AccessArt Drawing Prompt Cards

AccessArt drawing prompt cards have been created in collaboration with artists and teachers over the years, to help support drawing and overcome the ‘white page’ and ‘fear of drawing’.

Prompt cards have also been used in the context of drawing CPD for teachers and Drawing for Mindfulness sessions.
Many thanks to artist Betsy Dadd who first introduced us to the idea of drawing in the time it takes to ‘inhale and exhale a breath’, and in the time it takes to ‘blink’.

Download or access AccessArt Drawing Prompts here. Drawing Prompt Cards work very well presented on a whiteboard.

AccessArt Drawing Prompt Cards

Download or access AccessArt Drawing Prompts here. Drawing Prompt Cards work very well presented on a whiteboard.


This is a sample of a resource created by UK Charity AccessArt. We have over 1500 resources to help develop and inspire your creative thinking, practice and teaching.

AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.

We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.


Draw your Granny and Grandpa or Any Relative You Love!


Be Inspired by Flowers in a Glass Vase by Jan Davidsz de Heem

 


Inspired! Making at Linton Heights Junior School


Printed Houses


Inspired! Re-Creating Cupid and Psyche in Mixed Media by Year Fives at Linton Heights


Inspire 2020: Introducing Colour and Egg Tempera on a Gesso Panel


A Progression Pathway in Clay Work

From Early Years

Woodland Exploration by Caroline Wendling & Deborah Wilenski

Artists Caroline Wendling and Deborah Wilenski encourage young children in a woodland exploration using art and imagination as their discovery tools. Artists Caroline Wendling and Deborah Wilenski encourage young children in a woodland exploration using art and imagination as their discovery tools.

Nest By Paula Briggs

Paula gives children the tools to both draw and make. Children worked with hard and soft pencils, graphite, wax resist, watercolour, clay and sticks. Paula gives children the tools to both draw and make. Children worked with hard and soft pencils, graphite, wax resist, watercolour, clay and sticks.

From Key Stage One

How to Clay Play

This resource, commissioned by Cambridge City Council, encourages being together through making and introduces the basics of working with Scolaquip air-hardening clay. This resource, commissioned by Cambridge City Council, encourages being together through making and introduces the basics of working with Scolaquip air-hardening clay.

Ofsted are Coming Tomorrow!

Primary school teacher, Sue Brown, shares her experience of an Ofsted Deep Dive in Art and gives advice to other teachers on how they might prepare themselves. Primary school teacher, Sue Brown, shares her experience of an Ofsted Deep Dive in Art and gives advice to other teachers on how they might prepare themselves.

Quick Clay Figurative Sketches By Paula Briggs

Paula provided young children with the opportunity to explore clay as a “short term” construction and modelling material. Without being fired, the dry clay has a limited lifespan, and the sculptures will crumble, but I think it’s important to remind oursleves that even without access to a kiln, clay can still be regarded as a valuable sculptural material. Paula provided young children with the opportunity to explore clay as a “short term” construction and modelling material. Without being fired, the dry clay has a limited lifespan, and the sculptures will crumble, but I think it’s important to remind oursleves that even without access to a kiln, clay can still be regarded as a valuable sculptural material.

Decorative Clay Coil Pots by Sharon Gale

This simple clay pot making resource is not the traditional way of making coil pots but it’s lots of fun and by using different paint effects, the end results can be very interesting. We worked on this project for two, two-hour sessions. This simple clay pot making resource is not the traditional way of making coil pots but it’s lots of fun and by using different paint effects, the end results can be very interesting. We worked on this project for two, two-hour sessions.

Making Plaster Reliefs By Paula Briggs

This resource describes how to create plaster reliefs using clay and foamboard moulds. It is based upon a session which took place at Bourn Primary Academy with a group of Year 5 children. This resource describes how to create plaster reliefs using clay and foamboard moulds. It is based upon a session which took place at Bourn Primary Academy with a group of Year 5 children.

