“If we want a world full of innovative, entrepreneurial thinkers, we need to enable and sustain making from a very young age”
Paula Briggs from AccessArt writes about the importance enabling making in schools.
AccessArt & The Guardian
The AccessArt Village
Where did the AccessArt Village Come From?
The end of 2018 also says goodbye to the AccessArt Village and this special project which started with a gift to AccessArt, from Appletons Wool, of a huge box of wool, which arrived on our doorstep in February 2016.
In a spontaneous moment, Paula Briggs, co-director of AccessArt, invited followers of AccessArt to join in the creation of an artwork ‘celebrating the diversity’ of the AccessArt community. Paula invited participants to draw a simple image of their own home and to ‘sew the image on a 20cm square of fabric’ and then send it back to AccessArt. The individual houses were then to be ‘brought together by a textile artist’ in ‘one amazing artwork’. And that was how the AccessArt Village began.
Little did Paula know that her email invite would lead to a project spanning almost three years and the sparking of creative responses from almost 700 individuals, from all walks of life and ages. A true celebration of individuality, community and creativity.
The AccessArt was ran by #TeamAccessArt, host galleries and participants on a voluntary basis with no renumeration for time and effort.
The project is now closed for submissions. We received over 700 sewn squares, from all kinds of audiences all over the world.
Finding Inspiration the AccessArt Way
Paula’s initial way to excite creativity and get the project underway was to create a series of resources to kick start the project and enable AccessArt followers to easily participate. Paula wanted to encourage participation across all ages and abilities from art novices to experienced artists.
Paula was then joined by artist Andrea Butler, in creating a series of resources to inspire creative actions.
Creating Your Sewn Square
This resource provided the starting point for the project and how to make a sewn square.
Make a Stitched Drawing of a House in an Hour
Andrea Butler explores approaching embroidery/stitching like the processes of making a collage or mark making: “hanks of wool and shapes cut from fabric can act as an equivalent to paint or coloured paper; stitches are very like the lines and marks you can create with felt tips, markers or coloured pencils.”
Draw your home: collage, stitch and fabric crayons
Andrea Butler shows how to use fabric rubbings and simple stitching to make a colourful collage of a home.
Collagraph, Collage and Stitch: Make a Image of Your Home on Fabric
Andrea Butler combines making a collagraph print with fabric and stitch to create a 2D image which could then be used to make a sculptural model house.
Make a Model Stitched House
This resource marks the turning point of the AccessArt Village Project and when the idea took off for the stitched houses to be transformed into 3D stand alone pieces. In this post Andrea Butler shares with participants the process.
Setting to Work on Making the AccessArt Village
The AccessArt Village came to life when sewn houses started to arrive back. The magnitude of the response to the call was incredible, with almost 700 houses arriving back to AccessArt from a broad spectrum of venues including schools, hospitals, libraries, Brownie groups, Art clubs, Art groups and galleries from all around the United Kingdom and as far as South Africa.
Andrea Butler, from #TeamAccessArt, donated vast amounts of time, ingenuity and creativity to the project. Over the course of a year, she lovingly and painstakingly mounted the houses. Every house was given its own time and great attention was paid to detail. Andrea used her creative sensitivity to respond to the originality of each piece and all the houses were treated equally and with great and equal respect, whether made by a young child or established artist. Andrea was joined by Paula and Sheila Ceccarelli over the summer of 2017 to complete the task of mounting the houses.
The result of all this hard work and participation was an installation of over 700 3D models which juxtaposed work by children at the start of their creative lives next to that of accomplished artists and older generations. Whilst highlighting the character and individually of each piece, the project celebrated diversity and reminded us of the universal sanctity of “home”. Most poignant were those houses contributed by individuals who, for reasons of health or vulnerability, were away from home when they made their creations.
A Call for a Host Venue
Seeing how enthusiastically the project was being received by the AccessArt community, in January 2016, Paula sent out another email calling for ‘Host Partners’ to exhibit the AccessArt Village. The call was met with an enthusiastic response from schools and galleries across the county. The variety venues to respond to the call demonstrated the breadth of AccessArt’s engagement with its community and also the geographical span of its reach.
September 2017 to November 2018: The Village went on tour!
The AccessArt Village Tour gave many people joy, from when it was first seen, in September 2017, in the rural setting of Farfield Mill, in the Cumbrian Hills. Since then it has been cherished by people visiting Mansfield Central Library, in the heart of the country, followed by Brentwood Road Gallery, Frances Bardsley School, Romford in a sub-urban venue, east of London.
In 2018 the Village was seen in the North East seaside town of Whitley Bay in the Old Gala House, Galashiels, and then finally came home to Cambridge on the 24th November 2
Making an Ink and Wax Village with Pupils in Mansfield
One of the highlights of the AccessArt Village Tour when Sheila Ceccarelli worked in Mansfield Central Library with children from Berry Hill Primary School.
The AccessArt Village and How a Small Idea can be Big
This AccessArt workshop was led by Sheila Ceccarelli for year nine students at Frances Bardsley Academy in Romford, where the The AccessArt Village was displayed in the school’s adjacent Brentwood Road Gallery, in January 2018.
A Grand Finale for the AccessArt Village as Cambridge Welcomes the AccessArt Village
The AccessArt Village completed its year long AccessArt Village Tour of the UK and was seen, for one day, as a pop-up exhibition, ‘Cambridge Welcomes the AccessArt Village,’ in the Ruskin Gallery in November 2018
The very special homes, handmade by children in schools and hospitals, artists, young people and community groups, were exhibited and sold, in collaboration with Emmaus, Homeless Charity, Cambridge.
