You could extend or adapt this project by looking at broken pottery, re purposing that into new sculptures that link with Roman or other local historical cultures” – Rachel, AccessArt

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Henry Moore's Shelter Drawings

Henry Moore’s Shelter Drawings

Remembrance Day Soldiers

Remembrance Day Soldiers

For Remembrance Day

For Remembrance Day


Which Artists: Claire Harrup

What We Like About This Resource….

“We really enjoyed reading about the process of creating art work according to a design brief and how the experience of this differs to when an artist begins with their own idea or concept. That’s not to say an artist can’t approach a brief with their own individual style and ideas, but what this post shows us is that there can be a balance between the two. This would be a great resource to show older KS pupils who may be beginning to consider their options beyond Primary School”. – Rachel, AccessArt

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Pathway: 2D Drawing to 3D Making

This is featured in the '2D Drawing to 3D Making' pathway

This is featured in the ‘2D Drawing to 3D Making’ pathway

Talking Points: Packaging Design

Orange Juice Redesign https://www.youtube.com/watch?v=TzzlNni_K4o&t=364s

What is Typography

What is typography

Which Artist: Rachel Parker

Fabrics for Dashwood Studio by Rachel Parker

Repeating Patterns

Wallpaper Mockup Rachel Parker

Block Printing Repeat Patterns

Andy McKenzie and Jan Ayton stamp printing


Which Artists: Theresa Easton

What We Like About This Resource….

“It’s interesting to hear Theresa describe Printmaking as a social activity, with the shared use of materials and equipment so central to the practice. This could be a positive way of working for lots of children in school, where instead of just working on individual art work, they can collaborate and embrace the creative sharing experience!” – Tobi, AccessArt.

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Monoprint Animals

Monoprint Animals

Screen printing Inspired by Matisse

Screen printing Inspired by Matisse

An Exploration of Shepherd Fairey

An Exploration of Shepherd Fairey


Which Artists: Ava Jolliffe


Which Artists: 2B or Not 2B


Sketchbook Journey At Haslingfield Primary School


Creativity Medals

See the Resource Used in Schools…

Year 1, Ruth at Carden Primary School, Brighton
Year 1, Ruth at Carden Primary School, Brighton
Year 1, Ruth at Carden Primary School, Brighton
Year 1, Ruth at Carden Primary School, Brighton

What We Like About This Resource….

“The sentiment behind this resource idea is lovely and it provides an opportunity to really develop some fine motor skills as well as independence of approach. Taking ownership of the medal design means the sense of achievement is heightened beyond the children just being given one. You can really imagine the positive energy that would surround this activity within a classroom, with each child working on a shared project but embarking on their own creative journey.”  – Rachel, AccessArt

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Pathway: Playful Making

Featured in the 'Playful Making' pathway

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Talking Points: Introduction to sculpture

What is Sculpture

Clay Art Medals

Clay Art Medals by Sharon Gale

Talking Points: Nnena Kalu

Jennifer Lauren Gallery Work By Nnena Kalu

Talking Points: Linda BEll

Linda Bell at Arts Fringe


Making Musical Instruments

What We Like About This Resource….

“It’s great to see music being explored in this way, and combining it with making creates a really interesting immersive project. This activity would work well as part of an extended project looking at musical instruments around the world and some of the natural materials they are made from.” – Rachel, AccessArt

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Pathway: Music and art

This is featured in the 'Music and Art' pathway

This is featured in the ‘Music and Art’ pathway

Talking Points: Linda BEll

Linda Bell at Arts Fringe

Talking Points: Nnena Kalu

Jennifer Lauren Gallery Work By Nnena Kalu

talking points: wassily Kandinsky

"File:Vasily Kandinsky, Improvisation No. 30 (Cannons), 1913, 1931.511, Art Institute of Chicago.jpg" by Wassily Kandinsky is marked with CC0 1.0.

drawing source material: orchestras

Orchestra

A Cheerful Orchestra

One of our favourite musicians!


Touch Wood

What We Like About This Resource….

“You can get a real sense of the environment in this post and how this could provide so much inspiration for creative projects. We are aware there the challenges to exploring the outdoors when many schools are in towns and cities. A way around this could be to have a regular collection of natural objects within the classroom and using them as a stimulus to respond creatively in sketchbooks or in extended projects” – Andrea, AccessArt

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Woodland Exploration

Woodland Exploration

A Passion for Woodworking

A Passion for Woodworking

Visual Arts PLanning: Tees, Forest and Landscapes

Visual Arts PLanning: Tees, Forest and Landscapes


Which Artists: Jason Line

What We Like About This Resource….