Clay Art Medals by Sharon Gale

In this three stage resource, students make a circular medal from clay depicting their own profile, look at examples of fun lettering and devise a short, fun or meaningful phrase to paint inside their portrait profile. Clay art medals are a fun way to link class topics with an art activity. In this three stage resource, students make a circular medal from clay depicting their own profile, look at examples of fun lettering and devise a short, fun or meaningful phrase to paint inside their portrait profile. Clay art medals are a fun way to link class topics with an art activity.

Japan: Making Sushi – Recycled Style! By Jan Miller

Inspired by research into Japanese culture, children explored the potential and limitations of paper and recycled materials, learning through play and experimentation to make 3D forms. The outcomes of this process were used to inform work created in a second medium of clay, using kitchen equipment to shape the clay and add textures. Inspired by research into Japanese culture, children explored the potential and limitations of paper and recycled materials, learning through play and experimentation to make 3D forms. The outcomes of this process were used to inform work created in a second medium of clay, using kitchen equipment to shape the clay and add textures.

From Key Stage Two

Japan – Ceramics Inspire Painting and Painting Inspires Ceramics By Jan Miller

Jan shares a Year Three class project that uses the work of a contemporary Japanese ceramicist to inspire vibrant paintings in a variety of materials. The children then used their own art to design ceramic vessels. Jan shares a Year Three class project that uses the work of a contemporary Japanese ceramicist to inspire vibrant paintings in a variety of materials. The children then used their own art to design ceramic vessels.

Clay ‘Portrait’ Miniatures by Sharon Gale

Portrait miniatures are small painted images, usually of monarchs and very wealthy, important people. Dating back to the 1520s, these tiny portraiture paintings are like medals, but with realistic colour. This two stage clay and painting resource is very versatile because essentially the miniatures are blank canvasses. Portrait miniatures are small painted images, usually of monarchs and very wealthy, important people. Dating back to the 1520s, these tiny portraiture paintings are like medals, but with realistic colour. This two stage clay and painting resource is very versatile because essentially the miniatures are blank canvasses.

Clay Slab Work by Andy Cairns

This resource explores how to make an armature and use clay slab to build a form. Based upon the legend of “Black Shuck”, a ghostly dog that roams the coast searching for its drowned masters, this project engaged the children and resulted in charismatic sculptures, but you could equally transfer the activity to other themes. This resource explores how to make an armature and use clay slab to build a form. Based upon the legend of “Black Shuck”, a ghostly dog that roams the coast searching for its drowned masters, this project engaged the children and resulted in charismatic sculptures, but you could equally transfer the activity to other themes.

Fruit-Inspired Clay Tiles By Rachel Dormor

Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make decorative clay tiles. Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make decorative clay tiles.

Fruit Pinch Pot Project By Rachel Dormor

Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make simple pinch pot mugs. Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make simple pinch pot mugs.

From Key Stage Three and Beyond

Chimera Drawings into Beautiful Terracotta Tiles By Eleanor Somerset

Sgraffito, or ‘scratching’ is a technique which is an excellent way to reinforce mark making with all age groups.
Drawing into leather hard red clay tiles to create designs using mark-making can be even more effective when done through a white earthernware slip to reveal the red clay beneath. Sgraffito, or ‘scratching’ is a technique which is an excellent way to reinforce mark making with all age groups.
Drawing into leather hard red clay tiles to create designs using mark-making can be even more effective when done through a white earthernware slip to reveal the red clay beneath.

Exploring Materials: Clay and Water by Sheila Ceccarelli

Sheila asked teenagers at AccessArt’s Experimental Drawing Class when the last time was that they had played with clay? Sheila asked teenagers at AccessArt’s Experimental Drawing Class when the last time was that they had played with clay?