Special Thanks
Rachel Hurcomb & 1st Stretton St Mary’s Brownies, Sarah Williams & 1S, St John’s College School, Pupils from King’s Worcester School, Amber Smith, Chailey School, Jean Goodall, Barbara Latham, Jill McDermott, Julie Ashfield, Evonne Bixter & pupils from St Augustine of Canterbury Catholic High School, Natti Russell & members of Art4Space, Sharon Gale & The Art Cabin at Northaw C of E Primary School, Morgain Murrey Williams & students from Chesterton Community College, Jo Evans & Yr 2, Southbank International School, Victoria Lowe & pupils from Eyemouth High School, Helen Walsh & The Heathlands Project, Tullie Textiles, Tullie House Museum and Art Gallery, Beth Shearing, Louise Shenstone & “Making It’, Rhondda Cynon Taf, Kate Gwen Jones & Yrs 9, 10 and 11 Art Textiles, Stanley Park High School, Megan Stallworthy & pupils from Sticklepath Community School, Liz Cook & children from Great Ormand Street Hospital, Heather Wilson, Isabel Brown, Rosie James & pupils at Dent C of E Primary School, Annabel Johnson & the Children’s Art School Wimbledon, Helen Jones & Yr 8 textile students, George Salter Academy, Sam Downer & pupils from St John’s College School, K Sellens & pupils from Lansbury Lawrence Primary School, Andrea Butler, Craft and textile groups, Inspire: Culture, Learning and Libraries, Notts, Yr Four pupils, Berry Hill Primary School, Morag Thomson Merriman, Sandy Wright & pupils from All Saints Anglican/Methodist Primary School C Wimberley & The Art Club, Poppleton Rd Primary School, Jacqui Stewart & the Cotton Candy Art Group, Helena Malan & pupils from Eureka Primary Grade Eight, Burgersdorp, Reg. Charity No: 1105049 South Africa.
Supported by Appletons Wool
AccessArt is a UK education charity with over 850 resources to help develop and inspire creative thinking, practice and teaching.
AccessArt welcomes artists, educators, teachers and parents both in the UK and overseas.
We believe everyone has the right to be creative and by working together and sharing ideas we can enable everyone to reach their creative potential.
Join AccessArt from only £3.50 per month and enjoy full access to hundreds more resources!
#WhatDidMyChildMake
AccessArt has been working for many years to help support and promote making as an activity which children need to be doing more of in schools (and possibly at home too!).
Enjoy the collection of resources below, and consider how you can increase opportunities for making in classrooms, schools, community organisations, studios, museums, galleries and homes in your area.
Explore Resources For Making…
Explore 3D Making Materials
Explore Disciplines in 3D
The New Manifesto For Making!
What Did My Child Make With Their Hands This Week?
AccessArt at the Houses of Parliament
Making Large Scale, Screenprinted, Collaged, Co-Created Campaign Posters!
AccessArt writes for the Guardian
Make, Build, Create now Launched
Black Dog Publishing 2016
The New Manifesto for Making!
Paula Briggs and Sheila Ceccarelli have been working to support making in schools for over 20 years. Find out more about our #WhatDidMyChildMake campaign.
Please share! Print out this PDF version and post it in your school, museum, gallery, community centre or home.
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Make, Build, Create: Sculpture Projects for Children by Paula Briggs
Published by Black Dog Books
#WHATDIDMYCHILDMAKE
A collection of resources to consider how you can increase opportunities for making
AccessArt Participatory Projects
For many years now AccessArt has been creating online participatory projects which aim to draw in new audiences, and to give those involved the opportunity to join in a shared experience and explore new materials, techniques and ideas. The projects are always inclusive and welcoming to all ages, all abilities, all backgrounds…
Enjoy exploring all our participatory projects below. Make sure you are registered top left to ensure you hear when new projects are launched. Please share this page using #artparticipate.
Explore…
Many of our online participatory projects are time sensitive in terms of their being a gallery to upload to for example. However we have listed all our projects below, as even those which have finished still offer inspiration in the form of free PDF’s to download etc.
Ten Minutes, Five Times a Week
Ten Minutes, Five Times a Week is a simple set of drawing exercises designed to get people drawing. Aimed at a broad audience, but designed in particular with teachers in mind, we hope you will use Ten Minutes, Five Times a Week as a way to introduce drawing to your pupils, and to begin to explore how AccessArt can help enrich art teaching and learning in your school.
The Two Halves Drawing Project
Our latest participatory project! Open to everyone across the world!
We Have Hands!
Join in with this important project by sending images of hands making
Take a Seat
Making project in partnership with One Button UK
The Transformation Project: Jewellery
Making project in partnership with One Button UK
The Visual Encyclopedia
Drawing project in partnership with the Big Draw (now closed)
Draw my Dinner
Drawing project in partnership with the Big Draw (now closed)
Treasure Box
Making project (now closed)
The AccessArt Village
Our largest participatory project yet, (now closed, but you can see the resulting touring exhibition at venues across the UK)
Every Drawing Tells a Story
Drawing Challenge in partnership with The Big Draw 2015
The Drawing Challenge
Drawing Challenge in partnership with Black Dog Publishing
The Loom Band Bike
Making project (now closed)
Share-a-Bird Project
Making, drawing and painting project (now closed)
Drawing with Stuff
Drawing project in partnership with the Big Draw (now closed)
With thanks to our past and present participatory project partners:
If you are an arts organisation or business, and would like to talk to AccessArt about working in partnership to deliver an AccessArt participatory project, please do get in touch via info@accessart.org.uk or 01223 262134.
