Sketchbooks Should Be…

During the first Sketchbook Meet Up to help support teachers on their Sketchbook Journey, we asked participants what they wanted pupils (and teachers) to gain from using sketchbooks. We put the answers through a word cloud tool so that we can see what is important. Although the larger words are vital, there are also clues in the smaller words which came up less often – but which also offer insight into what kind of place a sketchbook might be.

Sketchbooks are places for

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An open page spread of a child's sketchbook

The Sketchbook Journey

Explore the AccessArt Sketchbook Journey to grow your understanding about what sketchbooks are and how they might be used.

Share your work and receive feedback in The AccessArt Tutorial Group

The AccessArt Network

Join our network on facebook and continue the conversation, share and support.


Welcome to New Members: Primary Teachers – Access Link


Download an Editable Version of the AccessArt Progression Plan


Turkish Map Fold

What We Like About This Resource….

“This activity is a great example of how we can use paper as the focus of creativity. Often we use paper purely for drawing or painting on, but here, it is central to the activity itself. While these particular folded sculptures have their roots in Turkish culture, you could still deliver the activity if looking at things like Origami too, thus linking it across different cultures” – Rachel, AccessArt

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Puzzle Purses Part 1

Puzzle purse making process by Eilis Hanson

Puzzle Purses Part 2

An unfolded origami puzzle purse by Eilis Hanson

Paperback Figures

paper pair for upload


Curtis Holder: Art & Education


Scaffolding Projects


Which Artists: Liz West

What We Like About This Resource….

“It’s really interesting to hear how the interest Liz has in the quality of light comes from a personal place and is something she has responded to since childhood. Seeing how her work has developed over the years is therefore a really positive re enforcement that individual creative journeys, where nurtured, are so central to a rich arts education. We also love hearing Liz is always on the ‘quest for knowledge’ – meaning she is open to her ideas constantly evolving and the process of gathering new information and inspiration never stops!” – Rachel, AccessArt

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Pathway: Brave Colour

This is featured in the 'Brave colour' pathway

This is featured in the ‘Brave colour’ pathway

using sketchbooks to make visual notes

Find out how pupils can respond to artists work in sketchbooks

Find out how pupils can respond to artists work in sketchbooks

Show me what you see

Enable close looking and drawing with this exercise

Enable close looking and drawing with this exercise

Lightbulb Art

Drawing with Light - A workshop facilitated by Sharon Gale

Mini World Light Boxes

Lighting up the miniworld

Visual Arts Planning: LIght and Dark

Glow in the dark architectural maquette


Collage Streets

What We Like About This Resource….

“This project provides a real opportunity for children to engage with a range of different processes to produce truly individual final results. Jan Miller is an experienced teacher and connects her projects well with learning outcomes. In this case, children are encouraged to have a loose approach and to make their own creative decisions – which is such a valuable part of any child (or adults!) creative education”. – Rachel, AccessArt

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Painted Houses

Painted Houses

One Line Street

One Line Street

Responding to Place

Responding to Place


World War I Mail Art

What We Like About This Resource….

“This project links poignant subject matter with meaningful art processes and local history. What we learn about the re purposing of materials, (in this case spent ammunition) re affirms how we can use what is around us as a starting point to making and creating. You could extend or adapt this project by looking at broken pottery, re purposing that into new sculptures that link with Roman or other local historical cultures” – Rachel, AccessArt

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Henry Moore's Shelter Drawings

Henry Moore’s Shelter Drawings

Remembrance Day Soldiers

Remembrance Day Soldiers

For Remembrance Day

For Remembrance Day


Which Artists: Claire Harrup

What We Like About This Resource….