Arts and Minds: Manipulating Clay with Water by Sheila Ceccarelli

This post shows how to facilitate a sensory session exploring water and clay - by Sheila Ceccarelli (artist) and Yael Pilowsky Bankirer (Psychotherapist) for Arts and Minds. This post shows how to facilitate a sensory session exploring water and clay – by Sheila Ceccarelli (artist) and Yael Pilowsky Bankirer (Psychotherapist) for Arts and Minds.

Painted Clay by Melissa Pierce Murray

This post was inspired by the Japanese art of dorondongo, where mud and dirt are shaped and buffed into highly polished spheres. We made clay spheres and other simple forms in clay, and once dry, painted them with ink and acrylic. This post was inspired by the Japanese art of dorondongo, where mud and dirt are shaped and buffed into highly polished spheres. We made clay spheres and other simple forms in clay, and once dry, painted them with ink and acrylic.

Exploring Portraits with Eleanor Somerset

In this resource artist, Eleanor Somerset shows how she led students in The Little Art Studio, Sheffield, to explore and discover portraiture through various media. In this resource artist, Eleanor Somerset shows how she led students in The Little Art Studio, Sheffield, to explore and discover portraiture through various media.

Introducing Sgraffito using a Coloured Clay Slip on a Terracotta Tile By Eleanor Somerset

Further explore how to make beautiful sgraffito, or ‘scratched drawings’ with artist Eleanor Somerset. Further explore how to make beautiful sgraffito, or ‘scratched drawings’ with artist Eleanor Somerset.

From Bones and Body to Structure and Form By Melissa Pierce Murray

Artist Melissa Pierce Murray worked with teenagers from AccessArt’s Experimental Drawing Class on a series of workshops which physically explored drawing and sculptural responses to form, forces and anatomy. Artist Melissa Pierce Murray worked with teenagers from AccessArt’s Experimental Drawing Class on a series of workshops which physically explored drawing and sculptural responses to form, forces and anatomy.

Simple Clay Moulds by Melissa Pierce Murray

In this post, artist Melissa Pierce Murray, shows, step-by-step, how young teenagers explored plaster casting by making simple clay ‘waste moulds’ and then moved on to making simple ‘two piece moulds’. In this post, artist Melissa Pierce Murray, shows, step-by-step, how young teenagers explored plaster casting by making simple clay ‘waste moulds’ and then moved on to making simple ‘two piece moulds’.

Casting a Negative Space in Plaster with Sculptor Rachel Wooller

Resident artist at ArtWorks Studios, Cambridge, Rachel Wooller, introduces teenagers at AccessArt’s Experimental Drawing Class to the process of casting and creating negative shapes in plaster from clay positives. Resident artist at ArtWorks Studios, Cambridge, Rachel Wooller, introduces teenagers at AccessArt’s Experimental Drawing Class to the process of casting and creating negative shapes in plaster from clay positives.

Rowan: Clay Coiling Techniques to Make Penguins, Tweety Pie and a Dalek too! by Abi Moore and Sarah Nibbs

Abi, Sarah and students at Rowan Humberstone, show how they made clay birds using clay coiling techniques and with a plaster mould for the birds’ bases. Abi, Sarah and students at Rowan Humberstone, show how they made clay birds using clay coiling techniques and with a plaster mould for the birds’ bases.

Rowan: Making a Clay Bird from a Mould by Abi Moore and Sarah Nibbs

Abi and students from Rowan Humberstone, describe how they made clay birds from a plaster mould. Abi and students from Rowan Humberstone, describe how they made clay birds from a plaster mould.

Modelling The Head in Clay by Melissa Pierce Murray

Artist Melissa Pierce Murray led a series of workshops for AccessArt’s Experimental Drawing Class in which the teenagers modelled a head in clay. There are five resources in this series, beginning with constructing an armature and making preparatory drawings, then studying the bone structure of the skull before moving on to features. The final post in this series looks at ways to increase the techniques and approaches used in drawing. Artist Melissa Pierce Murray led a series of workshops for AccessArt’s Experimental Drawing Class in which the teenagers modelled a head in clay. There are five resources in this series, beginning with constructing an armature and making preparatory drawings, then studying the bone structure of the skull before moving on to features. The final post in this series looks at ways to increase the techniques and approaches used in drawing.