The Friday Club
By Paula Briggs
For many years I have been running an after school artclub for children aged 6 to 10 in village halls in the Cambridgeshire area. It’s been an absolute pleasure; in addition to helping to develop a passion for drawing and making in the children who have attended, it has also helped feed my own creative development, led to numerous AccessArt resources, and even a book. Alongside my classes, my colleague Sheila Ceccarelli has been leading a classes with teenagers and in doing so has created a hugely valuable legacy of resources which explore teenaged creativity.
We get lots of emails from members of AccessArt telling us about the clubs that they run – some after school clubs, some in studios in gardens, some in village halls. We also get lots of emails from artist educators who are thinking of setting up such projects, and who would like advice about how to do so. Over the next few months we hope to publish some examples of different creative club formats, how they were set up and how they work in practice, with the aim of inspiring more artist educators!
If you have a club format you’d like to share, please do get in touch!
The Friday Club
This Friday I’m looking forward starting a brand new art club with 6 young and very talented ten year olds. The Friday Club is a re-invention of the old AccessArt Art Club for ages 6 to 10.
The children will be meeting for an hour each Friday, for five week blocks (at a cost of £40). Our meeting room / studio will be a small summerhouse at the end of the garden, where we can leave work between sessions. Working over 5 weeks will allow us to work on projects over a longer period of time, with more of an emphasis on discover and self-led journeys, and less emphasis on weekly outcome.
In fact one of the main foci of the sessions will be to “become journeyful”. The phrase was coined by my daughter (a member of the Friday Club), as I was trying to explain how I wanted the children to feel completely enabled to take risks and enjoy the creative journey, and to take away any pressure surrounding the end result. We decided we’d create a “Be Journeyful Wall” on which we post up work (all stages) which celebrates and supports this ethos. This is something I’d like to progress further in work in schools – encouraging displays of artwork to be about journey rather than end result.
Most importantly I’d like the children to take ownership of the sessions and their creative journeys. Whilst I’ll set the theme for each 5 week block, around a particular process, technique, concept, material or artist, I hope the children will decide the driection of the activity.
The children have agreed a few Friday Club “rules” which they would like to work towards:
Don’t forget to contact AccessArt if you’d like to share your experience in setting up and running art clubs.
Drawing Outside & Never-ending Landscapes
Large-scale, Co-created Campaign Posters
Barbie & Ken Transformation
Shipwrecked! Shadow Play
What Makes AccessArt Special?
<< Back to: All You Need To Know
AccessArt inspires and supports high-quality visual arts teaching, learning, and practice. We’re a member-driven community—discover what we stand for and how you can get involved below.
AccessArt is a unique organisation.
We believe that:
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Art helps us thrive.
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Art education can help us build a better world.
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Every child and young person is entitled to a high-quality art education.
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Every person, whatever their age, background, or culture, deserves the opportunity to explore how art can help them find their voice.
AccessArt is a leading provider of visual arts education resources in the UK, offering inspiration and ideas to the wider community.
Our reputation as experts in the field has been built through the vision and dedication of our passionate team, and trustees—alongside the support of a creative community of over 24,000 artists, teachers, and facilitators who both use our resources and actively contribute their ideas.
How We Evolved
In 2011, as the economic climate tightened and funding became harder to secure, AccessArt made the conscious decision not to apply for core or revenue funding. Instead, we set out to become a self-sustaining arts organisation.
A membership scheme was introduced, and for a small fee, our community was invited to join AccessArt in return for full access to all our resources. The income generated through membership now allows AccessArt to be self-funding—enabling us to follow our own vision and expertise as we continue to grow the organisation on behalf of our members.
Join Us
AccessArt really works.
It’s built on the idea of a shared “pot” of creativity. Teachers and artist-educators are openly invited to contribute visual arts education ideas, aligning with our ethos of promoting transferable, open-ended creative learning. All contributors are paid for their work.
As the pot of resources has grown—now with over 1,800 tried-and-tested activities adaptable to different audiences—so too have the opportunities for our members to develop their understanding and practice in arts education.
As a charity, we deliberately keep membership fees low, ensuring no one is excluded from accessing our work on financial grounds.
We hope you’ll feel inspired by what we stand for and what we offer. Now more than ever, we need to work together and speak out about the value of visual arts education—for individuals and for society.
Be Inspired,
Paula Briggs, CEO & Creative Director, AccessArt
What Did Your Child Make With Their Hands This Week? (and why it is important)
By Paula Briggs and Sheila Ceccarelli
If you are a parent of a primary-aged child, please ask yourself “What did my child make with their hands this week?”
For many years, AccessArt has been actively inspiring making through the sharing of excellent practice. However small the making journey, and whether the outcome leans towards craft, fine art or design, the very act of transforming the materials of the world is one of empowerment, and the skills involved need time, space and input just like any other area of learning.
We are always so grateful to be in contact with the many thousands of inspirational supporters of visual arts education – the advocates, teachers, artist-educators, facilitators, parents, arts organisations and of course the learners themselves, who all understand the value of visual arts education, and all of whom work so hard to help nurture creativity.
However, now more than ever AccessArt is becoming aware that many children are not being given the opportunities to explore making. Schools face great time pressure to deliver “more academic” subjects, and there is a shortage of specialist teachers. Whilst many children do benefit from fantastic art teaching, others do not have art lessons on a regular basis, and the teaching can be less rigorous than in other subjects.