“It’s always so inspiring to hear how different artists work and we particularly like the detailed references Jake makes to his process – marking out the composition using neutral tones; adding and taking away compositional elements and gradually building in more colour and detail. Delivering a still life session in a classroom could begin with this process and encourage the practice of looking at positive and negative space. Some suggested resources below also touch on this”. – Rachel, AccessArt

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Tackling Still Life for Children

Tackling Still Life for Children

Drawing Negative Space

Drawing Negative Space

Visual Arts Planning: Still Life

Visual Arts Planning: Still Life


Which Artists: Su Blackwell

What We Like About This Resource….

“It’s really interesting to hear how Su’s career path evolved organically, and how experimenting with different disciplines such as ceramics and sculpture whilst studying Textiles at the RCA began her journey towards paper craft and books. We really like how the small book sculptures inspired the larger scale set designs for The Snow Queen. They transfer so effectively to the stage and you can imagine how engaging it would be for a young audience to recognise letters and words on lampposts and other scenic elements”. – Rachel, AccessArt

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Creating a Book World

Creating a Book World

Sketch Set Design Models

Sketch Set Design Models

Set Design for Primary Aged Children

Set Design for Primary Aged Children


Henry Moore’s Shelter Drawings

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Pathway: Exploring Form Through Drawing

This is featured in the 'Exploring Form Through Drawing' pathway

This is featured in the ‘Exploring Form Through Drawing’ pathway

Watercolour Washes Inspired by the Tapestries of Henry Moore

Curly kale watercolour study, by Kelly aged 7


Which Artists: Rachel Parker

What We Like About This Resource

“It’s really interesting to see the combination of hand and digital work in Rachel’s work, and particularly how her hand stitched embroidery is scanned before being used to create patterned products. We love that lots of Rachel’s work begins in sketchbooks and how this really underpins her creative process. For children in school, learning to utilise a sketchbook and discover their potential though drawing and mapping ideas is invaluable. We have a whole Sketchbook Journey section on the AccessArt website (linked below) which explores this in more detail”. – Rachel, AccessArt.

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Pathway: Exploring pattern

This is featured in the 'Exploring Pattern' pathway

This is featured in the ‘Exploring Pattern’ pathway

using sketchbooks to make visual notes

Sketchbooks used for observations, research drawing and experimentation.

Show me what you see

Show Me What You See Method 250 Words by Tobi Meuwissen

Inspired by Rachel Parker

Wallpaper Mockup Rachel Parker

Sewn Treasure Box

If you Wish

Felt and Embroidery Sets

Felted and Embroidered Blue Room by Gabby Dickson


Which Artists: Cas Holmes

What We Like About This Resource….

“The sense of journey and feeling of movement is such an interesting part of Cas’ textile work here. We love how location and place is communicated through the variety of fluid and meandering textile marks used. Cas’ Romani background as well as early experience living in Japan make for a rich cultural backdrop to her work. The themes here could be explored in the classroom by asking children to use memories of places they’ve visited to produce a creative response using fabrics and mixed media” – Rachel, AccessArt

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Draw Your Home

Draw Your Home

Working With and In the Landscape

Working With and In the Landscape

Landscape Sculptures

Landscape Sculptures


Working with Dogwood

What We Like About This Resource….

“It’s lovely to see a resource that centres on a particular material and the scope it offers. I particularly like how the dogwood is used here to make wooden beads. This idea could be developed further by looking at how wood has been used to make jewelry throughout history and within many different cultures.” – Rachel, AccessArt.

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A Passion for Woodworking

A Passion for Woodworking

Woodland Exploration

Woodland Exploration

Visual Arts Planning: Trees, Forests and Landscape

Visual Arts Planning: Trees, Forests and Landscape


Which Artists: Nathan Ward


Which Artists: Toby Pritchard

What We Like About This Resource….

“It’s a really positive thing for an artist to share the concept of the creative journey. At AccessArt we believe journeys are pretty important and we are pleased to show this in action through Toby Pritchard’s post. We particularly like the anthropomorphic element, and how this really brings life to Toby’s work.” – Rachel, AccessArt

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Anthropomorphic Animal Paintings

Anthropomorphic Animal Paintings

Exploring Animation

Exploring Animation

Teaching for the Journey not the Outcome

Teaching for the Journey not the Outcome