Design Lab: Phoebe Cummings at the V&A

Students, from the DesignLab at the V&A, London, worked with artist Phoebe Cummings over a three month period to create a site-specific, group piece, from unfired clay which was inspired by the historical 2D designs found on 19th century British tableware in the collection. Students, from the DesignLab at the V&A, London, worked with artist Phoebe Cummings over a three month period to create a site-specific, group piece, from unfired clay which was inspired by the historical 2D designs found on 19th century British tableware in the collection.


Inspired! Psyche’s Resilience by The Fitzy Peters


Inspired! ‘The Tree’ by Year One and Two at Hauxton Primary School


Ofsted are Coming Tomorrow!


Cupid and Psyche: How a Fifteenth-Century Renaissance Panel Became the Most Loved Painting in Cambridgeshire


Inspire: Behind the Scenes at the Fitzwilliam Museum, Cambridge

Go back to Inspire: A Celebration of Children’s Art in Response to Jacopo del Sellaio’s Cupid and Psyche

And How Cupid’s Bow and Psyche’s Dress were Installed

On Tuesday 3rd of December 2019, there was a very special visit to the Fitzwilliam Museum, Cambridge, arranged by Sarah Villis, Holly Morrison and Kate Noble from the museum’s Education Team.

A group of pupils from two primary schools in Cambridgeshire were invited to see behind the scenes at the Fitzwilliam Museum, Cambridge and the installation of Inspire  – an exhibition of children’s artwork in the Octagon Gallery in the museum from the 10th December 2019 until 22 March 2020.

These pupils are young artists who have had their artworks selected to be exhibited alongside the Renaissance painting of Cupid and Psyche by Jacopo Del Sellaio; Year 4 and 5 pupils from the Brilliant Makers Club, at Morley Memorial Primary School, Cambridge with their teacher Maya Dalby; and the The Fitzy Peters, a group of Year 5 pupils from St Peters C of E Junior School, Wisbech, Cambridgeshire, with their teacher Natalie Bailey and head teacher Amy Harvey.

The day-long session was facilitated by Holly Morrison.

The pupils were greeted by the museum staff and Holly took them on a tour through the museum on their way to the Octagon Gallery, where their work was being installed by Charis and Jamie.

Brilliant Makers at Morley Memorial created Magical Cupid’s bow and arrows in mixed media for Inspire.

‘Focusing on the theme of ‘change’ and ‘love’, the group discussed inspirational people who were changing the world for the better. The children decided what positive change they would make if they had a magical Cupid’s bow and arrow to shoot into the world. Responses ranged from arrows that stopped deforestation to arrows that helped people read.’ Maya Dalby, Art Coordinator and Year 5 teacher at Morley Memorial School, Cambridge

This was also a chance for children to see other children’s work and behind the scenes at the Museum.

The children then went to the Seminar Room, where Holly had an afternoon of creative activity planned out for them, but first a chance for the Fitzy Peters to introduce the others to ‘The Resilience of Psyche;’ Psyche’s dress which they had made over several sessions with their teacher Natalie Bailey.

‘A group of children, The Fitzy Peters, became fascinated by Psyche’s resilience during her period of grief and loss and made significant connections to the story during our PSHE lessons. We decided to extend the children’s learning by running a Summer holiday project. The children decided to tell the story of Psyche through a dress designed especially for her at Studio 15 in Wisbech. What surprised me the most was how much art helps children to communicate and express thoughts, feelings and emotions.’  Natalie Bailey, Year 5 Teacher and Art Lead

‘The main fabric is denim, we thought this showed resilience. It’s tough and can take the harshness of life. The underneath of the dress is soft, white tulle showing Psyche’s soft innocent side. Every single part of the dress has a message, a reason for being there.’ Tomasz, aged 10

The Resilience of Psyche can be seen from the 10th December 2019 until the 22nd March 2020 in the Armory at the Fitzwilliam Museum, Cambridge.