Evidence suggests that in 2012, 1 in 12 people worked in the creative industries, and the cultural and creative industries are the fastest growing industries in the UK*. If we do not provide our children with the opportunity to develop their creativity, and we as parents do not demand a place for creativity within our schools, then we are failing to enable our children to meet their potential, and we are not preparing them adequately for the future:
“The pipeline to the creative industries begins at preschool, continues through primary school, through to secondary school and into HE and FE. At each of these stages, and every time we fail to provide an opportunity for children and young people to explore their relationship with the world through making and drawing, we weaken this pipeline, and potentially prevent the next generation of creative individuals from helping build the creative industries of the future.” Paula Briggs, AccessArt
As parents, we want to support our schools and our children’s education, and we recognise teachers work very hard to deliver the best education possible. However, if you feel your school might do more to support your child’s creativity, then there are some simple positive things which can be done:
Show your Support and Interest
You probably know what your child is learning about in maths and english, but what about in art?
Take an active interest in art in school and find out what your child is learning about. How often do they have art lessons? What are the lessons like? What are they learning about? Which materials are they experiencing?
Ask!
Time spent making, or time spent drawing, is never time wasted: it is an investment. Art should have an equal weight to other curriculum areas, and in fact there is a body trying to move away from a focus on STEM (Science, Technology, English, Maths) towards STEAM (Science, Technology, English, Art, Maths).
If you do feel your child would benefit from more time spent on creativity, then do express your concerns to the school. There may be many reasons for the perceived lack:
- Priority given to other subject areas/time pressure on the school day. Some schools choose not to timetable art for a short time each week and instead choose to run art weeks. If a school offers pupils 1 hour art per week, that equates to approximately 39 hours of art per year. Find out how your school timetables art lessons, and if art seems thin on the ground due to time pressure, request art as a subject is given more weight. You might also want to contact the school governors with your concern.
- Lack of specialist teaching/knowledge. Most primary schools have an art or creativity coordinator who will help teachers plan the curriculum in this area. Subject knowledge can be built through organisations such as AccessArt, which aims to inspire and enable schools through the sharing of resources, or NSEAD, who have regional networks to support teachers. Make sure your school knows about these organisations and about how they support art teachers.
Please get in touch if you would like more help as a parent to help support creativity in children.
Bob and Roberta Smith Message from Sophie Leach Nsead on Vimeo.
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Make, Build, Create: Sculpture Projects for Children by Paula Briggs
Published by Black Dog Books
#WHATDIDMYCHILDMAKE
A collection of resources to consider how you can increase opportunities for making
The AccessArt, 40 Artist Educator, Evaluation Space
40 Artist Educator Evaluation Space
In 2014, AccessArt was funded by Arts Council England to create 40 resources which highlighted, celebrated and shared the work of diverse artist educators. New relationships were built, new audiences inspired, and new members attracted to AccessArt to ensure the sustainability of the organisation…
Comment by Susan Coles
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“Reading and viewing the AccessArt 40 Artist Educator Project is a pleasure. To see the resources online and travel along the path of each individual artist educator project is stimulating and exciting.” Read More…
The value of the visual arts in life long learning cannot be questioned. Not only is it essential to growth and development in young people in school, but also the transferable skills that it teaches are skills for life. It develops creative thinking, the ability to reflect, risk taking, enjoyment, pleasure, and it also teaches ‘making’ skills. In the 21st century we must teach people to be visually literate. Art will help them to become viewers, consumers and critics of visual information. We must teach young people to navigate images, to evaluate them and to use them to communicate. Through making art they will learn to create and design meaningful visual information themselves, in both expressive, and innovative ways.
Changes to the educational landscape in recent years have not diminished enthusiasm for visual art but provision has been eroded by curriculum changes and accountability measures. Funding for community-based activities has also been affected. This rich and diverse resource from AccessArt, will support all of those people who are working to engage people in the visual arts. One of the aims was to celebrate the unique approach of each artist to teaching and facilitation. The diversity in approaches and in content and methodology make this resource invaluable in an area where individuality is to be both encouraged and celebrated. These activities have allowed participants to create and design meaningful visual outcomes and information themselves in both an expressive, and innovative way. The activities also value the creative thinking process. They will serve as exemplar materials that can be shared and developed by other artist educators. They will encourage others to aspire to inspire.
It has also involved the artist educators in their own formal professional development through designing a project and creating resources, and acts as a conduit for the professional development of others. This is active and creative networking through an online collection, and a place where comment and conversation can occur. It becomes a professional network, where the individuals who use it are part of a community, which, in itself has strong common beliefs. It values and promotes the visual arts as a learning experience, showcases the diversity of the artist educators and their practices, and becomes a stimulus for those who visit the web space and resource for inspiration. As AccessArt gathers more members, this sense of community and belonging grows and influences. Good teachers are a product of good nurture and it is an ongoing priority that we nurture educators. Keywords in these resources are showcasing and celebrating.
Arriving on the well-designed webpage itself, invites the visitor to enjoy and be inspired. The layout is easy to navigate and to follow. Each of the projects is given its own thumbnail; all of these are visually exciting/inviting and take you into the accessible format of reading the descriptor and then following the project, stage by stage, through photographs (sometimes video) and explanatory text. Context and rationale are also explained. The variety of context is important, there are workshops in primary schools, secondary schools, museums, galleries and public spaces. There are also artists sharing their practice from their studio bases.
Hyperlinks and video links flow well in the design of the pages, and the invite to add a link to a Pinterest page is another way of taking the information to a wider audience. Being able to share via social media, at the click of a button, increases audience range and potential membership.
Connecting to the artist educator though their personal photo image and web links and the short (but useful) biographies are very valuable. This places them as real people who visitors to the webpages can connect to.