“We really enjoyed reading about the process of creating art work according to a design brief and how the experience of this differs to when an artist begins with their own idea or concept. That’s not to say an artist can’t approach a brief with their own individual style and ideas, but what this post shows us is that there can be a balance between the two. This would be a great resource to show older KS pupils who may be beginning to consider their options beyond Primary School”. – Rachel, AccessArt

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Pathway: 2D Drawing to 3D Making

This is featured in the '2D Drawing to 3D Making' pathway

This is featured in the ‘2D Drawing to 3D Making’ pathway

Talking Points: Packaging Design

Orange Juice Redesign https://www.youtube.com/watch?v=TzzlNni_K4o&t=364s

What is Typography

What is typography

Which Artist: Rachel Parker

Fabrics for Dashwood Studio by Rachel Parker

Repeating Patterns

Wallpaper Mockup Rachel Parker

Block Printing Repeat Patterns

Andy McKenzie and Jan Ayton stamp printing


Which Artists: Theresa Easton

What We Like About This Resource….

“It’s interesting to hear Theresa describe Printmaking as a social activity, with the shared use of materials and equipment so central to the practice. This could be a positive way of working for lots of children in school, where instead of just working on individual art work, they can collaborate and embrace the creative sharing experience!” – Tobi, AccessArt.

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Monoprint Animals

Monoprint Animals

Screen printing Inspired by Matisse

Screen printing Inspired by Matisse

An Exploration of Shepherd Fairey

An Exploration of Shepherd Fairey


Thoughts About the Art & Design Curriculum by Paul Carney


DrawAble: My Tiger Sketchbook by Inbal Leitner

What We Like About This Resource….

“This resource is a lovely example of how words and text can generate ideas, which can then be transferred to paper. Working in this way with children is a great way fo them to engage with literature – and to have an individual response. Try reading poems out loud to a class and ask them to list all the images that spring to mind before exploring those images through drawing”. – Rachel, AccessArt

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Pathway: Telling Stories through drawing and making

This is featured in the 'Drawing Stories Through Drawing and Making' pathway

This is featured in the ‘Drawing Stories Through Drawing and Making’ pathway

Rosie Hurley: Esio Trot

Sketchbook Page of Room Compositions on Colour by Rosie Hurley

Poetry and Printmaking

The first poem I chose is called One Good Churn by Michael Tod

Found Poetry

Image0


Drawable: The Ingredients and Elements of the Poem by Inbal Leitner

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Pathway: Telling Stories through drawing and making

This is featured in the 'Drawing Stories Through Drawing and Making' pathway

This is featured in the ‘Drawing Stories Through Drawing and Making’ pathway


DrawAble: Unfolding Stories by Inbal Leitner


Creative Pedagogy & Pathways: The Wish List

We are all passionate about the importance of art education, and we all represent different audiences. To help explore how we can help support each other to help create a more sustained pipeline from early years through to life long learning, and to build new links within the pipeline, we need to consider our Wish List. The audiences we work with do not exist in a vacuum – they are part of a larger picture. By sharing our wish lists we might be able to see where we can better support and learn from each other.

Thinking in particular about the individuals, organisations and institutions around you, what would you like to ask of them? Is there a type of organisation you have never had experience of collaborating with, but would like to.

Some examples:

  • You are a secondary school teacher. Can you describe the traits of Yr 7 pupils you would love to inherit from your feeder primary school.

  • You work in HE. You’ve never worked with EYFS teachers, or children that age, but you’d quite like to see what goes on in early years education to better understand the other end of the educational chain.

  • You work in FE. What would you like to ask GCSE and A level teachers to develop – in terms of skills in Foundation Course Students?

  • You work in a creative industry. Which skills would you like to elevate in primary and secondary schools?

  • You are a practising artist/designer. Think back to your 7 year old self. What gift list would you wish on your 7 year old self? On your 85 year old self?

  • There is an issue which you come up against time and time again. What is it and how can your wish list fix it? Who are you asking for help?

How to Share Your Wish List

  1. Teachers, Educators, Policy Makers, Stake Holders, Parents, Artists and Students – We invite EVERYONE to send us your wish list, by email, and we will share as many of those lists as we can via the AccessArt website.


Taking Stock: What a Game of Snakes & Ladders Made Me Think About Art Education


An Exploration of Pandora’s Box

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Ancient Greek Lyres

Ancient Greek Lyres

Decorative Coil Clay Pots

Decorative Coil Clay Pots

Visual Arts Planning: Clay

Visual Arts Planning: Clay


Which Artists: Ava Jolliffe


Which Artists: 2B or Not 2B