Inspire ArtWork from the Fitzwilliam Museum - An exhibtion of children's work inspired by the Renaissance artist Del Sellaio, In collaboration with AccessArt

Inspire – December 2019 to March 2020, was an exhibition of art made by primary school children and celebrated creativity in Cambridgeshire schools. It championed the on-going importance of cultural learning and the visual arts for all children and young people.

Based on the National Gallery’s Take One PictureThe Fitzwilliam Museum and AccessArt teamed together to offer free Inspire 2020 CPD (Continued Professional Development for Teachers), focusing on one painting, Cupid and Psyche by Jacopo del Sellaio, as a source of ideas and inspiration.

Del Sellaio’s Cupid and Psyche was on display next to the children’s work in the Octagon Gallery.

With very special thanks to Kate Noble,  Miranda StearnSarah Villis, and Holly Morrison for making this project happen and Alison Ayres.

This post was written by Sheila Ceccarelli.

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The Story of Cupid and Psyche by Jacopo del Sellaio (1442 – 1493)  


Inspire

A Celebration of Children’s Art at the Fitzwilliam Museum, Cambridge in Response to Jacopo del Sellaio’s Cupid and Psyche

Inspire ArtWork from the Fitzwilliam Museum - An exhibtion of children's work inspired by the Renaissance artist Del Sellaio, In collaboration with AccessArt - links to the Fitzwilliam Museum site

Inspire opens on Tuesday 10 December 2019 to Sunday 22 March 2020

In the Octagon Gallery – Gallery 10, The Fitzwilliam Museum, Cambridge

Inspire is an exhibition of art made by primary school children and celebrates the creativity of our local schools. It champions the on-going importance of cultural learning and the visual arts for children and young people. 

Based on the National Gallery’s Take one Picture, The Fitzwilliam Museum and AccessArt teamed together to offer free CPD (Continued Professional Development Sessions) for Teachers to local primary schools and resources, over the course of a year-long project Inspire 2020, focusing on one painting, Cupid and Psyche by Jacopo del Sellaio, as a source for ideas and inspiration.

Del Sellaio’s Cupid and Psyche will be on display next to the children’s work in the Octagon Gallery. 

With very special thanks to Kate NobleMiranda Stearn, Sarah Villis and Holly Morrison for making this project happen and Alison Ayres for her studio assistance.


 

Here, Sheila Ceccarelli tells the story of how the Museum’s Education Team and AccessArt brought this Renaissance panel to life and how teachers embraced the project resulting in Inspire, a celebration of children’s art at the centre of the Museum.

Cupid and Psyche: How a Fifteenth-Century Renaissance Panel Became the Most Loved Painting in Cambridgeshire


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Inspire 2020: Teachers


INSPIRE 2020

 

AccessArt has been delighted to have worked with Kate Noble, Miranda Stern, Alison Ayres, Sarah Villis and Holly Morrison, from the Fitzwilliam Museum Learning Team, to inspire primary school teachers, in and around Cambridgeshire, to use the Museum Collection to support their pupils’ learning and creative development.

The aim of this series is to give teachers the confidence to work in museum spaces, responding to objects and sharing ideas.

The focus of this workshop is on painting ‘The Story of Cupid and Psyche’ by Jacopo del Sellaio, an Italian painter working in Florence, Italy in the 1400s. However, the resources below can be adapted to any painting in your local gallery or museum.

Below you will find a series of activities usd to explore the painting, starting with CPD for teachers run by AccessArt and the Fitzgerald Gallery in Cambridge, followed by a series of resources exploring the impact of the project in schools.