One of the stated aims was to celebrate the artists’ unique approach to teaching and facilitation, highlight the value of their contributions
and broaden and enhance educational and creative experiences. This aim has been achieved through the accessibility of the high quality resources, and also through taking some of the activities into the school and community setting, and seeing artist educators work with learners in a “live” brief situation. The benefits of this, to each community, is a legacy of good and creative practice in art, craft and design.
If the audience can be estimated at 60000+ at the time of the evaluation, then I would anticipate seeing this grow as it is disseminated across local, regional, national and international networks and social media platforms. The World Wide Web has created a space for teachers where they can share and where autonomous professional development is supported. The 40 Artist Educator Project is a successful and positive model for such practice. Quality assurance is guaranteed through the knowledge and experience of Paula Briggs and Sheila Ceccarelli. This has also led to a diverse range of practitioner and foci in the collective projects. Small scale, large scale, two-dimensional, three dimensional, permanent, transitionary, traditional, contemporary, individual, group, risk taking and problem solving, all of these (and more) are covered in the 41 projects.
Working with other organisations and partners has also been integral to the success of the Artist Educator Project.
The projects are not just about making, they are about knowledge, evaluation, critical understanding and generating ideas and responses. “Through their active participation pupils learn to explore their imagination, generate ideas, acquire skills and apply judgement.” NSEAD National Curriculum Guidance June 2014. Children’s well-being is enhanced by directly engaging with the visual arts.
From my point of view these resources need to be signposted and shared, with informal evaluations as part of the online/social media conversations. Working with other organisations and partners (local and national) has also been integral to the success of the Artist Educator projects. This will support the dissemination of them.
If the 40 Artist Educator projects are added to, then, I would suggest more gender and ethnicity balance, to reflect life in modern Britain. This balance would continue to build on the social, moral, cultural and spiritual elements of these projects. In an education system, which is heavily slanted towards numeracy and literacy, the visual arts allow children to create their own reflective spaces and to express themselves in a way that develops sense of worth and well-being. Teachers are pushed for time to be creative with their own planning for the subject. AccessArt has created a portal to excellence and ideas, which will inspire them to be more creative teachers.
Susan Coles, Immediate Past President of NSEAD
February 2015
https://twitter.com/theartcriminal
The 40 Artist Educator Project at a Glance
40 Artist Educators Inspired us with their Practice
40 inspirational resources covering many aspects of the visual arts
We now have over 950 Members and 9000 Subscribers using the Resources with their Audiences…
Teachers, artists, facilitators and interested individuals…
We Tested Resources in Four Schools with Six Artists
4 schools in Cambridgeshire helped us test our resources
Website ReDesign
We completely redesigned the AccessArt website to make it mobile responsive and easier to find the info you need…
… and Created another 30 Resources from Applicants to the Project…
Sometimes we just can’t say no! We worked with many additional artist educator applicants to create extra resources!
And Developed our links with a Number of National Organisations
The project helped us nurture our links with many organisations including NSEAD, Engage, Axis, Campaign for Drawing & Anglia Ruskin University, as well as many museums and galleries and smaller arts organisations
Explore our 40 Artist Educators…
From drawing to photography, printmaking to painting, design to installation art…
Click the image above to see all 40 resources
How do the 40 artist educators feel about the project?
“As an art educator who places emphasis on theory, it can sometimes be difficult to place oneself amongst a practice-heavy artist educator group. Paula and Sheila were pleased to represent an Art Historian as one of the 40 Artist Educators. I was also pleased to be present at the 2014 Engage Conference when the programme was highlighted as a case study, which may hopefully lead to future work.” Anna Linch: Putting You in the Picture
“I have just hosted 4 South Korean students who found me on the resource and came to visit me from Seoul . They are researching and developing a programme the MAYEYE programme, for children with visual impairments.” Gillian Adair McFarland
“I offered the resource as a way of opening up possibilities for others. That has always been important in my practice.” Frances Hatch
“A rare opportunity to talk about my work with no hindrance. A fantastic way to share best practice and for Artist Educators to be recognised as valuable both creatively and within education. There is an unfortunate layer of snobbery often attached to work done within the realm of “Art Education’ that fails to recognize the importance of arts education for individuals of all abilities. For some pupils the arts are a place of comfort where they can shine and be recognised for their talents, for others it is a pleasurable past time that hopefully will nurture an interest that will last a whole lifetime and for others it is an avenue to expression that they cannot find elsewhere in the curriculum. Whatever a pupil’s ability encouraging and supporting expression in all forms is an envaluable part of creating on going stable and healthy mental well being and as an Arts Educator I take this aspect of my work extremely seriously”
“It was very useful to be able to evaluate an actual project by presenting it to a potential new audience. It gave me the opportunity to make a permanent record of the printmaking processes and the pupils’ achievements. I was very pleased to be able to include a reference and link to the AccessArt resource when applying for a recent school based project. A very valuable addition to the CV.” Ann Bridges Painter/Printmaker
“Paula and Sheila are both incredibly enthusiastic and encouraging – always. I really hope AccessArt continues to receive support and funding as they are creating really valuable resources and a pleasure to work with.” A 40 Artist Educator
“Back Lane Artspace has found AccessArt to be a truly inspirational resource. Finding a thriving organisation with so many interested and interactive members, who share the same values and the same approach to teaching creativity as our own, has inspired and encouraged us to consider how we can provide and promote more high quality arts experiences to more children. As a result we have become “The Children’s Art School”, a non-profit organisation. Our aim now is to provide more art education in more locations and to reach as many children as possible regardless of social status or family income. We are also forging partnerships with more schools, providing bespoke visual and multi-arts experiences and supporting creative approaches to teaching throughout the curriculum.” The Children’s Art School, Holmfirth.
