In this activity aimed at EYFS and SEND, pupils will have the opportunity to build faces on a fruit or vegetable. Learners will use their imaginations to create lots of different characters and facial expressions. This activity aims to promote the development of skills such as modelling, dexterity and creating narratives. It also provides children with the opportunity to learn about facial features in an interactive and tactile way.

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A collection of sources and imagery to explore Paddington Bear.

Please note that this page contains links to external websites and has videos from external websites embedded. At the time of creating, AccessArt checked all links to ensure content is appropriate for teachers to access. However external websites and videos are updated and that is beyond our control. 

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This resource is free to access and is not a part of AccessArt Membership.

Paddington Bear

Paddington Bear is a fictional character in children’s literature. He first appeared on 13 October 1958 in the children’s book A Bear Called Paddington and has been featured in more than twenty books written by British author Michael Bond, and illustrated by Peggy Fortnum and other artists.

Paddington is also animated in stop motion. Paddington himself is a puppet in a three-dimensional environment, whilst other characters are paper cut-outs. The final television special used a slightly different technique using 2D drawn fully animated characters. Wikipedia

Watch the episode below and ask children some questions about what they can see.

Questions to Prompt Conversation with EYFS

What do you like about Paddington?

What kind of bear do you think Paddington is?

What can you see in the background? How is the background different from the way Paddington is?

What is Paddington wearing? What things does he have around him?

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Create simple and inexpensive sketchbook made up of old paper

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What We Like About This Resource…

“It’s really nice to see that although Rachel Parker works quite digitally, her process from the beginning is very tactile. Rachels books act as a really great source of inspiration, helping to break down the creative blocks that we all get from time to time. Having a sketchbook dedicated to colour means that as well as working with colours that you already love, you can test new colour palettes and see colours from a new perspective. I especially love how Rachel picks up on the different tones in colours by looking at the way light hits it in order build her colour palette around those supporting tones as well as big statement colours.” – Tobi, AccessArt

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