The collection of resources below was used by teachers during the Inspire 2020 Programme, running throughout 2019. Find out how this ambitious project affected schools across Cambridge. Read more about the impact of Inspire 2020 here.

The Story of Cupid and Psyche. Sellaio, Jacopo del (Italian, 1441/2-1493). Egg tempera with gold on panel, height 59cm, width 178.8cm. Florentine School. One of a pair of cassone panels.

Inspire 2020 Programme Goals

  • CONFIDENCE

    Teachers and pupils will develop confidence working in the museum spaces, responding to museum objects and sharing their ideas.

    Teachers will develop their confidence teaching and advocating for art and design within their school.

  • KNOWLEDGE

    Teachers and pupils will develop knowledge of museum objects, art forms and art skills through inspiring interactions with museum objects.

    Teachers and pupils will develop knowledge of how to plan and deliver cross-curricular projects.

    Teachers and pupils will develop a better understanding of how to promote child led enquiry based learning within their setting.

    Teachers will develop their knowledge of how to plan and deliver high quality art experiences for their pupils.

  • CREATIVE THINKING

    Teachers and pupils will respond creatively to the collection in a variety of different ways, e.g. talking, drawing, mark making, modelling, moving, writing.

    Teachers and pupils will use imaginative, inquisitive, persistent, collaborative and reflective approaches when responding to the museum objects, collections and spaces.

Teachers and pupils will develop confidence working in the museum spaces, responding to museum objects and sharing their ideas.

Teachers will develop their confidence teaching and advocating for art and design within their school.

Teachers and pupils will develop knowledge of museum objects, art forms and art skills through inspiring interactions with museum objects.

Teachers and pupils will develop knowledge of how to plan and deliver cross-curricular projects.

Teachers and pupils will develop a better understanding of how to promote child led enquiry based learning within their setting.

Teachers will develop their knowledge of how to plan and deliver high quality art experiences for their pupils.

Teachers and pupils will respond creatively to the collection in a variety of different ways, e.g. talking, drawing, mark making, modelling, moving, writing.

Teachers and pupils will use imaginative, inquisitive, persistent, collaborative and reflective approaches when responding to the museum objects, collections and spaces.

Inspire: Teachers

Talking Points: The Story of Cupid and Psyche by Jacopo del Sellaio

The Story of Cupid and Psyche. Sellaio, Jacopo del (Italian, 1441/2-1493). Egg tempera with gold on panel, height 59cm, width 178.8cm. Florentine School. One of a pair of cassone panels.

Start by exploring the narrative behind the painting ‘The Story of Cupid and Psyche’ in this “Talking Points” written by Kate Noble.

Introduction for Participating Teachers and Educators

Looking at Cupid and Psyche by Sellaio in The Fitzwilliam Museum Cambridge

 Find out how teachers used drawing, collage and making to explore Jacopo del Sellaio’s Cupid and Psyche at the Fitzwilliam Museum, Cambridge. Find out more here.

Introduction for Participating Teachers and Educators

Studio - Colour - Fitzwilliam Cupid and Psyche

This post shares how teachers interpreted the processes involved in using egg tempura, a medium used during the Italian Renaissance, as part of the CPD programme for Inspire 2020. Explore Egg Tempura here.

Inspired: Students

Inspired! Psyche’s Resilience by The Fitzy Peters

Six, ten year old children - called the Fitzy Peters from Wisbech, Cambridgeshire, posing in front of a mannequin as part of the Inspire Project with the Fitzwilliam Museum, Cambridge and AccessArt - photo by their teacher Natalie Bailey

Natalie shares the pupils’ Inspire journey and their response to the Renaissance painting of Cupid and Psyche by Jacopo Del Sellaio at the Fitzwilliam Museum, Cambridge. Explore here.