“It has been a pleasure to work with AccessArt. I was very appreciative of the support that Paula and Sheila gave me during the development and editing of the resource and also their care and attention to detail in presenting my resource on the AccessArt website.”
Being chosen to be one of the 40 Artist Educators made me think about my work. It felt good to share my projects professionally through AccessArt. The young students that took part in the projects were excited that they were going to show their work to a large online audience. We all felt valued. Being involved with AccessArt has boosted my self confidence because they have recognised the value of my work. I know my students enjoy our art projects but AccessArt know that sharing these projects will mean that many others can enjoy them too. I have noticed that there are more hits on my art blog so I am getting new visitors from the exposure.” Sharon Gale, ArtCabin
“I had a lot of email correspondence with Sheila who was extremely encouraging and supportive throughout the process.” Ursula Kelly, Artist Educator
“The flexibility of AccessArt to enable me to contribute ‘ideas’ as opposed to a specific activity was great. The site is such an excellent way of linking artists, educators and ideas together. My resource has been on the site for a few weeks and is already attracting attention. I really look forward to seeing how this continues.” Henry Ward
“I think I am most likely to share the collaboration when I’m applying for work or proposing a partnership by including it in an email or application document, or when I’m working with students and want inspire them by showing them some really imaginative ways of engaging people creatively.” Hannah Coulson, ReachOutRCA
Find Out How the Resources were Evaluated in Schools
Jo Allen & Rachael Causer at Ridgefield Primary
Ann Harild at Chesterton Community College
Hannah Webb at Witchford Community College
Susie Olczak at Swavesey Village College
Just some of the artists and teachers using AccessArt…
“I love the experiential type of art that is on the website….it is so different from any other website that I have seen. I enjoy looking for new ideas for my 21 art classes that I teach…..Keep up the great work!!”
“I primarily use this site when I need a little inspiration for my teaching. I have been an art teacher for 8 years, but I am always interest in developing and expanding my range of approaches and ideas. I often find that I get a little side tracked on the site and these research tangents occasionally inspire a fresh approach to some element of my own art work.”
Michelle Weeks, Paulet High School
Staffordshire
“I have been using AccessArt for over a year, to help develop my Art teaching and gain new art skills. I originally joined as a way of getting CPD, without having to leave my school. AccessArt has helped in motivating students. We have all acquired new skills both teachers and students. The different approaches to drawing have helped to increase our exam success at Paulet.
I increasingly use the blind drawing techniques as not just warm ups but as the start to longer tasks, getting the students to think outside the box. I loved the quiet drawing techniques students have been drawing in the air, ‘quiet and shy drawings’ have become a partof our department vocab and have helped to build confidence and accuracy when recording from life and memory. Using the ideas from projects and drawing techniques have made drawing fun, students particularly liked the sensory drawing activities – drawing through touch.”
” I continue to find Accessart resources incredibly valuable and I continue to spread the word to friends and colleagues. It is a great springboard for developing ideas.”
Felicty Heath, Adult and Community Learning Surrey
Surrey
“I’ve been looking at the website since about March this year. I am a painter and teach adults. Accessart has helped me develop ideas for teaching when stuck with course planning, and needing to come up with new ways of doing things. I know I can find solutions on your site, which I adapt for adults. It also helps with my confidence as often I’m reminded of things I’ve forgotten, and that I can do successfully.
I have introduced a ‘Drawing & Thinking’ project in an adult oil painting class in an attempt to get learners to think differently, enjoy the process and not be judgmental. For this I’ve used some of your drawing ideas – 3 shapes, continuous line drawings and more. They are great for this purpose as they are quick ( but can be expanded), and fun – exactly what I want these learners to have, but with a very definite learning outcome that they can apply to their painting skills. Also taking inspiration from other artists’ work – ‘making drawings with mass’ – Henry Moore’s sheep drawings fitted perfectly into work we were doing about volume.
I can’t remember how I found your site, but it really has been hugely beneficial to my teaching. For myself, it also inspires me to do my own work – just looking at other people’s work can do that for me!”
“As a full time Fine Art student, I aim to work within the community on graduation. The AccessArt site is a fantastic resource which helps to develop my imaginative thought process when I am trying to develop workshops.”
“Great sharing and ideas and easy to use. I really value the teaching and approach to using the gallery as a focus and the variety of community connections that AccessArt makes. I am out of mainstream schools and in a gallery situation where I teach many after school classes. The approach is not curriculum driven and very inspiring and freeing and makes me look closely at what I teach and how I teach it.”
Kate Munro, Artist Educator
Norfolk
I’ve been using AccessArt for about a year, and became a member in June. As a freelance artist and workshop leader it has been almost like having a friend to bounce ideas around with, getting so many balls rolling, and inspiring many projects. Also really good to know there’s a community out there as when you are almost always leading projects alone. Great, thank you.”
“I am planning to develop activities for children for visual arts, for the National Gallery in Kosova, Prishtina. A friend from Edinburgh told me about this website. I am hoping to find ideas about engaging activities for children and making art accessible to young audiences. I have finished MA in Arts and Cultural Management in Edinburgh and temporarily living in Kosovo. Many thanks, Enita Westmoreland”
Maru Rojas
London
I mostly use AccessArt for ideas when planning art sessions. But often I use it just to browse and pass time as some of the activities on the site are amazing. It has helped me in planning more risk-taking and art-focused workshops. I recently used a drawing resource to create my own plan for a 5-week after school art club. The drawing resource was the starting point to get children thinking about lines, space & colour.
“I love the new look AccessArt, it’s easy to navigate, clear and sharp looking. I am always thrilled with the ideas and projects you post, lots of them infiltrate my teaching to Yrs 5 to 9. Just keep it up. You’re tremendous.”