INSPIRED! ‘THE TREE’ BY YEAR ONE AND TWO AT HAUXTON PRIMARY SCHOOL

A third close up of the finished Tree by The Owl Class at Hauxton Primary led by Pamela Stewart for Inspire

This post shares pupils’ Inspire journey and all that they learned in response to looking at the Renaissance painting at the Fitzwilliam Museum, Cambridge, and where Science and Art can meet.

Inspired! Re-Creating Cupid and Psyche in Mixed Media by Year Fives at Linton Heights

Close up of the suitors - kirsty webb - inspire

This post shares the pupils’ Inspire journey and how they worked together exploring mixed-media on a large scale making a creative response to the Renaissance painting at the Fitzwilliam Museum, Cambridge. Read more.

Inspired! Making at Linton Heights Junior School

Year Six Landscape and River Project with mixed media at Linton Heights - Anna Campbell -

See how Anna Campbell integrated this project across different subjects to progress pupils’ making skills throughout the year groups. Find out how.

Resources on AccessArt

AccessArt Drawing Prompt Cards

A teachers drawing and her prompt card - Looking at Degas

Drawing in the National Curriculum

Creating "dramatic" charcoal drawings

Feeling Through Drawing

making 4

Ten Minutes, Five Times a Week

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Tools: Introducing Sketchbooks and Self-Directed Learning

Sketchbooks in Primary Schools

Using Sketchbooks in Museums and Galleries

Developing Your Sketchbook Approach

Sketching at lunchtimes

Making Sketchbooks at the Fitzwilliam Museum, Cambridge

sketchbooks fitz - SC

Tools: Introducing Themes and Storyboards

AccessArt Collection: Resources which Support Literacy

Drawing in charcoal by torchlight

Drawing Storyboards with Children by Paula Briggs

Drawing Storyboards with Children

Illustrating Stories: Creating a Storyboard and First Dummy Book

Final pages of concertina dummy book - Emma Malfroy

Illustrating ‘The Jabberwocky’

Illustrated poem Ellie Somerset

Page to Panel – How to Make Manga

13 - Page to Panel Comic 6 Irine Richards

Tools: Colour

Colour Wheel for Infants and Juniors

Year 1 colour wheel (detail)

EXPLORING PRIMARY COLOURS AND PROGRESSING WITH PAINT

Colour Mixing with different water based painting mediums - SC

Exploring Watercolour at the Fitzwilliam Museum Cambridge with AccessArt

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How to Make Beautiful, Liquid Drawings Inspired by Degas

Liquid drawing inspired by Degas at a workshop for teachers at the Fitzwilliam Museum, CambridgeLiquid drawing inspired by Degas at a workshop for teachers at the Fitzwilliam Museum, Cambridge

Tools: The Figure

AccessArt Collection: Drawing from a Live Model

Life Modelling

Self Portraiture Photography by Anna Linch

Spotting Potential and Nurturing a Young Talent

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Tools: Nature and Landscape

Layers in the Landscape by Emma Davies

Site Responsive Installation, created at the Wild Networking Event, run by Fermyn Woods Contemporary Art at the cottages in Fermyn Woods; work is in progress. Recycled materials, paint, pencil and pastel. 2013

Wax Resist Autumn Leaves by Rosie James

Wax resist leaves by pupils at Dent School, facilitated by Rosie James

AccessArt Collection: Trees, Forest and Landscape

Wild Imagination - Children in the snow

Tools: Collage

Gathering Marks and Tearing Paper to Appreciate Prints by Goya, Turner and Cornelius at the Fitzwilliam Museum, Cambridge

Collaging Gestural Shapes

From Drawing to Collage to Casting by Louise Shenstone

Detail of the finished mural

Jo Allen and Rachael Causer at Ridgefield Primary School

Cutting up images of buildings for collage work

Tools: Materials led Exploration

AccessArt Collection: Houses, Homes and Architecture

More roofs...