Rachel Adshead, Castlewood School
Coventry
“We have enjoyed intertwining AccessArt into our projects – feeling confident that we are making good progress and enriching the curriculum. I love the sketching – the wildlife / hedgerow painting and have included aspects of this in a natural paint making session at a woodland in which I work. We love the AccessArt projects – they are stunning and inspirational – I have passed them on to other friends and colleagues who are equally impressed. Thank you!”
“I get fantastic explanations and inspiration from this site. I’m a primary teacher and this is the 1st year I’ve taught art to a year 3 class. Great resource. Especially as many of your lessons and ideas needs little specialist equipment.”
“Amazing creative ideas by practicing artists is very inspiring for teachers in schools. I think it is also very refreshing to see something which is not aimed at anything but unlocking creativity. I really love the site.”
“The different approaches to drawing have helped to increase our exam success at Paulet.”
Claire Dean, Bradford College
West Yorkshire
“I have been accessing AccessArt for quite a time now – possibly around 3 plus years. I have used the ideas for working with trainee teachers and to help develop my own art skills. The ideas provided encourage creativity and also provide some degree of security. In other words they allow you to experiment. AccessArt has also encouraged me to try out more techniques in a more open way, thereby developing confidence. My colleague and I have used some of the examples you have provided e.g. shell drawing and large scale drawing to encourage the trainee teachers to work more imaginatively with children and to show how art can link with other subjects such as science without the pressure of realism all the time but capturing important details. The site has developed considerably over the period that I have been using it and there have been many exciting developments with some brilliant resources produced – including the drawing course for teenagers.”
“I believe AccessArt is an incredible concept. The international concept gives insight to other cultures and other artists around the world. Truly inspirational.”
“Its a brilliant site that always fills me with motivation and inspiration to take back to my clients. I always enjoy my visits.”
Mirange Hobson, Bradfield Dungworth Primary School
South Yorkshire
“I first joined AccessArt two years ago, to guide my own creative development. I have also started to use it in the last year to enrich my creative practise in school art education, specifically the after-school art club I run. AccessArt has helped my personal creative development by offering low cost, knowledgable, useable courses and resources in both the fundamentals of art and beyond. The accessibility and friendliness of the site is encouraging and increases in range continually. ”
“It’s BRILL…. a breath of fresh air for me practicing in rural north of England. I hope you continue the good work for many years to come. Thank you.”
“You are a great organisation – much admired and one of the best workshops I took part in. Thanks”
“A simply invaluable resource – I visit your site at least once a week – thank you for all your inspiring ideas.”
” I think you guys are brilliant! I love the easy access to free teaching lessons, and the very economical membership to further lesson plans. Keep up the great work!”
Collaborating Organisations
Welling Visual Arts
“The 40 Artist Educator project has enabled collaboration across a wide range of institutions and individuals. The featured projects demonstrate a diverse cross section of projects highlights fascinating and inspiring approaches to teaching art in the 21st century. All too often teachers are tempted to do what has worked in the past, frequently with diminishing returns. This project gives art staff no excuse to rest on their laurels but rather a tool kit to reinvigorate their practice. We look forward to more AccessArt projects in this vein in the future.” Andee Collard. Head of Specialism. Welling School.
“The 40 Artist Educators project has been really exciting for everyone involved. At Cambridge School of Art we have been particularly delighted to host an exhibition of some of the work in the Ruskin Gallery, so that both artists and pupils can gain the satisfaction of seeing their work in a professional setting. Simply as an ‘artist in residence’ type project , the 40 artists and their pupils have benefitted they always do in such situations – real artists have inspired children to dare to do things differently, something they will remember for many years to come. Such engagement also inspires the artists to evaluate what they do in new ways. When you add the additional asset that AccessArt brings to art education – dissemination of artwork and practical ideas via the internet and social media – these benefits are of course multiplied. New ideas and activities taking place in a village school in Cambridgeshire have travelled across the world, and created ripples from Yorkshire to as far afield as South Korea. Let’s hope this project can continue in new ways, and that 40 artists can turn into 4000 artists as it grows.” Chris Owen, Head of Cambridge School of Art
The V&A
“Access Art are a fantastic resource for teachers, providing a wonderful mix of exciting, inspiring ideas and practical advice and support. It is a pleasure to share a case study from our V&A Design Lab programme with the Access Art audience.” Rebecca English, V&A
VIVID
“The VIVID project has for the last three years linked artists, designers and educators in four countries on either side of the English Channel – France, Belgium, the Netherlands and the UK. Part of the purpose of the project was to develop artistic talent in schools, and AccessArt have made a great contribution to this by bridging the gap between school art lessons and School of Art studios. Besides art and design activities for schoolchildren organised at Cambridge School of Art, the AccessArt on-line drawing modules spread the message across the globe that art matters to young people, and I was delighted that they were able to share the results of this experiment at the final VIVID conference in Breda, in September 2014. ” Chris Owen, Head of Cambridge School of Art
“AccessArt have been very supportive of what we do at the Art Cabin. Sharing our creative projects through the ’40 Artist Educator’ resource definitely gave the young students involved a real sense of pride.” Sharon Gale, The ArtCabin
The Little Art Studio
“At the Little Art Studio I have felt really supported both in the work that I do and in what I believe in. Sheila’s and Paula’s steady stream of encouragement has really helped, and being chosen as one of the forty artist / educators has been great. As an an artist I aim always to maintain an openness – and as an educator too – an openess to discovering more about “learning” and “teaching”.