MAKING SCULPTURAL INTERPRETATIONS OF 18TH CENTURY PORTRAITS AT THE FITZWILLIAM MUSEUM

fitz-making-108 PB

Making a Lyre Inspired by the Ancient Greeks

Smoothing the Modroc and creating a smooth texture - portia lyre SC

Conclusions

Inspire 2020 is not about static endings but about discovery, open experimentation and play.

The end point might just be a snap shot of a long process and not a final conclusion.

We hope that Inspire 2020 will give schools plenty of time and scope to play and find new avenues to explore, led by the children’s and teachers’, inspirations, fed by great art and hands-on creative processes.

We hope that along the way new skills and ideas will be cemented and creativity will be embedded as a resource to draw from for life. 

Find Out More About Take One Picture

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Making the Gift of Home this Winter


Simple Casting Techniques – by Melissa Pierce Murray


Christmas and the Festive Season

Seasonal Drawings: Observation, Composition and Colour

Taking inspiration from drawing cakes, AccessArt explores how to develop observation, composition and colour to make, beautiful seasonal drawings. These drawings were made over three, one hour long sessions. Taking inspiration from drawing cakes, AccessArt explores how to develop observation, composition and colour to make, beautiful seasonal drawings. These drawings were made over three, one hour long sessions.

Decorated Paper Bowls

Children aged 6 to 10 work with Paula Briggs to bring together their drawing and making skills to make Christmas bowls! Children aged 6 to 10 work with Paula Briggs to bring together their drawing and making skills to make Christmas bowls!

Winter Still Life

Teenagers, from AccessArt’s Experimental Drawing Class, explored building a layered drawing of a winter still life, during a one and a quarter hour session, on a dark, December evening. Teenagers, from AccessArt’s Experimental Drawing Class, explored building a layered drawing of a winter still life, during a one and a quarter hour session, on a dark, December evening.

Snowflakes

Artist Melissa Pierce Murray leads a festive workshop in which teenagers explore the shapes of snowflakes, then use these experiments to decorate Christmas cookies with designs in icing and egg tempura. Artist Melissa Pierce Murray leads a festive workshop in which teenagers explore the shapes of snowflakes, then use these experiments to decorate Christmas cookies with designs in icing and egg tempura.

Composite Still Life Studies in Candlelight

With winter's dark and long nights comes the perfect time of year to explore light and dark in drawing. With winter’s dark and long nights comes the perfect time of year to explore light and dark in drawing.

Fruit Pinch Pot Project

Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make simple pinch pot mugs. Ceramicist Rachel Dormor shares a workshop idea suitable for primary or secondary aged children. Working in clay, pupils take their inspiration from drawings of fruit to make simple pinch pot mugs.

Lino Printing Christmas Cards

A useful resource which explores how to use lino printing to make seasonal greeting cards. A useful resource which explores how to use lino printing to make seasonal greeting cards.

Making Felt Sailing Boats by Ruth Purdy

Artist educator Ruth Purdy uses colourful felt in a project sewing boats with adults in care. Artist educator Ruth Purdy uses colourful felt in a project sewing boats with adults in care.

Drawing Flames

Guided drawing exercises with Sheila Ceccarelli, exploring mark making to the rhythm of a burning flame. Guided drawing exercises with Sheila Ceccarelli, exploring mark making to the rhythm of a burning flame.

Painting on Glass

Paula Briggs works with children exploring painting on glass to create hanging roundels with a winter theme. Paula Briggs works with children exploring painting on glass to create hanging roundels with a winter theme.
A fun end of term school project that would also be perfect to do at home – making model Santas with character! Jan Miller share a process to make 3D model Santas using simple materials and processes. A fun end of term school project that would also be perfect to do at home – making model Santas with character! Jan Miller share a process to make 3D model Santas using simple materials and processes.

Eraser Printmaking with Morag Thomson Merriman

Artist Morag Thomson Merriman describes how to use erasers for effective and fun printmaking on the kitchen table. Artist Morag Thomson Merriman describes how to use erasers for effective and fun printmaking on the kitchen table.