AccessArt is a resource site with real integrity which is also a fundamental necessity in the pursuit of both true education and creative development. They understand the meaning of process and of exploration as a valuable part of the creativity and the importance of showing reflection and time as a crucial step in development. To be linked feels an honour and I will use my “award” to develop my teaching confidently and to support applications for further work within education. To now see the 40 artist / educators project is wonderful – and through it I now feel a part of a rich and diverse collection of artist / educators.” Ellie Somerset, The Little Art Studio
Back Lane Art Space and The Children’s Art School
Cambridge Curiosity and Imagination
“CCI and AccessArt have long shared a passion for how creative experiences can transform lives so this opportunity to link our work on this brilliant resource was really welcome.”
Orleans House Gallery
Inspired to work with AccessArt? Please get in touch!
Although the 40 Artist Educator project is now over, the resources created will remain on the AccessArt website as part of the AccessArt resource bank for years to come, benefiting new audiences.
AccessArt is a UK registered charity and receives no revenue funding. Instead we rely on income from memberships to enable us to continue to meet our aim of inspiring and enabling visual arts education. Membership is open to teachers, facilitators, artists and individuals across the UK and overseas. Please consider becoming a member to benefit your practice and support AccessArt. Membership starts at just £3.50 per month.
We are always looking to work with organisations, artists, teachers and facilitators to develop new content and resources. Please get in touch.
Be Inspired!
AccessArt Membership: Pay Annually By Direct Debit Online
Direct Debit* provides an easy way to pay for your annual AccessArt subscription. For just £42 per year you gain full access to all our resources, plus downloadable pdf’s. You also qualify for discount on our Distance Learning Courses.
With Direct Debit, you are in Control
AccessArt wants to save you time and trouble – we know for many customers paying by Paypal is a hassle, with failed payments because your card has expired mean you lose access to resources. For that reason we are introducing Direct Debit as a payment option.
You’ll be notified of any upcoming payments, and you can cancel whenever you want. The Direct Debit Guarantee makes this the safest way to pay.
Our chosen payment operator is Go Cardless. Go Cardless is a highly secure and popular system used by HM Government, The Guardian and The Financial Times, amongst many others.
Setting up a Direct Debit with AccessArt is extremely simple (even pleasurable!!). When you click the GoCardless image below, you will be taken to a simple secure Go Cardless form.
If you have any questions, call us AccessArt on 01223 606139.
*At the moment we can only take Direct Debits for customers with banks in the UK. If you live outside the UK and wish to join AccessArt, please see all other options here.
Click the image below to be taken to the online form.
Direct Debit Success Annual Membership
Many thanks for signing up to AccessArt Annual Membership.
AccessArt will now collect £42.00 annually. You can cancel at any time and are protected by the Direct Debit Guarantee Scheme
AccessArt will now create an annual membership for you – please allow 48 hours for us to do this (though your membership will often be made live much quicker than this). You will receive an email from AccessArt letting you know when you can login (and containing your login details).
You might want to make sure our email addresses are whitelisted (info@accessart.org.uk, paula@accessart.org.uk, andrea@accessart.org.uk, accessart@accessart.org.uk). Pls do check your junk folder if you do not receive an email from us within 48 hours.
If you have any questions please contact Andrea our Membership Manager or Paula on 01223 606139. Office hours are 9.00 to 18.00 Monday to Friday GMT or leave a message.
You can also email andrea@accessart.org.uk or paula@accessart.org.uk
To Cancel your Membership
You can cancel your membership at anytime by contacting your bank. You can also request that AccessArt cancels on your behalf – pls email us as above.
Thank you and Be Inspired!
AccessArt
How Schools Kill Creativity by Ken Robinson: Ted Talk
Sir Ken Robinson makes an entertaining and profoundly moving case for creating an education system that nurtures (rather than undermines) creativity.
The AccessArt Loom Band Sculpture
During the summer of 2014, the loom band craze hit the UK. AccessArt invited children everywhere to send us their loom band creations so that we could knit, weave and tie them together to make a wonderful loom band sculpture!
We created a sculpture full of summer nostalgia and colour. We took childhood toys such as a bike, a scooter, a fishing rod and net, a hula hoop, together with an old umbrella and some found objects. We reassembled all the objects and transformed them by covering them with the loom band creations. Enjoy!
The AccessArt Loomband Project was featured on BBC Newsnight’s article by Stephen Smith Is the loom bands craze ‘inspiring art’?
AccessArt is a UK charity which aims to inspire visual arts exploration. See all our resources at /find-a-resource/
Many thanks to Loom Bandtastic for donating 50,000 bands to our project.
Direct Debit Success
Many thanks for signing up to AccessArt Monthly Membership.
AccessArt will collect £3.50 on the 15th of each month. You can cancel at any time and are protected by the Direct Debit Guarantee Scheme
AccessArt will now create a monthly membership for you – please allow 48 hours for us to do this (though your membership will often be made live much quicker than this). You will receive an email from AccessArt letting you know when you can login (and containing your login details).
You might want to make sure our email addresses are whitelisted (info@accessart.org.uk, paula@accessart.org.uk, andrea@accessart.org.uk, accessart@accessart.org.uk). Pls do check your junk folder if you do not receive an email from us within 48 hours.
If you have any questions please contact Andrea our Membership Manager or Paula on 01223 606139. Office hours are 9.00 to 17.00 Monday to Friday GMT or leave a message.
You can also email andrea@accessart.org.uk or paula@accessart.org.uk
To Cancel your Membership
You can cancel your membership at anytime by contacting your bank. You can also request that AccessArt cancels on your behalf – pls email us as above.
Thank you and Be Inspired!
AccessArt